World War 2’s Little League of the “Fourth Front”: Minor Propaganda Mouthpieces for the Axis Powers

International Relations, Media & Communications, Regional History

If “Lord Haw-Haw” (William Joyce), “Axis Sally” (Mildred Gillars) and the most significant of the “Tokyo Roses” (Iva Toguri) were the major leaguers of Axis radio propaganda promulgators in WW2, then there was certainly a minor league of active players as well. Most of these other wartime on-air advocates of Fascism and Nazism didn’t come close to achieving the profile of the “Big Three”…names like Paul Ferdonnet, Philippe Henriot(𝓪), John Amery, Frederick Wilhelm Kaltenbach, Edward Delaney, Douglas Chandler, Robert H Best, Donald S Day and Jane Anderson and are not exactly household names of the “Fourth Front” in wartime (although Ezra Pound certainly was) [‘Voices of the Axis: The Radio Personalities of the Fascist Propaganda’, Chuck Lyons, Warfare History Network, www.warfarehistorynetwork.com].

Goebbels & Hitler with the “People’s Receiver” (Source: badischezeitung.de)
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Home-grown Gallic Nazi mouthpieces
Vichy France had plenty of collaborators with the Nazi occupying forces of course, two who had roles in the propaganda airwaves war on France’s own citizenry and troops were Paul Ferdonnet and Philippe Henriot. Ferdonnet, a right wing anti-Semite, moved to Germany before the war to work for Radio Stuttgart as their French language broadcaster. Labelled le traître de Stuttgart by the French press, Ferdonnet focussed on undermining French faith in the alliance with Britain – a recurring refrain directed towards his French audience was “Britain would fight to the last Frenchman” or its variant, “Britain provides the machines and France provides the bodies” [Julian Jackson, France: The Dark Years, 1940-1944, (2003)]. Apprehended after the fall of the Nazis, he was executed for treason in 1945.

Henriot in full flight (Photo: Keystone/France/Gamma vis Getty Images)
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The “French Goebbels”
Philippe Henriot eagerly aligned himself with the collaborationist Vichy regime, rising to become the Vichy minister of information and propaganda in early 1944, waging a verbal and psychological war against the Free French. His 270 broadcasts on Radio Vichy played on the fears, anxieties and prejudices of the French people, like Ferdonnet urging them to break off their association with Britain. Henriot’s airwaves appeal was his “mesmerising rhetoric and delivery” which made him compulsory listening for many French men and women [‘Philippe Henriot and the Last Act of Vichy: Radio Broadcasts, January – June 1944’, (K Chadwick), University of Liverpool, www.gtr.ukri.org]. Assassinated by the French Resistance in 1944.

A son of the British establishment
John Amery, son of a British Conservative cabinet minister, is best known for proposing to Hitler the formation of an anti-Bolshevik league, British Free Corps, to fight against communism. Avery made propaganda appeals via radio from Berlin to try to recruit British and Dominion members to the force (he also targeted British POWs). Avery moved later to Italy to resume his stint at the Axis microphone spruiking Mussolini’s “last chance saloon” Republic of Sàlo. Captured in 1944 and transported to London, he was tried for high treason, convicted and hanged in 1945.

Tasked with keping America in isolation 
It’s interesting that quite a significant proportion of the foreign recruits voicing pro-Nazi propaganda at the mic on German radio were American(𝓫). As early as 1939 Hitler’s regime was actively recruiting expat Yank performers for short wave transmissions to America with the objective of persuading Americans to stay out of the world war, in synch with the mission of the “America First” movement on the home front. For a few of the expatriate American mouthpieces for Nazism like Donald S Day it was a highly lucrative vocation. Day was making $3,000 a month(𝓬) railing against Jews, Bolsheviks and the allegedly “Jew- loving” FDR(𝓭).

