Time Enjoyably and Harmlessly Misspent in Lǚshùn: Part II

Travel

After a busman’s lunch (on the bus!), the next time-wasting activity on the agenda at Lǚshùn was a boat ride arranged for its own sake. We filed out of the tour bus and aboard an old boat and handed a slim satchel of sausage (prompting an instant misunderstanding: I thought the paltry offering of protein was for us to consume on the ride). The boat, carrying fifty or sixty Chinese nationals and myself, charted an oblong-shaped course, going out one side of the harbour and then returning the other thirty minutes later.

I have no notion of, nor was I enlightened as to what the purpose of the boat ride was. We were shown no notable sights or landmarks, saw nothing but empty stretches of water inhabited by other passing vessels some engaged in the same futile, unspecified mission as ourselves. All this leads me to conclude that the purpose was a nihilistic one, an existential muse on nothingness…or perhaps the real reason lay in the small portion of meat we were all given at the start. Everyone else on the boat quickly divested themselves of their piece overboard where it was gratefully snapped up by the swarming flock of seagulls which had been shadowing our boat’s course. With nothing else to do I duly followed suit. Clearly, the the boat trip was part of a supplementary feeding program for the local colony of seagulls in Lǚshùn.

In a twinkle we shape-shifted from clueless, futile wanderers in the Yellow Sea to gimlet-eyed consumers on a warehouse shopping junket. We were enticed with sparkling opals, beads and precious other gemstones. In a showroom an adolescent Chinese “Joe the Gadget Man” sales dude went through a “show and tell” routine demonstrating how either genuine the precious stones were or how expensive they, I couldn’t be sure which. The Chinese tour party seemed quite engrossed by his highly animated showy spiel, to me it was all a bit ho-humdrum. We moved to the food section of the building where we inspected rows of the dried fish delicacies and all manner of other comestibles that Chinese consumers like to stock up on in large quantities.

Our final Lǚshùn stop to waste an hour or so was the saddest experience of the day. It involved a trip to a Chinese “drive through” zoo. Not an enlightened zoo like Western Plains Zoo which places the animals’ welfare and happiness at a high premium by allowing them the distance, space and relative freedom to move – as only an open plains environment can do. No, this was more like the bad old western zoos of the 1960s which doubled down on confinement and captivity, corralling the creatures, mainly here Eurasian bears of various kinds and a few tigers, into tiny, unsanitary cages, so they could be stared at through the bars. Bored and immobile, they were pathetic sights.

The only animals given a bit of space and exercise were the zoo’s Bengal tigers and tigresses. These big cats were allowed to prowl round a dusty strip of turf, albeit a fairly restricted one. We, the humans, were permitted to take photos as we circled round the mainly listless tigers from a good, safe distance. Occasionally an attendant would throw them slabs of meat from a truck.

The last of the animals on display for the public’s enjoyment were a pair of large brown bears. Ostensibly, they were better off than their caged compatriots because they were sitting in a large pond of water. But I think that was just for the benefit of paying customers, so they can see them frolicking in a riverine environment. When the gates close for the day I suspect they get shuffled back into their 4 x 3 cages. In any case the water quality in the pond didn’t look all that flash, it looked a bit dirty, and this was not helped by visitors in the buses chucking water bottles into the pond to get the Ursus arctos to stand up so they can take better photos.

Having wasted enough time in Lǚshùn, some enjoyable, some so-so, we started back to Dalian and our digs at the ubiquitous Jinjiang Inn.

Footnote: there was one more time-waster thrown up by the tour on returning to Dalian. We stopped off at the “Dalian Bathing Beach” for a quick “Bo-peep”…the Dalian beach scene has got a bit of a reputation, sometimes described as “the Miami of Asia”. If this small beach is anything to go by, the sand quality looked decidedly more like unappealing pebbly Brighton Beach than golden sands Miami (with wall-to-wall portable beach huts replacing the British beach’s trademark reclining chairs). The park adjoining the beach was actually more interesting with its range of seaside-inspired sculptures. An on-site kiosk※ supplied all the sand buckets and shovels, inflatable toys and plastic balls any intrepid Chinese surf-adventurer might need. My attention was drawn to the large map sign and it’s list of beach regulations, most notably the rule forbidding “the removal of sand without permission” and the one discriminating against beachgoers who have various serious ailments by denying them (together with the inebriated) the right to swim at the (public) beach.

