The ‘Fascism Minimum’ Hypothesis and the Case of Thai Politics in the Second World War Years

Comparative politics, Inter-ethnic relations, International Relations, Politics, Regional History

Authoritarian regimes modelled on Italian Fascism and German Nazism in the interwar period were conspicuous in Europe, but by no means confined to that continent. Asia had its share of emerging political movements and regimes that were attracted to the clarion call of Euro-fascism and the German Nazi phenomena in particular. The nationalist Kuomintang in China had its New Life Movement and the Blue Shirt Society. There was the militaristic, ultranationalist Shōwa Statism associated with the Empire of Japan. In Syria the Syrian Social Nationalist Party, formed with the aim of restoring Syrian independence from its colonial master France, borrowed its ideas and symbols from Nazi ideology.

Another Asian country in the 1930s that was inspired by the Euro-fascist movement to venture down the right-wing authoritarian path was Thailand. Army officer Plaek Phibunsongkhram, better known as Phibun (or alternately transliterated, Pibul), rode to power on the back of his domination of the military faction of the People’s Party (Khana Ratsadon), becoming prime minister of Siam in 1938. Phibun, one of the most controversial figures in Thailand’s turbulent, coup-prone political history, consolidated his power by establishing a de facto dictatorship during the Second World War. Whether Phibun or his regime was fascist has been a topic of debate by scholars. But before we look at whether the fascist tag sticks to the Thai kingdom in the period of the Phibun ascendancy (1938–1944), we need to hit on a working definition as to what is meant when we refer to a political organisation or movement as “fascist”.

Thailand, WWII

This is far from a straightforward task given the complexity of the concept of fascism, one not helped by the fact that “fascist” is a catch-all word in everyday speech for spontaneously describing in a pejorative fashion any individual or organisation which vexes us even for a fleeting moment. The term is so loaded and problematic that a universally acceptable definition remains elusive…as historian and political theorist Roger Griffin notes, “with the possible exception of ‘ideology’, there can be no term in the human sciences which has generated more conflicting theories about its basic definition than ‘fascism’” [Roger Griffin, ‘Staging the Nation’s Rebirth. The Politics and Aesthetics of Performance in the Context of Fascist Studies’, Library of Social Sciences, (1996), www.libraryofsocialsciences.com]. A broad and simple answer might be that fascism is a totalitarian entity – defining “totalitarianism” as an extreme form of authoritarian rule where the state has complete control over its citizens, using coercion to suppress individual freedoms𝟙. The problem with “totalitarianism” is that it can be applied equally to either extremity of the political spectrum – the far right, fascist regimes like the Nazis and the Italian Fascists, and to systems on the far left, ie, to the Marxist communist regimes of the Soviet Union and Red China, and to contemporary North Korea under the Kim dynasty.

The Third Reich propagandising a supposed führer and Nazi connexion to a heroic Teutonic medieval imperial past

Reductionist heuristics: A short search through the pages of Google will quickly confirm the nigh-on impossible challenge of pinning down a broad consensus as to an acceptable definition of this hyper-complex term. So perhaps enumerating the essential elements or characteristics that constitute fascism might prove a more fruitful exercise? I am somewhat taken by Griffin’s approach to the definition conundrum, seeking to identify “what all permutations of fascism have in common – what he terms the “fascist minimum”, reducing the slippery concept to its bare essentials. Griffin actually condenses his take on “fascism” to a single basic sentence, viz. “a genus of political ideology whose mythical core in its various permutations is a palingenetic form of populist ultra-nationalism” (‘Staging the Nation’s Rebirth’). This brief statement requires some fleshing out. Griffin identifies three elements that are central to the ideology of fascism: the first is the idea of palingenesis (national revival) which all genuine fascist movements carry in their baggage. This entails the perpetuation of a utopian urban myth which exalts “the regenerative national community which is destined to rise up from the ashes of a decadent society”𝟚. Through emphasising the societal decadence of the status quo (the second idea), the fascist can isolate and vilify the supposed enemies of society (eg, Jews, communists, Gypsies). The evoking of this palingenetic myth allowed fascist movements to attract large masses of voters who have lost faith in traditional parties and religion with their glittering promises. The third element, populist ultra-nationalism, “arises from seeing modern nation-states as living organisms which are directly akin to physical people because they can decay, grow, and die, and additionally, they can experience rebirth” [‘Ultranationalism’, Wikipedia, http://en.m.wikipedia.org]. This palingenetic– ultranationalism fusion is what distinguishes Griffin’s “true fascism” from para-fascism and other authoritarian, nationalist ideologies [Roger Griffin, The Nature of Fascism (1991)].