Douglas Chandler

It was a standard feature for the expat broadcasters to use (or to be assigned) nicknames. Robert H Best always signed on as “Mr Guess Who”; Jane Anderson was the “Georgia Peach”; Douglas Chandler styled himself as a pro-Nazi “Paul Revere” with galloping horse-hoof sound effects (‘The Nazi Who Infiltrated National Geographic’, Nina Strochlin, National Geographic, 28-Apr-2017, www.nationalgeographic.com). Fred Kaltenbach’s homespun style of commentary and similarity to William Joyce’s creation earned him the derisive nickname of “Lord Hee-Haw” (‘6 World War II Propaganda Broadcasters’, Evan Andrews, History, Upd. 29-Aug-2018, www.history.com)

Jane Anderson (Source: guerracivildia.blogspot.com)

After the war eleven of the expat Americans were prosecuted for treason, the great majority of them were not as lucky as Jane Anderson. Anderson who had ‘upgraded’ herself from being a Falangist mouthpiece for Franco during the Spanish Civil War to broadcasting for the Nazis’ RRG (Reich Broadcasting Corporation) was indicted in absentia for treason, however charges against the Nazi sympathiser were dropped for lack of evidence (the prevailing view seems to be that she was “not a very effective political commentator”) …the case against her further complicated by her being a Spanish citizen by marriage [‘The Propaganda Front’, William L. Shirer, The Washington Post,  14-Feb-1943, www.justice.com].

Ezra pounding out his Axis radio scripts (Photo: Carl Mydans/The LIFE Picture Collection/Getty Images)

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Pound’s propaganda pieces
By far the most famous of the pro-Axis broadcasters was yet another expat American, the influential poet Ezra Pound. Pound’s disavowal of democracy and egalitarianism took him to Fascist Italy where his hero-worshipping of il Duce and the inducement of Italian Lire resulted in Pound becoming a broadcaster of anti-Allied, pro-Axis propaganda—first from Rome Radio for the Mussolini regime and later from Milan for the Nazi puppet state Republic of Sàlo—churned out in short wave transmissions to Britain and the US. (‘Empty Air: Ezra Pound’s World War Two Radio Broadcasts’, Gibran Van Ert, Past Imperfect, Vol. 3, 1994, pp.47-72, www.journals.libraryualberta.ca). Arraigned for treason after the war, Pound’s comeuppance for his sins was of a whole different kind to the other apprehended foreign broadcasters. Courtesy of his lawyers’ successful insanity plea, the Cantos poet/cum/propagandist avoided prison or worse and was instead committed to a Washington DC psychiatric hospital where he was incarcerated for 12 years, unrepentant and still sprouting extremist and anti-Semitic opinions (‘Ezra Pound: Modernist Politics and Fascist Propaganda’, Matthew Feldman, Fair Observer, 02-Nov-2013, www.fairobserver.com).    

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(𝓪in Henriot’s case however, if only within occupied France, his profile was “movie star” huge

(𝓫) even the notorious Lord Haw-Haw (William Joyce), more associated with Britain and Ireland, was American born

(𝓬) placing him the top half-dozen salary earners on RRG’s payroll (‘Donald Day Got $3000 a Month as Nazis Stooge’, Montréal Gazette, 9-July-1945). 

(𝓭) the Pro-Nazi radio broadcasters rarely ever deviated from the popular pet topics of their vitriol which were usually interlinked  –  Jews (associated with international finance),  communism (sometimes combined with Jews, ie, “Judeo-Bolshevism”), the “Jew-loving” American President Roosevelt, PM Churchill and ”his bondage to the plutocrats”, etc.

𝓮.𝓯𝓰n𝓱𝓲

 

Returning Serve to the Nazis: Britain’s WWII Radio Propaganda Machine

International Relations, Media & Communications, Military history, Regional History
History stopped in 1936 – after that, there was only propaganda
~ George Orwell

We want to spread disruptive and disturbing news among the Germans which will induce them to distrust their government and disobey it
~ Sefton Delmer

Previous blogs on this site talked about how the Nazis used expat Britons and Americans to launch a blast of psychological warfare against the Allies with the objective of undermining their forces’ morale in WWII, the means utilised, the ‘weapon’ of powerful radio transmission (voiced by role-playing figureheads, in particular the so-called “Lord Haw-Haw” and “Axis Sally”). It wasn’t long into the World War before Britain decided it too would infiltrate the enemy airwaves in a counter-attempt to try to mess with German military minds.