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※ the sign on the kiosk’s wall “No tea, no fun!” gives us a pointer to the type of wild, swinging beach parties the locals must get up to…absolute chai-fuelled beach-mania raves no doubt

Time Enjoyably and Harmlessly Misspent in Lǚshùn: Part I

Travel

Lǚshùn, Lüshan, Lvshunov (旅顺) – variations of nomenclature for a settlement with a long, multinational history as highly prized first-rate port and a key strategic location on the Northeast coast of Asia. For some tourists, Lǚshùn is merely a peninsula appendage to a trip to Dalian, Liaoning’s second city. Popular for visitors from China, Russia and Japan – at the crossroads of the three differing cultures – and for anyone, anywhere, interested in the modern history of the region.

But for those less interested in the story of the North Asian powers’ struggle for supremacy in Port Arthur (Lǚshùn’s former name under the Russians), there are plenty of other diversions and attractions to fill in a day in the Lǚshùn area. Crossing that spectacular, breathtaking bridge that separates Dalian from Lǚshùn, passing some impressive modern residential monoliths (obviously a lot of new estates cropping up recently), we made not for Lǚshùn’s history-soaked prison or museum…our first stop was at a submarine base at the ports with a large aged submarine in pride of place. On first sighting the displayed veteran U-boat I was initially under the misapprehension that it was a Japanese World War 2 sub left behind by the Japanese Navy or perhaps captured by the Chinese at the war’s end (a sort of spoils of war on show won from the vanquished foe).

On taking the tour through the permanently moored submarine (opened for inspection at both ends of the craft), I soon realised I was wide of the mark. This was in fact a Chinese naval submarine, a Type-033 submarine actually (which is probably quite significant detail to your average, obsessed submarine aficionado)※. And the whole enterprise, known as the Lushun Submarine Museum (established 2015), is a new feature for China (the country’s first museum to exhibit naval military culture).

The other attraction at the museum vying with the ex-service sub is a submarine simulation exhibit, a room devoted to recreating a realistic'(sic) submarine cruise. Severe looking naval servicemen man the entrance, herding waves of visitors in and out in regimented fashion. The tightly packed paying punters in the room jockey for the best posy to take pictures of the ‘demo’: comprising the virtual submarine, with its commander barking orders to his crew, steering a safe sea-course between a host of pop-up enemy frigates while notching up the odd warship ‘kill’ itself…in effect a large scale video game on a super-wide screen with all the bells and whistles, not to mention the “real-life” sound and lighting effects to conjure up the appropriate atmosphere.

After the Submarine Centre we were ready for a more hands-on 3D animation (or at least that was the view of the tour organisers). We piled out of the bus and into what ostensibly was a commercial building. Inside we were led to a room to indulge our inner-nine-year-old in a video game. We were equipped with sonic “ray guns” (or whatever the equivalent current millennial term is) and invited to pretend that we were riders on an out of control roller coaster. Our seats rocked and rolled violently tossing us to and fro…we sat there immovable, gaining what vicarious pleasure we could muster by ‘zapping’ 10,000 demons each, only to find ourselves desperately trying to dodge the infinite number of remaining malevolent dragons, zombies and other miscellaneous monsters hurtling towards us without respite. Most of the adult Chinese tourists seemed to be totally captivated by the virtual “make-believe” alternate universe, whereas for me it was, at the least, a novel, “one-off” experience, considering I am someone with no interest in ‘civilised’ computer games, let alone ever contemplated visiting a fantasy arcade venue to play games of a unrelentingly violent nature.

Gamers’ central

※ the eponymous Lushunkov actually dates from 1962, not quite WWII but obviously totally antiquated by modern naval technology warfare standards

Rah, Rah Russian Street, A Commercial Tourist Vestige of Russified Dalian

Travel

Russian Street (Russian Lu), or as it is sometimes rendered, Russian Style Street or Russian Custom Street, is a lingering reminder of the days the city of Dalian was an outpost of Moscow. Today the connexion to an erstwhile Russia is most visually embodied in this single street to the north of Shengli Qiào (Shengli Bridge), near Dalian’s Xigang district.