A fascist or para-fascist checklist?: There are other characteristics evident in the praxis of fascist organisations and movements, including an opposition to or emasculation of parliamentary democracy; the leader’s cult of personality𝟛; (a revolutionary movement with a) belief in a natural hierarchical social order; an inordinately dominant or influential role played by the military in the state’s governance and in society as a whole; victimhood, suppression of targeted minorities in society (be it ethnic or religious); anti-communism; the all-powerful, all-seeing party as the vanguard of the fascist movement; a “cult of action for action’s sake” (Umberto Eco)…the square peg here is that these characteristics are not the exclusive domain of fascism or fascist politics as they feature in far-right authoritarian rulerships and sometimes in communist ones as well𝟜.

✑ ✑

Pridi (left) and Phibun (source: warfarehistorynetwork.com)

If we turn now to look at Thailand at the end of the 1930s we see that Phibun consolidated his position as prime minister before embarking on the road to dictatorship. Moving quickly to neutralise political opponents, he had his chief army rival Phraya Song’s supporters eliminated and Phraya himself exiled, while curtailing the already restricted royal power. Parliament was reduced to a rubber stamp chamber, press censorship was rigorously imposed. With other parties outlawed, the principal opposition Phibun faced came from within his ruling People’s Party in the form of Pridi Phanomyong (Banomyong) who headed up the civilian faction of the party. Phibun expressed admiration for the major right-extremist powers, Nazi German, Fascist Italy and the Empire of Japan. Militarisation of Thai society was a major focus for Phibun, borrowing extensively from the fascist template he copied the Nazi Jugend (Hitler Youth) with his Thai youth organisations, Yuwachon for boys and Yuwanari for girls. Phibun also relied on propagandist techniques through his right-hand man Wichit Wathakan who acted as party ideologue and propagandist to the extent that he was known in some circles as the “Pocket Goebbels” [REYNOLDS, E. B. (2004). PHIBUN SONGKHRAM AND THAI NATIONALISM IN THE FASCIST ERA. European Journal of East Asian Studies3(1), 99–134. http://www.jstor.org/stable/23615170].

Phibunsongkhram: Phibun’s eponymous province

Phibun in power projected the image of a “charismatic national savour”, presenting himself as the Thai people’s one great hope to lift the country out of the straitjacket of its weak and subordinate global position and achieve modernisation and a strong national position. And he built a form of personality cult for himself…pictures of himself were ubiquitous; awarding himself a raft of high offices and titles (including field marshal of the army). Another manifestation of this was how the Thai people celebrated Phibun’s birthday as the nation’s phunam (leader), venerated his auspicious birth-colour (green) and his birth sign, etc (Reynolds). Phibun even named a province after himself, comprising Cambodian territory wrestled from the French.

Prime Minister Phibun in 1948 (photo: Jack Birns/Life Photo Collection)

”Thaification”, Phibun’s territorial expansion ambitions: Was Griffin’s core “palingenetic myth” an element of Phibun’s political ideology for Thailand? Phibun and those other Thais who espoused nationalist sentiments subscribed to a genuine belief in Thai exceptionalism which derived from the pride of Siam having been the only state in Southeast Asia to have retained its independence in the wave of European colonisation of the region, an exceptionalism which Thais presented as a heroic tale in promoting nationalism. The Thai situation seems however to lack a homegrown urban myth in which the phoenix of national revival arises out of a state of decadence, instead the prevailing ideology had an irredentist component which has been called Pan-Thaiism. [‘Thaification: from ethnicity to nationality”, Marcus Tao Mox Lim, Identity Hunters, 05-Dec-2020, www.identityhunters.org].

Name changing ceremony Bangkok, 1939: Affixing of the royal seal by the crown prince (source: Life)

Ditching “Siam” for “Thailand”: Phibun pursued an expansionist foreign policy by which he hoped to reunite ethnically-related peoples under a “greater Thai race-based nation” (Tao Mox Lim). The name change from Siam to Thailand in 1939 had a dual function for Phibun – an intent to modernise the country and the creation of a new national identity𝟝. The name “Thailand” (Prathet Thai) symbolised a departure from the multi-ethnic identity of Siam, a device to assimilate other ethnic minorities (including the Chinese, a very significant minority in Siam𝟞) into a new construct, a national (homogenised) Thai identity – what Tao Mox Lim calls a “reimagining of a ‘Thai race’”. This was all a precondition to Phibun’s irredentist aspirations, allowing him to stake a claim on lost territories, mainly in French Indochina (Reynolds).  