𝔓𝔯𝔬𝔭𝔞𝔤𝔞𝔫𝔡𝔞 𝔴𝔞𝔯𝔣𝔦𝔢𝔩𝔡, 𝔚𝔚ℑℑ (𝔯𝔢𝔡𝔦𝔱: 𝔉𝔩𝔦𝔠𝔨𝔯)

Es spricht der Chef
To undertake the task the Political Warfare Executive (PWE) was formed with the brief of disseminating ”black propaganda”a against the enemy.The idea involved setting up a number of fake German radio stations—the first called Gustav Siegfried Eins (shortened to GS1) using shortwave frequency, harder for the Nazis to jam—as the propaganda vehicle for deceiving the Fatherland. From May 1941b every day at 1648 hours a broadcaster purporting to be an old school Prussian officer known as der Chef would come on the air on German radio and, predictably, denounce the enemy, the ‘Brits’, the ‘Ruskies’ and the Jews, but then launch into a full-blown rant castigating Nazi officialdom too…in “profanity-laced tirades” the Chief would lambast Nazi officials’ “buffoonery, sexual perversity and malfeasance…condemning their incompetence and their indifference to the deprivations” suffered by the German volkc. Because he sounded ‘legit’ the impression many listeners got from the disillusioned Chief’s on-air ‘sprays’ was that there must be a rift within the German high command (‘The Fake British Radio Show That Helped Defeat the Nazis’, Marc Wortman, Smithsonian Magazine,28-Feb-2017, www.smithsonianmag.com).

𝔓𝔥𝔬𝔱𝔬: 𝔞𝔪𝔞𝔷𝔬𝔫.𝔠𝔬𝔪

Other little parcels of poison delivered by “the Chief” via the radio waves included insinuations that the supposedly ‘Ayran’ army of the Third Reich was being contaminated by the influx of foreign troops in its ranks. He also alleged that injured German soldiers were receiving infusions of “syphilis-tainted blood” of captured Slavs. Another unsubtle avenue pursued by the Chief was to play on German officers’ fears of spouse infidelity at home.

𝔊𝔖1 𝔞𝔡𝔦𝔬 𝔖𝔱𝔞𝔱𝔦𝔬𝔫 𝔞𝔱 𝔐𝔦𝔩𝔱𝔬𝔫 𝔅𝔯𝔶𝔞𝔫 (𝔖𝔬𝔲𝔯𝔠𝔢: 𝔅𝔢𝔡𝔣𝔬𝔯𝔡 𝔅𝔬𝔯𝔬𝔲𝔤𝔥 𝔬𝔲𝔫𝔠𝔦𝔩)

In truth, the voice they heard belonged not to a disaffected Prussian army veteran but to Peter Seckelmann, a refugee from Nazi Germany acting out the role of der Chef. The panicked Nazi commanders combed the Reich to try to locate what they thought must be a maverick German general on the loose, all the time Seckelmann was secretly housed in England, in a small radio studio tucked away in quiet Bedfordshire.

𝔖𝔢𝔣𝔱𝔬𝔫 𝔇𝔢𝔩𝔪𝔢𝔯 (𝔓𝔥𝔬𝔱𝔬: 𝔎𝔲𝔯𝔱 𝔲𝔱𝔱𝔬𝔫/𝔓𝔦𝔠𝔱𝔲𝔯𝔢 𝔓𝔬𝔰𝔱/𝔲𝔩𝔱𝔬𝔫 𝔄𝔯𝔠𝔥𝔦𝔳𝔢𝔰/𝔊𝔢𝔱𝔱𝔶 𝔪𝔞𝔤𝔢𝔰)