The start of the street is marked by (what I imagine was once a very grand but what is these days) a large, aged Russian mansion. A sign in front of it proclaims the Russian heritage, русский. Russian Street is a longish, commercial street (with a short side lane appended to it) near the city ports. Rows of stalls line up on the inside of the street in front of the bricks and mortar shop buildings. It’s a street restricted to pedestrian traffic, although this in no way hinders the bike and scooter riders and the odd delivery van with its Russian goods.

Virtually all of Russian Street’s gift shops sell more or less identical merchandise – moon cakes in highly decorative boxes, inexpensive bars of Russian chocolate (going at 10CN¥), jewellery and opals, decorative lighters, toy weapons, tanks and missile launchers, and above all, rows and rows of the famous Matryoshka dolls (also commonly called Babushka dolls), so many that they they were almost spilling out into the street. I noticed that China’s Matryoshka dolls are more orthodox than the kind I found in Moscow, where the vendors with unbridled commercial zeal were fast at it selling all manner of variations on the dolls-within-dolls theme (Vladimir Putin dolls, Barack Obama dolls, Lady Gaga dolls, Elvis dolls, and so on ad nauseam).

Half-way down there’s a authentic Russian pectopaH (restaurant)…a lot of visitors don’t venture much further than this point and it’s a good deal less busy than than the Shengli bridge end. Russian Custom Street ends at a roundabout with a large official-looking building of state, there are a couple of small coffee shops and a number of food outlets spread out along the thoroughfare.

Russian Street in 2019 conveys what is at best a superficial nod of recognition of the Russian presence in Dalian that was at its influential height some 120 years ago. Like that other (northern) Chinese town Harbin, Russian Street, Dalian, retains a Russian feel with bi-lingual street signage, but it doesn’t quite match the sense of “Russification” which Harbin leaves visitors with.

in Dalian’s summer swelter, they are definitely of the “eat them before they melt” kind

toys of a military orientation are extremely popular throughout Dongbei, a fixation I imagine which extends countrywide (a very 1960s-1970s echo of Western predilections)

Tracing the Japanese footprint in Dalian – Qiqa Street

Travel

The Empire of Japan occupied the of cities Dalian and Lüshan (or Lvshunkou) and in fact a large chunk of China’s North-East for almost the entire first-half of the 20th century. Even now, nearly seventy-five years after the Japanese were vanquished from Chinese Manchuria, travelling around the Liaodong Peninsula, you can readily find the imprint of their former presence.

A conspicuously heinous reminder of the Japanese connection with Dalian (Dairen to the Japanese) and the peninsula can be found at Port Arthur (renamed Ryojun by Japan after its victory in the 1904-05 war with Russia). Specifically this can be seen in the former Russian-built Japanese Prison (now a museum) with its “hanging wall” and other torture devices used by the Japanese Kwantung army against Chinese.

There are other threads linking Dalian to its Japanese (and of course to Russia), but while in Dalian I took time to visit a part of the city with much less unsavoury and more positive connotations of the former Japanese occupancy. We took a taxi from the city centre to a fairly lengthy street called Qiqa Street, not far from the Midtown area…this street is a quaint reminder of Japanese influence and imprint on the city.

Walking along it, I can’t say that much of the architecture in this street looks particularly Japanese in appearance, although to be fair we only had time to explore the western end of the street. The street dog-legs right at one point and heads east for quite a number of blocks in Zhongshan district. However, on our abridged tour we did see a number of Japanese businesses – eateries, hairdressers, and other shops – as the presence of Japanese characters on a number of the shopfronts testify. At least one block of the street has a concentration of these shops with eateries such as the pint-sized JoJo’s Tea (light Japanese meals, run by Chinese staff).

Qiqa Lu also has several buildings unrelated to Japanese culture or cuisine including a Chinese government building and the equivocally named “Paparazzi Who’s the Murderer? This commercial entity comprises a red telephone box at the front of the premises. When you lift the receiver, a metal door to the left swings open to reveal ….? I remain ignorant as to the raison d’être of Paparazzi Who’s the Murderer? Is it a bar, a nightclub, is it a mystery/crime-themed theatre-restaurant? Having not ventured inside, I guess the answer will remain elusive….

Phone box?
Stone-faced doorman at Paparazzi’s


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Dalian known as Dairen by the Japanese

Port Arthur, prior to the Russo-Japanese War was home to Tsarist Russia’s Pacific fleet