Under Phibun’s heavy authoritarian hand democratic rights and freedoms were restricted and the populace subjected to a series of cultural mandates dictating the modes of dress and behaviour to be adopted. The earlier pluralism of Thai society was squashed but the degree of coercive control over aspects of citizens’ lives never got close to the Orwellian “big brother” levels in totalitarian regimes in Nazi Germany and in some Cold War Eastern Block countries. Phibun did not secure a totalitarian hold over the Thai population during his six-year long regime𝟟 and Thailand didn’t experience the ideological journey of national destruction/rebirth process as prescribed by Griffin.

Thailand, the most coup-prone sovereign state in the world (photo: Agence France-Press via Getty Images)

The unravelling of a SE Asian dictator: As autocratic as Phibun was in running the country, the elephant in the room was his wartime relationship with Japan. Having steered Thailand to a neutral stance in the world war, he switched positions, committing to an alliance with the Japanese under the Greater East Asian Co-prosperity Sphere in the hope of realising his long-held goal of Thai territorial expansion. Unfortunately, the alliance proved to be very unequal and heavily in Japan’s favour. The Japanese with its occupying forces in Thailand wouldn’t allow the Thai army to participate in its invasion of Burma and the Thais were forced to hand back the limited territorial concessions it received from France at the war’s end. By 1944 Phibun—with Japan’s military fortunes on the slide and seen as its increasingly unpopular collaborator—was forced out of the prime ministership in which some describe as a parliamentary coup masterminded by his rival Pridi [‘The Fall of the Phibun Government, 1944’, Benjamin A. Batson, www.thesiamsociety.org].

𝟙 as Mussolini summed up the function of totalitario…”all within the state, none outside the state, none against the state“

𝟚 having sold the masses on the notion of the regenerative national community utopia, the masses convinced of its efficacy must (unquestioningly) follow its creator, the (fascist) leader, sowing the seeds for the leadership cult to develop

𝟛 ample examples exist of leaders who were not fascists who cultivated a personality cult, eg, authoritarian populist Juan Peron and communist supremo Stalin

𝟜 it’s quite plausible for authoritarian regimes to practice even extreme fascist tactics, but this of itself doesn’t necessarily make the political system a fascist one

𝟝 the word “Thai” means “free” in the Tai tongue (thus “land of the free”) which resonates with the idea of the country never having been colonised

𝟞 Phibun’s imposition of the Central Thai language on all citizens promoted Thai ethnocentricity after 1939, which together with the introduction of harsh laws had the outcome of lessening the inordinate economic impact of the Chinese community (Reynolds)

𝟟 Phibun in his second stint as PM (1948–57) was preoccupied with “trying to reinvent himself as a democrat” (Reynolds) and surviving several coup attempts before his ultimate removal and exile to Japan

Insecurity in the Air: A Modest Beginning for the Scourge of Skyjacking

Aviation history, Cinema, Regional History

꧁꧂ ✈️ ꧁꧂

By 1961 US newspapers had started to use the term “skyjack” as interchangeable with “hijack” (in reference to the unlawful seizure of an aeroplane), but as the Stockton Record (Calif.) noted, the word “hijack” colorfully persists

Skyjacking, the hijacking of aircraft as a tactic toward the attainment of a particular aim or objective of the perpetrator, descended on the world like a plague from the late 1960s onwards. In just three years from 1968 to 1971 there were nearly 200 aerial hijackings globally and the numbers grew exponentially over the decade (‘Hijacking’, Britannica, www.britannica.com). Many of these hijack attempts were politically motivated, often by terrorist groups–Popular Front for the Liberation of Palestine, Japanese Red Army Faction, Republic of New Africa, Black Liberation Army, Kashmir separatists, Croatian nationalists, etc—but a steady minority involved “lone wolf” attacks on airlines. Where the perpetrators targeted commercial flights it was generally standard practice for exorbitant ransoms to be demanded for the passengers taken hostage by the armed hijackers. A pattern of skyjack attempts in the 1970s, confined primarily to the US, saw ongoing instances of terrorists seizing control of commercial aircraft and demanding the flights be re-routed to Cuba1⃞  (see Endnote).

Japanese Red Army Faction hijack of JAL351 in 1970 (source: ROK Drop)

When did the first hijack attempt on an aeroplane take place? ☄︎ ☄︎ ☄︎ ☄︎ The earliest instance occurred in 1919, when aviation was still very much in its infancy. The ur-hijacker was one Baron Franz von Felső-Szilvás, a Hungarian aristocrat (and self-taught pioneering palaeontologist) who was desperate to escape the nascent Hungarian Soviet Republic. Trapped in Budapest, bereft of a passport, the baron commandeered a light plane at gunpoint and forced the pilot to fly him to Vienna where he sought refuge from the short-lived communist Magyar regime2⃞ .

