The Fab Four (Minus One) Play the Princess and the Old Tin Shed

Memorabilia, Music history, Performing arts, Popular Culture
The Beatles flying from London to Hong Kong

1964 was the year the Beatles made their first world tour. The year they transformed from a UK/West German phenomenon to a global sensation. It was, to obviously understate it, a very busy year for the band. Two of the very many international places the Liverpool lads performed at that hyper-hectic year were Hong Kong and Sydney. The venues in both locations played by the Four Moptops—as is the case with many of the venues they played—no longer exist.

The Beatles without drummer Ringo Starr⌧ touched down at Kai Tak Airport in Hong Kong in early June of ‘64 and booked into a suite recently vacated by the President of Indonesia in the President Hotel in Kowloon. The band only stayed in the British crown colony for a couple of days while they played two concerts at the Princess Theatre (130 Nathan Road, Tsim Sha Tsui) on the 9th June…long enough though for Beatle Paul and road manager Neil Aspinall get themselves bespoke tailored suits made up in 24 hours.

Note concert date, incorrectly printed as 10-06-64 (Source. ha.com)

The Princess Theatre (above), built in the early Fifties, was better known for screening first-run flicks than teen-hysterics pop concerts. On the bill supporting the Beatles was a New Zealand group, the Māori Hi-Five. Instrumental backing for the headline performers was provided by Sounds Incorporated. The concerts were surprisingly not a sell-out, basically because tickets were priced exorbitantly high, the equivalence of a full week’s wage for the average Hong Kong worker (the best seats fetched HK$75).

The Beatles didn’t find the smallish, old-fashioned venue very vibe conducive and McCartney remarked that the band’s performance at the Princess was pretty flat accordingly. The full complement of Beatles came back to Hong Kong in 1966 on their Far East tour, but only for a stopover on route to the Philippines where the performers and their handlers ran into trouble with a capital T❈❈.

Ownership of the Princess Theatre changed hands in 1970 and the building with theatre seating for 1,722 was demolished in 1973 to make way for a new hotel.

Early boxing bout at the Old Tin Shed (Source: Nat. Lib. of Aust.)

Next destination after Hong Kong for the Beatles was Sydney Airport for a three-week tour of Australia and New Zealand. Sydney’s allotment was six concerts over three nights (18–20 June) at Sydney Stadium in Rushcutters Bay, a venue affectionately known as the “Old Tin Shed”, and hitherto the arrival of Beatlemania probably better known as a boxing stadium. At that time the Stadium was the city’s only large-capacity concert venue. Again, as they did in Hong Kong, the Beatles bedded down close to the concert venue, at the Sheraton Hotel, Potts Point.

Supporting the Beatles on that tour were several local (trans-Tasman) artists including Johnny Chester, Johnny Devlin and The Phantoms, along with Sounds Incorporated who had made the trip from Hong Kong with the Beatles.

Jimmy N, all alone at Melbourne Airport, end of the fairytale

By now Ringo sans tonsils had rejoined the quartet in time for Sydney and Jimmy (or Jimmie) Nichol was unceremoniously cast off and sent home, abruptly closing the door shut on his 15 minutes of fame…it was all downhill in the music caper from there for the Ringo stand-in, less than a year later poor Jimmy was forced to declare himself bankrupt.

Source: ha.com

After some initial hesitancy from audiences the Sydney Stadium concerts were all massive sell-outs with frenzied young women the most conspicuously vocal of fan attendees. Seeing the band in Sydney seemed comparatively more affordable than in Hong Kong, Tickets started at 15s & 6d, ranging up to £1, 17s & 6d.

Boxing matches and rock ‘n roll concerts at Rushcutters Bay are long a thing of the past. In 1970 the six decades old-stadium on the corner of Nield Avenue and New South Head Road closed and was demolished in 1973 to make way for the construction of the Eastern Suburbs Railway.

