Double Dennis, Double Menace – a Transatlantic Comic Strip Serendipity

Cinema, Creative Writing, Performing arts, Popular Culture
Jay North as Dennis in the American TV series

Anyone brought up on a diet of American comics or television since the 1960s would have come across that ultimate icon of juvenile mischief, “Dennis Mitchell”, better known as Dennis the Menace. Fictional Dennis from “Middletown” USA imprinted himself on the public consciousness first as a character in cartoons and comic books from the early Fifties, later as the subject of a popular American TV series (1959-1962), and then as a movie in 1993{a}.

Source: Pinterest

But if you happen to live on the opposite side of the Atlantic and are a similar consumer of comic strip popular culture then you are probably going to be more familiar with another and rather different “Dennis the Menace”. To generation after generation of Britons Dennis the Menace is not American, but a beloved, homegrown comic character who emerged out of a classic Scottish-based comic weekly The Beano in the 1950s.

The coincidence of two identically named sub-adult comic book characters evolving separately and independently has an even more remarkable, almost unbelievable, parallel. The two Dennises debuted as comic strip characters on either side of the Atlantic on the exact same day, 12th March 1951. Which “Dennis“ was conceived first by his respective creator cannot be known, but the two Eureka moments were certainly distinctively different.

Ketcham (1953), not dissimilar to Dennis Mitchell’s father in appearance

Genesis story of Dennis I and II
George Moonie (Britain) and Hank Ketcham (US) were the creators of their respective “Dennises”. For The Beano editor Moonie the idea and the name came to him when he heard the chorus of a music hall song…”I’m Dennis the Menace from Venice” and the name stuck. In American Hank Ketcham’s case his wife was the catalyst when she complained to the cartoonist about their four-year-old son Dennis‘ errant behaviour, describing him as “a menace”.

Source: Beano Studios

Both the British Dennis and the American Dennis have a talent for creating mayhem in the neighbourhood. Physically though they bear little resemblance to each other. Ketcham’s Dennis is a yellow-haired four (or five)-year-old, cherub-like boy with freckles, perpetually garbed in red overalls, whereas the British Dennis–as drawn by cartoon artist David Law—is a ten-year-old tearaway with a thatch of black spiky hair, shown always wearing his trademark red and black striped jumper.

Just William

Personality-wise the two Dennises are also quite a bit different. American Dennis’ mischievous ways annoy the hell out of adults, especially the Wilson’s’ long-suffering next door neighbour Mr (George) Wilson, but this Dennis is affable and basically a well-intentioned if compulsive-obsessive little boy. British Dennis on the other hand is real juvenile delinquent material, his full-on troublemaking antics mark him out as an unreformed and unrepentant bad boy, a hooligan in the making. Dennis can be seen as part of an Anglo tradition of naughty boys in kid’s lit connecting with the likes of famous fictional schoolboy Just William and Horrid Henry , [‘Dennis at 60’, BBC, 07-Mar-2011, www.bbc.com]

Sidekicks
British Dennis’ “besties” are Curly and Pie-Face (fellow “menaces”) but also prominent in the story is Dennis’ girl cousin Hermione Makepeace AKA Minnie the Minx, a rival to Dennis in the carnage creation stakes with a reputation as Beanotown’s “wildest tomboy”. Dennis Mitchell’s friends are the rather nondescript and naively loyal Joey and the feisty Margaret Wade who’s more of a frenemy and occasional nemesis to “The Menace”.

Canine deuteragonists
Boy’s best friend…both Dennises have a dog companion although Moonie/Law’s Dennis’ dog Gnasher—an Abyssinian Wire-haired Tripe Hound with black spiky hair to match its owner—didn’t get to make an appearance in the strips until Issue 1362 in 1968. Dennis Mitchell’s dog Ruff is a dog of a very different proportion, a Briad (a large French sheepdog{b})

Postscript: Bringing Dennis into line with the modern world
The arrival of the UK’s Dennis the Menace strip was a godsend to The Beano, boosting the comic mag’s flagging sales at the time. Today it is still The Beano‘s star vehicle{c} although the editors have had to tone down Dennis and some of his rougher edges. The 21st century Dennis the Menace is less anti-social, his more unsavoury traits such as bullying have been eradicated to conform to modern sensitivities [‘Beano hero: Dennis the Menace turns 70’, Alison Flood, The Guardian, 17-Mar-2021, www.theguardian.com]

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{a} not to neglect several other iterations of Menace-Dennis in TV movies including at least one animation feature
{b} a Briad on the screen at least, in the comic strips Ruff’s breed is not clarified
{c} the British Dennis has also made it onto the TV screen but to a more modest extent than his American counterpart

A 1960s Juvenile Reader: Classic British Comic Strips and ‘Just William’

Literary & Linguistics, Media & Communications, Memorabilia, Popular Culture

As a counterweight to the surfeit of 1960s American television that comprised a large slice of my diet of home entertainment, my juvenile literary tastes back then were decidedly more Anglophile. Plunging into the graphic art world of the 1960s comic book I digested everything I came across catering for adrenalin-pumping, red-blooded British boys.