Baron von Felső-Szilvas (source; X.com)

It was not until 1931 however that the first recorded attempted hijacking of a commercial civilian airliner took place. It happened in Peru whilst the country was in the grip of revolutionary upheaval. American pilot Byron Rickard on his mail run flight for Pan-Am found his plane surrounded by Peruvian guerrillas upon landing in Arequipa. The guerrillas took Rickard prisoner and demanded the plane be flown to Lima to drop anti-presidential propaganda leaflets. Rickard refused to comply and the armed rebels were thwarted in their attempt at air piracy3⃞ .

“D.B. Cooper” – a shift in the methodology of “lone wolf” skyjacking 1971 brought by far the most outrageous hijack attempt by an individual. A passenger (known only by the alias “D.B. Cooper”) on an Oregon intra-state flight from Portland to Seattle informed cabin staff that he was carrying a bomb in his briefcase and demanded a sum of $200,000 and four parachutes upon arrival in Seattle. When his demands were met “Cooper” allowed the passengers to exit the 727 jet, and then he instructed the pilot to fly him to Mexico. At some point in the flight thereafter “Cooper” absconded with the loot…presumably he bailed out although no one knows where he ended up, disappearing without trace, with all FBI efforts to find him ultimately fruitless. The audacious feat won the solo hijacker a kind of instant folk-hero cache in the US, and more significantly prompted a spate of copycat, would-be skyjackers who tried to replicate Cooper’s success but failed (‘A Brief History of Airplane Hijackings, From the Cold War to D.B. Cooper’, Janet Bednarek, The Conversation, 18-Jul-2022, www.smithsonianmag.com).

≜ “D.B.Cooper” hijack (FBI identikit image)

Endnote: Hollywood embraces the sub-genre The skyjacking phenomena of the Seventies provided cinema and television with a rich vein of subject material. A seemingly endless stream of movies have gone the aircraft hijack scenario route for their plot action – just a sample of the better known titles include Skyjacked, Airport ‘77, The Delta Force, Air Force One, Passenger 57, United 93, Mogadishu and The Hijacking of Flight 3754⃞. The “Take me to Cuba” trope was a recurring motif on ‘70s TV comedy sketches from the likes of Monty Python et al, with predictable jocular takes on the hijacking “craze”.

Airport ‘77

1⃞  hijackings with a destination of Havana, Cuba, were so prevalent in this period that (according to Brendan I Koerner in his book The Skies Belong To Us) American airline captains were given maps of the Caribbean and Spanish-language guides in the event of just such a diversion (“TWA85: ‘The world’s longest and most spectacular hijacking’”, Roland Hughes, BBC News, 27-Oct-2019, www.bbc.com)

2⃞   the Felső-Szilvás episode had echoes in the Cold War climate of the late 1940s with a series of skyjackings (in Rome, Bulgaria and Czechoslovakia) by anti-communists trying to escape communist rule in the Eastern Bloc

3⃞  by a stroke of considerable bad luck Rickard was again the unfortunate victim of an hijack 30 years later while piloting Continental Airlines Flight 54 in 1961

4⃞ and any flagging in the sub-genre’s popularity by around the turn of the century was revived by the events of 9/11 in 2001

A Typology of Roman Gladiators

Ancient history, Cinema, Leisure activities, Performing arts, Society & Culture, Sport

Gladiator: Gladiatorius, from the Latin, gladius (“sword”)

We’ve all see gladiator movies, right? And most of us have probably seen either the eponymous Gladiator or its celluloid forebear Spartacus, or some inferior version of the cinematic sub-genre. A bunch of armed desperados fighting for their lives in the arena for the pleasure of Caesar and co. On the screen gladiators all seem much of a muchness with some variations of weaponry, but it may surprise some to discover that contrary to the world of movies, in reality there were a whole host of different types or classes of gladiatorial warriors plying their brutal and perilous trade in Ancient Rome.

Spartacus (1960)

The first record of gladiatorial contests in antiquity dates to 264BC and there’s some evidence that the Etruscans were forerunners to the Romans in this combative pastime. By the time of the opening of Rome’s Colosseum (80AD) the gladiatorial games (Munera gladiatoria) were a serious business, with prize money and betting on matches the norm. Gladiators served a two-year internship with one of four special arena-schools (ludus) that specialised in training new gladiators of different types. With the fights strict rules and etiquette applied in the arena (pompa), and careful planning went into the bouts. The organisers sought to put on strategic contests with well-matched opponents…these promotions were above all entertainments, and no one involved with the promotions wanted them to end too quicklyⓑ.