Staid NZ says “Yeah, Yeah, Yeah!” (Source: nzherald.co.nz)

After Sydney the Beatles headed across the Tasman, taking most of their Australian support acts with them, to shake up the hitherto seemingly hebetudinous youth culture in New Zealand. Just like in Australia, mass turnouts of fans posed the same crowd control problems for Kiwi authorities and level of teen-generated frenzy at the concerts in the four main NZ cities made for deja vu.

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⌧ stuck back in a London hospital with tonsil trouble and substituted by previously unknown drummer Jimmy Nichol

❈❈ see earlier blog on this site ‘Beatles Not For Sale: Public Enemy # 1 in the Philippines’, March 2022

Bibliography
‘The Beatles arrive in Hong Kong’, The Beatles Bible, www.beatlesbible.com
‘Beatle Place: Hong Kong, Princess Theatre‘, FAB4tracks, www.fab4tracks.home.blog
‘Meet Jimmy Nicol, the forgotten Beatle, stand-in drummer for Ringo’, Craig Cook, The Advertiser, 11-Jun-2014, www.adelaide now.com.au

Why International Elvis was a No-Go

Biographical, Memorabilia, Music history, Popular Culture
EP in Ottawa 1957 (Source: Elvis Presley Photos)

Considering how universally popular and well-known Elvis Presley was𝕒, during the entertainer’s heyday there was much conjecture about why “the King” of the entertainment industry failed to capitalise on his phenomenal record sales by touring internationally – like virtually every other successful pop and rock music act. In fact Elvis only left American shores a couple of times during his entire lifetime, once for a tour of duty in West Germany as part of his compulsory military service, and the other briefly to northern neighbour Canada for two shows each in Toronto and Ottawa in 1957, followed later that year by a single performance in Vancouver (Elvis was not accompanied on his Canadian trips by his manager Tom Parker). At the time Presley’s reluctance to journey overseas was attributed by a number of observers to the singer’s fear of flying – notwithstanding the fact that Elvis regularly took domestic flights within the US to shows.

Elvis For Beginners

Light was shed on the puzzle of Elvis’s non-event international performing career for me many years ago when I was thumbing through a copy of Elvis For Beginners𝕓 one day at a bookshop. The reason for this striking anomaly in the Elvis career path was apparently all about Elvis’ ubiquitous manager, “Colonel” Tom Parker. The ex-carny Parker was notorious for several things, among them his vice-like grip on Elvis’s career; his way over-the-way fee for managing Elvis’ career (25%, later increased to an outrageous 50%); his insistence on Elvis getting a 50/50 cut in songwriting royalties even though Elvis contributed zilch to the actual writing of the songs he recorded, and everyone’s heard about his pre-Elvis entry into business, painting sparrows yellow and selling them as canaries. But there was a much darker, clandestine element in Parker’s past that explained Elvis’ stay-at-home career. “The Colonel” was not actually “Tom Parker”, an assumed identity he adopted. Parker’s real name was Andreas Cornelius van Kuijk (alternately rendered in some articles as “Kuijk-Dries” or “Kuyk”) and he was born not in West Virginia as he always claimed but in Breda in the Netherlands. Van Kuijk entered the US illegally (probably via Canada) in the late 1920s and took on the assumed name (and identity of a Southerner) after a short stint in the US Army.

Elvis and the “Colonel” (Photo: Getty)

For reasons only known to himself Parker never tried to acquired an American passport, so he remained an alien all his life in America. Without a passport Parker was housebound within the US, and as keeping a tight rein on Elvis was essential to the Colonel Parker business plan, there was no way he’d let his golden egg go off overseas without him. So apart from the brief trip early on to Canada Elvis the entertainment industry’s number one pin-up boy never got to tour the globe and show international audiences his swivelling hips and velvet voice. As a consequence Parker “turned down dozens of offers, totaling millions of dollars, to have his famous client tour the world”𝕔 (Dash).