Sefton Delmer at the helm
The mastermind behind Britain’s black propaganda campaign was Denis Sefton Delmer, born in Berlin of Australian parents. Recruited by PWE in 1940 because of his fluency in German and familiarity with the Nazi leadersd, Delmer had a thing for colourful descriptions of what his black propaganda unit did…”psychological judo” and “propaganda by pornography”e. The former German-based Daily Express journalist moulded PWE “special operations” into a “veritable fake news mill”, assembling an efficient team of artists, writers and printers who worked tirelessly to create thousands of phoney German newspapers and leaflets (not to neglect the role of American bombers who dropped two million units of the bogus literature every day over enemy territory)f. Gathering information from various sources (British intelligence, German POW interrogations, resistance operatives, bomber debriefings), PWE deceived and bewildered the Axis enemy through a carefully measured mix of lies and fact (Wortman). The tactics of ‘black’ radio were “short-term, rumour-filledg and deceptive” (Nicholas Rankin, Churchill’s Wizards: The British Genius for Deception 1914-1945 (2008)).

𝔩𝔞𝔫𝔡𝔢𝔰𝔱𝔦𝔫𝔢 𝔄𝔰𝔭𝔦𝔡𝔦𝔰𝔱𝔯𝔞 𝔱𝔯𝔞𝔫𝔰𝔪𝔦𝔱𝔱𝔢𝔯 𝔞𝔱 𝔚𝔞𝔳𝔢𝔫𝔡𝔬𝔫 𝔗𝔬𝔴𝔢𝔯 (𝔖𝔬𝔲𝔯𝔠𝔢: 𝔩𝔦𝔳𝔦𝔫𝔤𝔞𝔯𝔠𝔥𝔦𝔳𝔢.𝔬𝔯𝔤.𝔲𝔨)

The fake news network
Soddatensender Calais (G9) was another, British-run, faux Nazi radio station. ‘Aspidistra’, a medium wave radio transmitter located in Crowborough, East Sussex, conveyed the Sefton Delmer blend of music, innocuous information (appealing to German servicemen) together with the manipulated, ‘black’ kind of information (‘Fake News is Nothing New: 5 ‘Black Propaganda’ Operations From the 1930s and 1940s’, Jeanette Lamb, History Collection, 24-Mar-2017, www.historycollection.com).

𝔅𝔯𝔦𝔱𝔞𝔦𝔫𝔰 𝔭𝔰𝔢𝔲𝔡𝔬𝔊𝔢𝔯𝔪𝔞𝔫 𝔫𝔢𝔴𝔰𝔭𝔞𝔭𝔢𝔯

Getting back to “the Chief”, Seckelmann under the direction of Sefton Delmer made in all 700 broadcasts to the German population. The Nazis tried to jam the broadcasts coming through the GS1 station but to no avail. Delmer, having decided to close down GS1, orchestrated a dramatic denouement for der Chef charade, having him ‘assassinated’ on-air in the final episode in 1943 (transforming “the Chief” into a kind of martyred loyalist to the Führerh).

Backlash to Delmer’s black propaganda approach
Not everyone in Britain including those within government were on board with Delmer’s black radio activities. There were critics inside Churchill’s war cabinet, like Richard Stafford Cripps, who condemned PWE for taking the moral low ground … serving up a cocktail of outrageous lies and dirty tricks – from inventing military sex orgies to discredit the SSi to fake news of American ‘miracle’ weapons like the new, non-existent ”phosphorus shells” to abrade the morale of German listeners [‘Black Propaganda in WW2’, The History Room, YouTube video, 2014). Delmer himself was a forthright, controversial and sometimes polarising figure, he had no compunction about exploiting sex in its most extreme manifestations including ”beastly pornography” and even pederasty, fabricating atrocities including the rape of German soldiers’ wives and sisters. Delmer was eyed with suspicion by both sides, some Germans thought he was a British spy and some Britons thought he was a Nazi spy (Rankin).


How effective were PWE’s black propaganda broadcasts?