Let’s look first at the types of gladiators that we’re probably most familiar with thanks to Hollywood, Cinecittà, etc. before moving on to other ones that film-makers didn’t bother to research. Moviegoers will recognise the lightly-armoured gladiator wearing a manica (arm guard) who fights with a weighted net (rete), dagger (pugio) and three-pointed trident (fuscina or tridens), trying to ensnare his sword-wielding opponent within his net and skewer him. The movies are not big on the typology of gladiators, tending to lump them altogether under the generic name, but this arena net-fighter in the Roman world—resembling and modelled on a fisherman—was called a Retiarus (pl: Retiarii). It would be very unusual for a Retiarus to fight another Retiarus, gladiators of the same class did not normally fight each other, it was much more interesting to see a gladiator tests his skill and weapons against an opponent with a distinctly different set of weaponry. In particular Romans were fascinated by the prospect of a lightly-armed gladiator and a heavily-armed gladiator going head-to-head, the former testing his speed and agility against the skill and precision of the latter (Marlee Miller).

Retiarius (Lower right)
Secutor (Bas-relief with secutores. National Museum of Rome, Baths of Diocletian, Rome. 2nd-3rd century AD)

Symbolic battle of the sea The Retiarus would usually be matched, for contrast, against a heavily armed gladiator with a helmet, long sword and shield. This was the Secutor (“follower” or “chaser”) or the similar Murmillo. The Secutor held a scutum (large oblong shield) and gladius (short sword, 64-81cm in length) with protection on his right arm and left leg. The full-visor helmet worn by both the Secutor and the Murmillo had a fish-like appearance, imbuing the Retiarus v Secutor/Murmillo contest with the symbolism of a battle between angler and fishⓔ.

Murmillo: Murmillo stands triumphant, in a 4th century CE mosiac from Torrenova, Southern Italy. (Source: Corbis / Getty Images)

The Retiarus seems to have provided the inspiration for another entrapment style of gladiator, the Laquerius (= “snarer”). Laquerii pursued a similar strategy and tactics as the net-man but used a lasso or noose to catch and subdue his opponent. The “snarer” in the illustration below is armed with a trident though his usual weapon would be a poniard or sword. The Veles (= “skirmisher”), armed with a spear, sword and parmula shield, was another lower-level gladiator with a similarly indirect style of fighting.

Laquerius: “The Snarer” (image: escenarys.com)

Barbarian vs Greco-Roman The Thraex (Thracian) gladiator was a bit of a variation on the Secutor theme…entire head enclosed in a broad-rimmed helmet, a parmula shield (small, circular, lighter but still made of steel), armoured greaves (leg guards) and a Thracian short curved sword (a sica) about 34cm-long. The Thraex was usually up against the Hoplomachus (so-named for his equipment which resembled the Greek hoplite soldier), whereas the Murmilloⓕ tended to be matched with both. The Hoplomachus (“armoured fighter”) wore heavy protective gear and a bronze helmet and was armed with a small concave shield, sword and spear (hasta).

Proto-gladiator The Samnite gladiator (from Samnium in southern Italy), thought to be the first type of Roman arena fighter, was the prototype of the Secutor, Murmillo, etc., with similar apparel and weaponry, short sword, rectangular shield and rimmed helmet. The Samnite was very popular during the Roman Republic, but when Samnium became an important ally of Rome under Augustus, the Samnites stopped featuring in the contests.

Scissor (Tombstone bas-relief to Scissor Muron. Louvre Museum, Paris. 1st–2nd century AD)

There was also the gladiator types who used an unusual weapon, the Scissor…his fighting instrument had two parts, a long tube that protects the gladiator’s arm, and at its end, a thin cylindrical pipe with a crescent-shaped blade. Scissores were often pitted against Retiarii, which could be to his advantage if he could get close enough to cut his opponent’s net with the pincer movement of his open scissors. Another, minor type of gladiator, the Arbelas, utilised a weapon, the Arbelos, which resembled a cobbler’s semi-circular blade.

Gladiator vs the animal kingdom Two very different types of gladiators shared the arena with captured animals. One type, called Bestiarii (“beast-fighters”) fought wild animals like lions, leopards and bears in the amphitheatres, but with the odds massively stacked against them. As condemned criminals or prisoners-of-war they were basically “thrown at the beasts as punishment or spectacle”, most with nil chance of survival (Encyclopedia Romana). The second, the Venatores (“hunters”) were much more fortunate, they were fully armed and got to hunt down an assortment of beasts.