Breda, Netherlands

It was van Kuijk’s own relatives back in the Netherlands who first twigged to Elvis’ manager’s grand deception. Van Kuijk’s sister stumbled by chance upon a photo of Andreas in a Belgian magazine. A subsequent visit by Kuijk’s brother to him in America threatened to blow the Colonel‘s cover but Parker managed to hush it all up, for the time being at least. The truth only emerged very gradually after Elvis’ death. The revelation that Parker was actually Dutch doesn’t get a mention in Peter Guralnick’s acclaimed biography of Elvis Last Train to Memphis which was published as late as 1994.

“Colonel” Tom, 1960

Footnote: The Colonel’s darkest secret?
Rumours about Parker’s mysterious past in Holland have floated around for decades. One theory about the reason for van Kuijk’s sudden departure for America—developed from journalist Alanna Nash’s research—is that the Dutchman brutally murdered a grocer’s wife in Breda in 1929 when he was about 20, and thus was on the run from the law. Van Kuijk was first connected to the crime via a tip-off given to Dutch reporter Dirk Vellenga in the 1970s while he was investigating the Colonel’s past (Giles). Evidence of van Kuijk’s culpability is at best circumstantial (he left the Netherlands for the US the same day as the murder) and nothing has ever been proved.
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𝕒 when Presley died in 1977 a Western news crew visited a village in a very remote part of Siberia to discover that uneducated peasants there—without the aid of modern communication devices like the internet and social media—somehow still knew who Elvis was!
𝕓 a book in the Readers and Writers series of documentary comic books (graphic books)
𝕔 such as an invitation from Buckingham Palace for Elvis to perform at the Royal Variety Show in London

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Bibliography

Jill Pearlman, Elvis for Beginners (1986)
’Colonel Tom Parker (1909-1997)’,
New Netherland Institute, www.newnetherlandinstitute.org
‘Colonel Parker Managed Elvis’ Career, but Was He a Killer on the Lam?’, Mike Dash,
Smithsonian Magazine, 24-Feb-2012, www.smithsonianmag.com
Rosemary Giles, ‘Who Was the Colonel Before He Met Elvis?’,
Vintage News, 27-Jun-2022, www.thevintagenews.com

A Linguistic Potpourri of Mondegreens, Mumpsimus and Eggcorns

Creative Writing, Literary & Linguistics, Music history, Popular Culture
“Arfur D” Malapropising (Photo: ITV/Scope)

The chances are most folk with a passing interest in words and language have come across the odd Malapropism and Spoonerism in their travels. For these two terms for errors in natural speech (or if you prefer, modes of original linguistic inventiveness) we have the fictional “Mrs Malaprop” and the real life “Reverend Spooner” to thank. Myself, I tend to associate Malapropisms (the accidental substitution of a incorrect word in place of another, usually similar-sounding one) in fiction with Arthur Daley, the small-time, dodgy as-they-get wheeler dealer in TV’s Minder (“From now on the world is your lobster”, the “Arfur” Daley variation on “oyster”) and in real life with former Australian PM Tony Abbott (“the suppository of all wisdom” (should have said “repository”)). Spoonerisms are another type of verbal misstep where the speaker makes a “slip of the tongue”, accidentally transposing the initial consonants of two consecutive words, often with humorous results. One of the most referenced examples is “you have hissed my mystery lecture”, instead of “you have missed my history lecture”.

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Would the latte-sipping, smashed avocado inner city set recognise a Mondegreen, Mumpsimus or Eggcorn when they see one? Probably not, these three linguistic odd fellows are the domain of dedicated language buffs and word nerds. If the ABC conducted a vox-pop in Martin Place “Mondegreen” would likely draw a blank, however the concept itself is a different story…anyone exposed to popular music would have at some point either unknowingly committed a Mondegreen or observed someone else in the act. A Mondegreen is where you mishear or misinterpret a phrase—especially a song lyric but it could also be a line from a poem—with the result that you give it a new and different meaning. I can hear the ranks of the slightly incredulous intoning “I didn’t know there was a word for that!”