PWE’s sheer weight of rumours, lies, half-truths and disinformation from PWE certainly no doubt took some toll on a already sagging German morale in the latter stages of the conflict, but did Delmer’s ”psychological judo” “disrupt the enemy’s will and power to fight on”? (‘Propaganda – A Weapon of War’, NLS, www.digital.nls.uk). It is not possible to definitely answer this question in the affirmative or negative. At the end of the war PWE was disbanded and all its records and documents were shredded. The deficit of data precludes any firm idea of how big and widespread the Germany wartime audience for the phoney radio transmissions was. Praise for PWE’s work however came from on high in the enemy camp, Minister of Propaganda Goebbels no less who conceded that Britain’s black Soldatensender had accomplished a “very clever job of propaganda” (Goebbels’ 1943 diary entry).

𝖁𝖔𝖑𝖐𝖘𝖊𝖒𝖕𝖋ä𝖓𝖌𝖊𝖗 (𝖑𝖎𝖙. “𝕻𝖊𝖔𝖕𝖑𝖊𝖘 𝕽𝖊𝖈𝖊𝖎𝖛𝖊𝖗”) (𝕾𝖔𝖚𝖗𝖈𝖊: 𝕮𝖔𝖔𝖕𝖊𝖗 𝕳𝖊𝖜𝖎𝖙𝖙 𝕮𝖔𝖑𝖑𝖊𝖈𝖙𝖎𝖔𝖓)

Footnote: ‘Black’ v ‘white’ propaganda
Black propaganda is distinguished from the more common type ‘white’ propaganda. The ’White’ kind is propaganda that does not hide its origins or nature, that emanates from bodies from government international information services (eg, BBC, The Voice of America). A third variant, ‘grey’ propaganda, straddles the other two – the origin of the information and messages is concealed so it can’t be discerned, eg, during the Cold War the CIA beamed grey propaganda into the Eastern Bloc through the intermediary of radio stations like Radio Free Europe/Radio Liberty (’Grey Propaganda’, www.powerbase.info).

______________________________

a a form of propaganda (used by both sides in the war) which “is presented by the propagandizer as coming from a source inside the propagandised” (Becker, H. (1949). ‘The Nature and Consequences of Black Propaganda.’ American Sociological Review, 14(2), 221–235. https://doi.org/10.2307/2086855) , ie, by those it is supposed to discredit (Wikipedia)


b the onset of Der Chef’s broadcasts coincided with the defection of the Nazi deputy leader Rudolf Hess to Britain


c the Chief’s main target for ”character assassination” were ”lower-level Nazi functionaries” and their presumed corruption, ‘His Majesty’s Director of Pornography’, Stephen Budiansky, HistoryNet, www.historynet.com)


d Delmer met Hitler himself while inspecting the Reichstag fire in Berlin


e he even referred to himself irreverently as “HMG’s Director of Pornography”


f producing “agitprop masquerading as inside dirt” (‘Fighting the Nazis With Fake News’, Matthew Shaer, Smithsonian Magazine, April 2017, www.smithsonianmag.com)


g one baseless rumour spread by the bogus German stations that led the Gestapo on a wild goose chase concerned a resistance group of anti-Nazis supposedly inside the Reich called “Red Circle” ‘Undermining Hitler (Part One of Three)’, Providentia, 07-Feb-2016, http://drvitelli.typepad.com)

h Seckelmann‘s dissident officer in his radio diatribes had been careful to exclude Hitler himself from any blame, suggesting that it was the subordinates who had betrayed the Führer


i the PWE artists’ role in the Brits’ deception was to skilfully forge documents which falsely incriminated Nazi personnel in the SS and other arms of the forces


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WWII’s Psychological Warriors of the Airwaves 3: DJ “Orphan Ann” and the Many Voices of Tokyo Rose

Cinema, International Relations, Media & Communications, Military history, Society & Culture

 

”Greetings everybody, this is your number one enemy” (typical sign-on for “Tokyo Rose”)