Venator vs leopard: Roman mosaic, Galleria Borghese, Roma, 4th century AD. (source: Henry Yad Henry/Pinterest)

The Dimachaerus (Greek for “bearing two knives”) fought their opponents (often the Hoplomachus) using two swords (usually a pair of curved scimitars). These ambidextrous gladiators were considered by the elite and the people alike as having low prestige, due to the general disapproval of their method of fighting and reliance on dual weaponry (the sica), which the Roman populace considered sneaky (‘The Roman Guy”).

Other gladiator classes tended to be even more bizarrely left-field – the Andabata gladiator was drawn from the noxii (criminals who had been sentenced to death in the arena). These unfortunates armed with a gladius were forced to fight blindfolded (ie, they wore a helmet which was devoid of any aperture rendering them effectively sightless). The Essendarius romped spectacularly into the arena aboard a war chariot (called an essendum), but whether he immediately dismounted and fought on foot or initially from the chariot is a matter of speculation. The Cestus seems more boxer than gladiator, he had no body armour and his only weapon was a padded glove containing pieces of iron, blades and spikes. The Bustuarius (= “tomb-fighter”) fought not in the arena but about the funeral pyre as part of the ceremony honouring the newly deceased. Accordingly he was given even lower status than other gladiators.

The Crupellarius was a kind of despised apprentice gladiator. He fought weighed down by heavy armour that comprised a “bulky continuous shell of iron”. Historian Tacitus described the Crupellarii “as a contingent of Gaulish, slave, trainee gladiators”, adding that “they were too clumsy for offensive purposes but impregnable in defence” (Book III, 43, 46 in The Annals of Tacitus, Loeb, 1931).

Stone tablet of a pair of gladiatrices (Photo: De Agostini/Getty Images)

Women’s place in the arena?: Did the Gladiatrix (woman gladiator) exist in the ancient world? Yes! It was very rare and typically met with male censure but there was some Roman gladiatrices who were active in the sport. Sources for the gladiatrix are very threadbare however…historian Cassius Dio makes reference to Emperor Titus permitting female gladiators to perform but on the proviso they were of “acceptably low class”ⓖ (there is however some evidence of elite women, as well as from other classes of Roman society, participating as gladiatrices including as Venatrixes from the 1st century BC). Where they did take part in amphitheatre fights a gladiatrix fought against her own sex – with the single exception mentioned by Cassius Dio, that Emperor Domitian staged night games which pitted gladiatrices against dwarfs.

Sideshow to the main event Gladiatorial combats in the Colosseum, like Shakespeare’s Tragedies, were deadly serious affairs, but like the Tragedies it was considered prudent to include an outlet for comic relief. In the pompa this was provided by performances by the Paegniarii, pseudo-gladiator entertainers who fought “burlesque duels” with blunted or mock weapons, especially during the midday break (‘List of Roman Gladiator Types”). The appearance of dwarf (pumilus) gladiators in the amphitheatres were probably also part of the light entertainment fare for the spectators.

The Colosseum (photo: quota.com)

Behind the scenes players in the gladiatorial business

Editor: this was the producer who financed or sponsored the gladiatorial spectacles

Lanista (manager): the owner-trainer of a troop of gladiators (known as a familia); involved active player in the trade of slave-gladiators; rented gladiators to the editor for contest events

Lorarius: an attendant who whipped reluctant combatants or animals into fighting

Rudis: the referee; a senior referee was called summa rudis

𖡒 𖡒 𖡒 𖡒 𖡒

A gladiator who won his freedom was awarded a rudis (“wooden sword”) and was known accordingly as a Rudiarius. Some retired gladiators became trainers or Doctores (“instructors”), assistants or referees. Some gladiators or ex-gladiators hired themselves out as bodyguards for wealthy and important Romans.

Gladiator Mosaic (Panel 4) from Torrenova, Southern Italy

Gladiator movies’ legacy of lingering myths If you were to rely solely on English and Italian language gladiator movies as a representation of historical accuracy you would come to certain conclusions. One would be that all of the arena fighters seemed to be infames, either criminals or enslaved “barbarian” prisoners-of-war who were pressed into the profession against their will. Initially this was the case, however by the end of the Roman Republic the demographics had shifted to the extent that volunteer gladiators, known as Auctoritas, comprised half of the amphitheatre fighters (Encyclopedia Romana)ⓗ. A second conclusion to draw from viewing examples of the sub-genre on screen is that gladiators fought to the death and therefore there was a high casualty rate in the arena. The reality was quite different. Sine missio (👎🏼 no mercy given) contests were rare, it was much more common occurrence for bouts to end with a missio outcome (👍🏼 mercy granted). Often economics rather than compassion swayed the outcome, gladiators were a very valuable commodity to the editor/owner and the rich and powerful had a vested interest in protecting their investment (Miller). Historians vary in their estimates of the numbers who died as a result of the combats but the concensus is that it was low. According to Suetonius (Life of Nero, XII. 1), in one full year in Nero’s Campus Martius amphitheatre no one died. It needs to be remembered that the Rome’s gladiatorial games constituted only a small window of the year, about 10 to 12 days and that most gladiators only fought about twice in that period (Encyclopedia Romana), which in itself would limit the death toll.