Hendrix “excuse me…”

Given the associated factors of diction and high volume noise, Mondegreenisms in modern pop music are legion, one of the most iconic is the misinterpretation by untold number of listeners of Jimi Hendrix’s line, “Excuse me while I kiss the sky” (“Purple Haze”) as “Excuse me while I kiss the guy“. Two more classic confusions warranting honourable mention are The Beatles’ “The girl with kaleidoscope eyes” transformed by an erring ear into “The girl with colitis goes by” (from “Lucy in the Sky with Diamonds”) and Johnny Nash’s “I can see clearly now, the rain has gone”, reinterpreted as “I can see clearly now, Lorraine has gone”. As these examples indicate, where the lyrics come unstuck it’s a fair chance that the culprit is a quasi-hononym.

Coining of Mondegreen: the word (but not the act) originated in 1954 with American writer Sylvia Wright…as a girl listening to her mother readIng a 18th century romantic poem she erroneously heard “Lady Mondegreen” instead of the actual lyric, “layd him on the green”. On being advised of her error Sylvia thought her interpretation “better than the original” and stuck to it, even inserting a character named “Lady Mondegreen” into her published stories.

Incoherent or indecipherable words in a song can be the source of “great storms in a teacup”. The Kingsmen’s 1963 recording of “Louie Louie” (vocalised incomprehensibly by Jack Ely) prompted an avalanche of complaints from outraged parents of teenagers about a supposed litany of obscene and pornographic lyrics in the single. Knee-jerk misinterpretations abounded from the morally-incensed in Middle America. One irate father even wrote to US attorney general Bobby Kennedy moaning about the lyrics’ “moral degradation” leading bizarrely to the FBI investigating the song (the Bureau failed to unearth any such obscenities)! All of which lends credence to the axiom that “people will hear what they want to hear” – which goes to the very heart of Mondegreens※.

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Mumpsimus are a different kettle of aquatic, craniate gill-bearing animals. Practitioners of Mumpsimus stubbornly insist on an incorrect usage…even after being proven wrong” (Fritinancy). Mumpsimustas obstinately cling to an error, bad habit or prejudice, even after the foible is exposed. Examples include the use of “all intensive purposes” in lieu of the correct phrase, “all intents and purposes”; the verbal substitution of “nuclear” with “nucular” (a proclivity of George W Bush)§.

The Eggcorn: slight of hand or sleight of hand?

Another, related form of expression that derives from mishearing and involves reinterpretation is “Eggcorn”. Eggcorns, like Mondegreens revolve around the near-homonym while differing from Mumpsimus in that their use is unconscious and unintentional. It often occurs when people are ignorant of the precise words in stock phrases and substitute what they erroneously believe to be the correct words or expression. Examples are manifold – saying “mute point” instead of “moot point”; “tenderhooks” instead of “tenterhooks”; “pass mustard” instead of “pass muster” etc ad nauseum. An essential feature of the eggcorn is that it must retain some of the original meaning as the speaker understands it (eg, Alzheimer’s disease is rendered into “Old-timer’s disease”). The term itself is an “Eggcorn”, it’s genesis can be traced back to a creative utterance from an anonymous individual who inserted the word “eggcorn” where the similarly sounding “acorn” would conventionally go (Mark Lieberman, 2003).

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※ Steven Connor suggests that cognitive dissonance is in train in the creation of Mondegreens – the brain is constantly trying “to make sense of the world by making assumptions to fill in the gaps when it cannot clearly determine what it is hearing” (‘Earslips: Of Mishearings and Mondegreens’, 2009)

§ the word Mumpsimus, a confused misinterpretation of the Latin term “Sumpsimus” (“we have received”), was accidentally coined by an old monk who doggedly persisted in using the invented word. Mumpsimus first appears in the correspondence of famous humanist scholar Erasmus Roterodamus, dating from 1516

The Beatles’ Pipe-dream Paradise: The Aborted Greek Island Venture

Memorabilia, Music history, Popular Culture

In a 1966 double-A side single the Beatles sung “we all live in a yellow submarine” but in real life the Fab Four did want to live together on a secluded Greek island they intended to buy. It happened the following year, 1967, the boys were holidaying in the Greek islands and were island-hopping when they came upon an ideal island location. Or at least that was what George, John and Paul thought while on acid the whole time of the “inspection”{𝔸}. The island that their eyes lit on was roomy enough, some 80-acres with a fishing village, a large olive grove and four beaches. In addition to the main island there were four smaller islands surrounding it (one for each Beatle!)