Image: National WWII Museum

In just about every movie and television series Hollywood has made involving Japan and WWII the name of “Tokyo Rose” invariably seems to pop up. Its a standard trope in American war dramas and TV comedies like McHale’s Navy. The San Francisco Chronicle called Tokyo Rose “the Mata Hari of radio”. However, unlike Mata Hari(ǟ), there was no actual “Tokyo Rose”. The name was generic, applied to some dozen or so English speaking Japanese women radio broadcasters who penetrated the airways of American, Australian and New Zealand servicemen in the Pacific theatre of war. Tokyo Rose wasn’t even confined to Tokyo, the female propagandists operated from several cities in the Japanese Empire including Manila, Shànghâi and Tokyo(ɮ).

Many Tokyo Roses but one message
The Tokyo Rose broadcasts would follow a familiar pattern…in between spinning American pop records (to remind the GIs of home), the women in conversational manner would make jokes and taunt the servicemen in an attempt to sap their morale and blunt their appetite for war(ƈ). Paradoxically, for some of her American GI audience the Tokyo Rose radio broadcasts had an opposite effect, they were popular as entertainment and “a welcome distraction from the monotony of their duties” (‘How ‘Tokyo Rose’ Became WWII’s Most Notorious Propagandist’, Evan Andrews, Upd. History, 26-Nov-2019, www.history.com).

Listening to Tokyo Rose on Zero Hour (Source: psywarrior.com)

As stories of Tokyo Rose were spread between GIs, she took on a mythic element in American minds, it was said her snippets of information were “unnervingly accurate (about the Allies), naming units and even individual servicemen” (‘Tokyo Rose (1944)’, www.publicdomainreview.org). The ramifications of this belief were to prove momentous later on for one of the women identified as Tokyo Rose — see Note (ɖ).

Iva at the mike

Iva Toguri/“Orphan Ann”, the ‘real’ Rose?
American opinion hit on a surprising candidate for the real identity of Tokyo Rose, Iva Ikuko Toguri (D’Aquino). Toguri was one of its own, a US citizen of Japanese descent born in Los Angeles who found herself stuck in Japan as hostilities broke out between the two countries. Coerced into broadcasting on Japan’s ‘Radio Zero’ shortwave station as a disc jockey, Toguri played records and performed comedy sketches. She did appeal in her friendly American voice to lonely GIs to return to their loved ones in the US but her propaganda value to the Japanese was considered limited(ɖ). Returning to the US after the war Toguri, labelled by the press as “the one and only Tokyo Rose”, was eventually tried in 1949. Toguri’s conviction for treason was dubiously arrived at and it was widely felt she was made a scapegoat (‘Tokyo Rose’, Upd.  6-Oct-2020, www.biography.com). The supposed “Tokyo Rose” was sentenced to 10 years in prison and fined $10,000, serving six years and two months. On release she spent overs 20 years living in Chicago ‘stateless’ before a fresh investigation of the case discovered two of the prosecution witnesses had been coerced by the Justice authorities into perjuring themselves…consequently President Ford pardoned her in 1977 (‘Iva Toguri Patriot’, American Veterans Center, (YouTube video, 2021)

Belated presidential pardon (Screenshot ‘Iva Toguri, Patriot’)

Endnote: Mitsu Yashima, Tokyo Rose in reverse

Mitsu Yashima (Source: Densho Encyclopedia)

A parallel but very different story to Tokyo Rose is that of Mitsu Yashima. In the 1930s Mitsu (born Tomoe Sasako), a Japanese artist, was pro-peace, anti-military and anti-imperialist in an increasingly militaristic right wing Japan. After imprisonment and torture for her left-leaning views she and her husband escaped to the US in 1939. Once America committed to the World War Mitsu joined the war effort – working for the Office of Strategic Services, she used her language skills to broadcast anti-Japanese propaganda through the airwaves. On radio she made a particular pitch to the women of Japan, urging them to commit acts of sabotage aimed at helping to bring the Japanese military machine to a halt (‘Mitsu Yashima’, Wikipedia, http://en.m.wikipedia.org ; ‘The Epic Lives of Taro and Mitsu Yashima’, Greg Robinson, Valerie Matsumoto, Discover Nikkei, 11-Sep-2018, www.discovernikkei.org).