Desperate Dan, ‘The Dandy’

Among these beacons of popular culture were The Beano (which starred Dennis the Menace and Gnasher), The Dandy❈ (featuring Korky the Cat and Desperate Dan), Knockout (Billy Bunter), The Hotspur, The Rover (these two papers were prime examples of the “Boys’ Own Adventure” style of stories) and Eagle with its centrepiece inter-galactic hero ‘Dan Dare, Pilot of the Future’, not to forget Tiger which catered for British schoolboy football mania with the stellar-booted striker ‘Roy of the Rovers’. The individual comics were grouse fun but what I most enjoyed was the comic book annuals of The Beano, etc., where I could indulge myself in reading a whole end-of-year book comprising a cross-section of the comic’s different strips⚀.

At primary school in the sixties the punitive powers-that-be weren’t all that rapt in comic books as reading material…my confiscated copy of ‘Dennis the Menace Bumper Comic’ (before I had a chance to read hardly any of it!) bore witness to that. From what was on offer in the school library, the one children’s book I did take a shine to was Just William, I should say series of books because there 38 (some sources say 39) ‘William’ books in all! All of the books were collections of short stories, with the exception of one in novel form.

Author Richmal Crompton

Just William was the creation of female English author Richmal Crompton (Lamburn). As a child feverishly devouring all the William books I shared with the overwhelming bulk of readers the uncritical assumption that Richmal was a man. How wrong were we all!!! Miss Lamburn was a school mistress (ironically – in an all-girls school!) who contracted polio and spent the rest of her life writing the William series of books as well as 41 adult novels❦.

The character of William (surname: Brown) was apparently based on Richmal’s young nephew Tommy…in the books William is scruffy and untidy in appearance, and given to directness, rebellion and straight talking – which sometimes lands him in strife. He is the leader of his own small gang of school friends who go by the name of “The Outlaws” (comprising his best friend Ginger as well as two other boys, Henry and Douglas). William is 11, an age he stays at, despite the series of books stretching over a period of nearly 50 years! [‘Just William’, Wikipedia entry]

William the Dictator’ (1938)

Most of the books follow the ordinary run of events of William and the Outlaws entangling themselves in minor mischiefs, usually involving nothing worse than the ill-conceived idea of painting a terrier blue! But occasionally William strayed into more edgy and outright polemical territory. In the short story ‘William and the Nasties’¤ William’s band emulate Hitler and his fellow National Socialists in order to terrorise a local Jewish sweet-shop owner (featuring in the 1935 collection William the Detective [‘Five Fascinating Facts about Just William’, www.interestingliterature.com].

Just William’s topicality
A good number of the Just William books regularly reflected current events of their day. William the Conqueror (published in 1926) was resonant of European colonial power imperialism leading up to WWI. William The Dictator (1938) reflected the world’s concern with fascism and National Socialism. Similarly, William and the Evacuees (appearing in 1940) was set against the backdrop of WWII. In the post-war period, the superpowers’ preoccupation with the space race inspired new books like William and the Moon Rocket (1954) and William and the Space Animal (1956) [‘Just William’, Wikipedia entry].

Just William book spin-offs
With such popularity that the Just William books attained (12 million sales in the UK alone), they inevitably flowed through to adaptation to other forms – cinema (three films in the 1940s), two television series (one in the mid-1950s and the other in the early 1960s), radio and even theatre. As well, the schoolboy hero spawned a host of Just William merchandise…from jigsaws and board games to cigarette cards, magic painting books and figurines of William [‘Richmal Crompton’s Just William Society’, www.justwilliam.co.uk]

Celebrity fandom: Lennon as William
Some time after the Beatles visited Australasia in 1964 at the height of “Mop-top mania”, I remember hearing that John Lennon had been a fan of the fictional William in his boyhood. Lennon’s devotion to the books prompted him to form his own, real-life version of the Outlaws, moulding his friends Ivy, Nigel and Pete into a Liverpudlian boy foursome. With John of course as leader, the boys engaged in “small acts of defiance and daring” on their local turf [J Edmondson, John Lennon: A Biography (2010)]. The revelation that I had been propelled into the stratospheric company of such a youth icon as Beatle John, only served to magnify my primary school days zeal for all things William Brown!

PostScript: Continental comic book legends
My childhood taste in comics were not exclusively confined to the gold standard of British comics. Like millions of other children I was also captivated by those ancient Gallic tormentors of Roman legionnaires, Asterix and Obelix (Astérix le Gaulois by Goscinny and Uderzo). In equal measure I was in the thrall of Tintin, Hergé’s creation of a globe-roaming Belgian boy-reporter. Each comic album of The Adventures of Tintin was a lesson in political geography embroiling Tintin in high-stakes adventures in a new and exotic land. But as rewarding as the respective adventures of Asterix and Tintin were, in my book nothing quite scaled the same exalted heights of anticipation as did the prospect of dipping into the treasure trove of Just William’s world.

╼╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╼╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╾
❈ The originals The Beano and The Dandy were of course far superior to the highly derivative and latter imitations like The Topper and Beezer and Cor!!
⚀ not to be overshadowed, schoolgirls had their own comics and annuals such as Bunty and School Friend Annual
❦ the most accomplished of which was Leadon Hill. The tone of the adult novels was more pessimistic than the Just William series, dealing with themes of divorce and infidelity [Danuta Keen, ‘Not Just William: Richmal Crompton’s adult fiction republished’, The Guardian, 21-Apr-2017]
¤ the name ‘Nasties’ is the result of William’s mishearing of the word ‘Nazis’