The prime mover for the island home scheme was Beatle John. At that point in his life Lennon was edging his way into his glorious hippie phase. The Aegean “Arcadia” represented a chance to live communally, an idyllic place where he and the other three celebs could escape the overwhelming pressures and attentions of superstardom. The plan was for the four musicians and the group’s entourage (manager Epstein, the roadies and the inner circle of assistants plus relatives) to all live together on a huge estate on the island hideaway. Paul and George seemed to have been on-song with John at that hazily propitious moment in time…McCartney: (the island was the means of achieving) “a sort of hippie community…where nobody’d interfere with your lifestyle”…Harrison concurred: “we’ll buy the island, we’ll just go there and drop out” (‘The Beatles in Greece’, Daily Beatle,, 03-Jul-2014, www.wogew.blogspot.com).

Team Beatles hit Greece (Source: Greek City News)
What prompted such an extravagantly fanciful and surreal notion?
The short answer would appear simply to be drugs! Narcotic substances may have inspired the germ of the highly romantic and improbable idea. As Beatle Paul explained later, the boys saw in the island jewel a place where they could smoke pot unhindered, without fearing the consequences of the law. Paul attributed the island acquisition project to “drug-induced ambition”. Certainly drug consumption was part of the agenda in coming to Greece – if you accept the word of NEMS staffer Peter Brown. According to Brown, a Beatle associate Yannis Mardas (AKA “Magic Alex”) had brokered a deal with the Greek authorities giving the Fab Four the green light to bring personal supplies of drugs secreted in their carry-on bags into the country in return for photo ops in aid of Hellenic tourism (Daily Beatle).

The rich celebrity artists’ commune
Roadie (and later Apple Corps head) Neil Aspinall’s recollection of what John, Paul and George (but especially John) had in mind was a configuration of individual villas for the four Beatles which would all be linked to a central dome of some description. There would also be a recording studio on the main island, plus an entertainment complex and some “knock-up” housing for Beatle staff and visiting friends.

Trinity Is (Source: Culture Trip)

The decision to buy the island paradise was pretty much made on the spot and another NEMS assistant Alistair Taylor was sent back to London to seal the deal. This necessitated the boys buying £90,000 worth of special export dollars to complete the international transaction. But by the time the deal was set up, the Beatles’s initial enthusiasm had waned and they had changed their minds…or maybe they just forgot about the whole grand scheme. Taylor then had to sell the export dollars back to the Greek government, which resulted in an unexpected windfall for the group, courtesy of a favourable exchange rate for the UK£{𝔹}.

Trinity Is is commonly referred to as “guitar-shaped” but with such a profound bend in its “neck” it looks more like one of Pete Townshend’s well-thwacked Fender guitars
In the application to purchase document (held in the British National Archives) the name of the would-be Beatle island—described as “300,000 square metres of arable land, olive trees, beaches and rocks”—is given as “Aegos, Konstadinos”(?), however no such island can be identified among the multitude of Aegean offshore islands. Another name ascribed to the heavily-wooded island fancied by the Liverpudlian musos is “Leslo” which also unfortunately does not exist. The more likely candidate which most people favour is Trinity Island{ℂ}, located to the east of Athens and just off the larger Euboea Island in the Western Aegean ‘The Beatles visit a Greek island they intended to purchase’, The Beatles Bible, Updated 13-Sep-2021, www.beatlesbible.com .

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{𝔸} Ringo wasn’t on the real estate expedition, he bailed after the Greek mainland part of the trip to return to his Weybridge (Surrey) mansion

{𝔹} a profit of £11,400 was forthcoming for the band

{ℂ} sometimes erroneously called Agia Triada (“Holy Trinity” island)