Secutor vs Retiarius (illustration source: forums.taleworlds.com/)

Munera gladiatoria was part of the system that required Roman citizens of high status and wealth to provide public works and entertainment for the pleasure of the Rōmānī people

for the combatants too, there was no virtue perceived in easily defeating a weaker opponent (Encyclopedia Romana)

an exception to this was the Provocator (= “challenger”) who wore heavy legionary armature and fought other Provocatores

the Secutor was so named because he would pursue the lightly armed Retiarus – from sequor (“I follow, come or go after”)

Retiarii tended to be derided as a type of gladiator—they were seen as an effeminate (low) class because of their indirect fighting style—the net-man was described derogatorily as Retiarius tunicatus (“tunic”), despite the fact that he was one of the most successful gladiators in the arena

introduced to replace the Gallus, “barbarian” prisoner-gladiators from Gaul

that many Romans thought the gladiatorial profession was suitable only for the lower, especially criminal (infames), classes, is a recurring theme, notwithstanding this some middle-upper class citizens did fight in the arena. Known as Eques, these lightly-armoured knights fought on horseback but were only permitted to pit their skills against other members of the Eques

ⓗ even one Roman emperor, the egocentric Commodus, “volunteered” to participate in the Colosseum gladiatorial combats as a Secutor (and Venator) sparking widespread disapproval among Romans

᯼ ᯼ ᯼ ᯼ ᯼

Reference materials, articles and blogs consulted

‘Types of Gladiators That Fought In The Colosseum’, The Roman Guy, www.theromanguy.com

‘The Roman Gladiator’, Encyclopedia Romana, http://penelope.uchicago.edu

‘Gladiators: Types and Training’, Marlee Miller, The Met, August 2023, www.metmuseum.org

‘5 Famous Ancient Roman Gladiators’, Michael Waters, History, Upd. 07-Jun-2023, www.history.com

‘The Roman Scissor: Gladiator, Weapon, or…? (AKA: Return of the Arbelos’, (Alessandro Bettinsoli), Eleggo.Net, 18-Dec-2016, www.eleggo.net

‘List of Roman Gladiator Types”, www.wikiwand.com

‘Gladiators – Slavery and Sex’, www.home.eol.ca

Rome’s Chariot Racing: The “Formula One” of the Ancient World

Ancient history, Cinema, Regional History, Society & Culture, Sports history

People tend to associate the sport of chariot racing with the ancient Romans, thanks in part to Hollywood and movies like Ben-Hur…chariot racing was a fundamental part of ludi circenses (circus entertainment) for the Roman public, together with gladiatorial combats, mock hunts and wild animals pitted against each other. Chariot racing however wasn’t an activity that originated with the Romans, the ancient Greeks and the Etruscans were right into the sport long before them𝔸. It emerged in the Hellenic world at least as early as 700BC with contests taking place in stadia known as hippodromes (“horse course”). The sport features in the Iliad and by 684BC it was so popular it debuted as an event in the proto-Olympic games. In Greek chariot races the competitors were the owners of the rigs and horses, and with Spartan women entitled to own property, this allowed some women to participate in the popular sporting spectacle. Success in the four-horse races was well remunerated, with prizes for the winner such as 140 ceramic pots of olive oil (‘Ben-Hur: The Chariot Race’, A Historian Goes to the Movies, 16-Sep-2016, http://aelarsen.wordpress.com).

Spartan woman winning a chariot race (vase decoration)

The premier venue for Roman chariot racing, the epicentre of the sport in antiquity, was the massively-proportioned Circus Maximus, a specially-constructed race course located between the Aventine and Palantine hills in Rome. The course was an extended oblong shape along a 2,037-foot-long sand track (spatium) with sharp 180° turns at each end (a race comprised seven laps with the top speeds nudging 40 mph) (Encyclopedia Romana, Upd. 21-Nov-2023, www.penelope.uchicago.edu). The rage for currus circenses (chariot racing) as a spectator sport was such that the Roman went from having 10-12 races a day on 17 days of the year only in Emperor Augustus’ time to 100 races per day during the reign of Domitian. The standard “horse power” for racing chariots was four horses—called a quadriga or quardigae𝔹—piloted by older, more experienced horsemen called agitatos, whereas novice drivers (auriga) were usually assigned a bigae (two-horse vehicles). Less common but not unheard of were six, eight and ten-horse chariots. The best horses for currus circenses were sourced from the Roman provinces of Lusitania and Hispania and from North Africa (‘Chariot Racing: Rome’s Most Popular, Most Dangerous Sport’, Patrick J Kiger, History, Upd. 17-July-2022, www.history.com).