 

 

Credit: IMDb

Postscript: Hollywoodised Tokyo Rose
As the war in the Pacific was reaching its climax the US made its own propaganda capital out of Tokyo Rose with a 1946 potboiler of a movie of the same name. Tokyo Rose exploited and sensationalised the story, The feature was “not merely a fiction, but a dangerous distortion of the truth”…according to Greg Robinson, it depicts the title character‘s radio propaganda as being “directly responsible for the death of demoralised American soldiers” and thus contributed to the jaundiced atmosphere that pervaded the subsequent trial of Iva Toguri (‘Tokyo Rose: The Making of a Hollywood Myth’, Greg Robinson, Discover Nikkei, 01-Nov-2021, www.discovernikkei.org).

 

▓ See earlier blogs on Lord Haw-Haw and Axis Sally in this series of war radio propaganda broadcasters, WWII’s Psychological Warriors of the Airwaves, Part 1 and Part 2

︻︻︻︻︻︻︻︻︻︻︻︻︻

(ǟ) ”Mata Hari”, the nom de plume of a Dutch exotic dancer executed by the French for allegedly spying for Germany during WWI

(ɮ) none of the female radio hosts ever referred to themselves as “Tokyo Rose” on air (it was purely an American invention”)

(ƈ) and as with her Axis counterpart in Europe, Axis Sally, the Tokyo Roses would try to sow little seeds of doubt in GI minds about the fidelity of their wives and girlfriends in America

(ɖ)

 

ɛʄɢɦɨʝӄ

WWII’s Psychological Warriors of the Airwaves 2: The “Axis Sallys”, Disinforming the Allies

Archaeology, International Relations, Media & Communications, Regional History
1940s radio in the home (Source: Pinterest)

After the early prominence of “Lord Haw-Haw” in World War II (see previous blog ‘WWII’s Psychological Warriors of the Airwaves I: Lord Haw-Haw’s Career in Radio Propaganda’), the Nazis obviously thought the idea of employing native English speakers to undermine the British enemy through radio propagandising was one worth replicating against the Americans when they too entered the global conflict. For this special communications role the Germans choose a woman, moreover an expatriate American woman living in the Third Reich. 

Fräulein Gillars (Source: Alamy Stock Photo)

Mildred Gillars
Maine-born Mildred Gillars had demonstrated her loyalty to the Fatherland by staying in Germany after war broke out (not wanting to part from her German fiancé). Recruited by program director Max Otto Koischewitz for the  German State Radio (Reichsrundfunkgesellschaft), Gillars, dubbed “Axis Sally” by US GIs, had a DJ segment on Radio Berlin which was beamed over the American airwaves. Her messages to America followed predictable themes, eg, “Damn all Jews who made this war popular. I love America, but I do not love Roosevelt and all his kike boyfriends”. Gillars had visited American POWs in German camps while posing as a Red Cross worker, collected their messages for home and then after giving them a pro-Germany tweak, broadcast them on the airwaves (‘Axis Sally. World War II Propagandist/The Bride of Lord Haw-Haw!’, Rob Weisburg, Lives of the Great DJs, www.wfmu.org).

Max Koischewitz (Image: www.popularbio.com)

Berlin calling  
Gillars’s on air style was diametrically the opposite of Joyce’s hectoring tone, she used a pleasant, conversational approach which sought to sow the seeds of doubt, posing the question whether the wives and girlfriends of the serving soldiers, sailors and airmen would remain faithful during their absence. However, as with Lord Haw-Haw, many of the GIs only listened because they found Axis Sally’s shows humorous (‘6 World War II Propaganda Broadcasters’, Evan Andrews, History, Upd. 29-Aug-2018, www.history.com). 


Gillars’ greatest notoriety lies with the radio play (Vision of Invasion) she broadcast to American soldiers in England a month prior to D-Day, forecasting doom and devastation awaiting the Allies if they were to invade occupied France. After the war Gillars was apprehended and eventually returned to the US in 1948 to stand trial on 10 counts of treason. The ”voice of Axis Sally” was acquitted on nine of the counts but was convicted on the 10th count, the broadcast of Vision of Invasion. Gillars was sentenced to 10 to 30 years in a West Virginian prison and ultimately served 12 years (released in 1961).

༄࿓ ༄࿓ ༄࿓


The strabismic but sexy sounding Rita

Axis Sally, Italian style  
In 1943 the Fascist Regime in Italy sought to capitalise on Nazi Germany’s success with the Axis Sally broadcasts by coming up with an Axis Sally of their own. Actually this Axis Sally, Rita Zucca, was born in New York of Italian parents. Rita Zucca with her sweet and seductive voice was teamed up with a German broadcaster in a radio program entitled “Jerry’s Front Calling”, spewing out defeatist propaganda from Rome to Allied troops in North Africa, Sicily and Italy. When the original ’Sally’, Midge Gillars, heard that someone else had appropriated her moniker, she was ropeable (‘Rita Zucca’, Wikipedia, http://en.m.wikipedia.org)

One of Signorina Zucca’s ploys was using intelligence provided by the Nazis to try to deceive and confuse the Allied forces. In 1944 when the enemy advanced on Rome, Zucca fled north with the retreating Germans to Milan where she resumed her radio communication with American soldiers. After the war the victorious Allies caught up with Zucca in Turin, any plans the Americans to try the Italian-American broadcaster as a traitor were quickly squashed however after it became known that Rita had renounced her American citizenship in 1941 (before taking up her propaganda broadcasting role). Instead, Zucca was tried by an Italian military tribunal on charges of collaboration and sentenced to four years and five months. She only served nine months of her term but was barred from ever returning to the US (‘“Axis Sally” Mildred Gillars and Rita Luisa Zucca’, www.psywarrior.com) .

“Argentine Annie:” “Hello Tommy, I am Liberty” (Source: Infobae.com)

Postscript: Continuing Axis Sally’s legacy
The two Axis Sallys (and their pro-Japanese counterpart Tokyo Rose) were not to be the last we would see of female propaganda broadcasters in wartime. The Korean War produced its version in ”Seoul City Sue”, an American born missionary in Korea (Anna Wallis Suh) who defected to the North Korean side, joining “Radio Seoul” (when the city was occupied by the North) for a on air spot of undermining American troop morale in the war. The tradition continued in the Vietnam War with “Hanoi Hannah”, a North Vietnamese female broadcaster whose propaganda was directed at “war-weary” American GIs, trying to persuade them that their involvement in the Indochina war was unjust and immoral (“‘Smooth as Silk’ Vietnamese Propagandist ‘Hanoi Hannah’ Dies at 87”, Jeff Stein, Newsweek, 03-Oct-2016, www.newsweek.com). More recently, the Argentine military dictatorship (el Proceso) during the Falklands/Malvinas War in 1982 employed the same tactic of a feminine radio announcer—known as “Argentine Annie” or to the Argentinian side, “Liberty”—as the sultry-voiced Anglophone bearer of bad (and fake) news for serving British combatants in the war.

‘Argentine Annie’ (YouTube video)

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Gillars in her radio show referred to herself as “Midge at the mike”

a common refrain from Nazis and other anti-Semitic fascist wannabes such as William Joyce and the BUF was that the world war was a war caused by Jews for the benefit of international Jewry which they tended to equate with capitalism

renounced to save her family’s property from being expropriated by the Mussolini regime

’Liberty’ no doubt kept the British forces in the South Atlantic amused with her references to the Royal Marines counting sheep and bizarre diversions into the historic origins of the modern lavatory

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