All that remains today of Circus Maximus

To the Roman masses, the chariot drivers were above all entertainers, just like actors or musicians of the day, but there was a duality to how they were viewed by society. The elite drivers were lauded and lionised by the public (just like elite sportsmen today), but at the same time they were cursed as witches or magicians (this conclusion was drawn because how else could you explain their repeated victories?)(Kiger). Not all social elites in Rome were as gung-ho about the sport as the populus Romanus, although the egregious and unstable emperors Caligula and Nero were both big fans.

To the victor, laurels…and “big bucks”

Charioteers faced a high danger of injury or death from their profession, but the lure was the prospect of fabulous wealth…for the best race drivers. The prize money for a single victory ranged from 15-30 thousand sesterces up to 60,000 sesterces. If you were successful on the track and survived, you could earn a fortune and set yourself up for life…one such ace driver was Portuguese-born Gaius Appeuleius Diocles whose 24-year career netted him upward of 36,000,000 secterces from 1,462 victories. Diocles’ race winnings, valued today as equivalent to US$17 bn, would place him far above the superstar earnings of the Michael Jordans and Novak Djokovics of the modern era in sport (Kiger).

Diocles, champion of the Red team (source: earlychurchhistory.org)

Charioteers competed in teams under the aegis of factiones (factions) which like Formula One racing today, were under the control of team bosses/owners – these were different associations of contractors. The four principal factions, each one associated with a particular season and god, were known as the Reds, Blues, Greens and Whites. Each faction team had its own talent scouts whose job it was to find the most promising charioteers and horses, and each team had its own passionate tribal supporters base, much as we see today in professional football𝔻 (‘Chariot Races’, The Roman Empire in the First Century, www.pbs.org).

The four “colour” factions

The faction bosses bankrolled the whole operation of their teams, including the engagement of medical and veterinary staff, in return they took a cut of the drivers’ winnings. With customarily 12 charioteers in a race (three drivers from each team), teams pursued a stratagem of using their two lesser drivers to try to manoeuvre and block their opponents to maximise the chances of success of their team’s star driver (Formula One and contemporary professional cycling adopt similar team tactics in races) (‘Chariot Racing’, Travels Through Greco-Roman Antiquity, http://exhibits.library.villanova.edu).

A Roman mosaic of two famous race horses (source: earlychurchhistory.org)

Chariot racing revolved around money, not just for the drivers and factiones, betting on the outcome by the race-going “punters” was big business too. The Circus Maximus didn’t have on-course bookies or the TAB or Ladbrokes but betting was widespread on an individual basis. Prior to a race spectators in the seated areas or in the refreshment arcades would make private wagers with each other on the upcoming race.

Footnote: Hollywood does currus circenses ⟴⟴⟴ Most movie-watchers would have seen the 1959 biblical era blockbuster Ben-Hur, the Charlton Heston version immortalised for its epic 20-plus minutes chariot race. The race is a thrilling climax to the movie, accurately capturing the danger and drama of a real chariot contest in Ancient Rome, however much of what is shown veers away from historical verisimilitude…there are nine bronze dolphin lap counters, not seven, though the chariots are comparatively light as they needed to be. In Roman charioteering the race drivers were formed into teams (as outlined above), whereas in the film this is completely ignored with each competitor singularly representing different ethnicities (Jew, Roman, Arab, etc). Roman chariot races had staggered starts and starting gates (carceres) to negate the advantage to drivers nearest the inner wall or barrier (the spina), the movie is again historically out-of-kilter. First, the contestants line up one abreast, backing on to the the spina which seems to be borrowed from the way Formula One car races used to start in the 1950s, then they wheel round and start in a straight line across the sand-strewn track. Having Ben-Hur’s antagonist the elite Roman soldier Messala as a charioteer, is also all wrong…chariot drivers were recruited from the lower orders, slaves, freedmen, foreigners, they were infamis, the disreputable in society, men with a black mark against them. Lastly, Ben-Hur and Messala and the other drivers all hold the reins of their horses during the race, unlike what the Romans actually did, which was to tie the reins around the charioteer’s waist during the race (‘A Historian”).

‘Ben-Hur’, the iconic chariot race scene

𝔸 and the Byzantines continued the sport after the fall of Rome

𝔹 the quadriga races were the main event of the ludi circenses race day

ℂ the Blues and the Greens, the two largest factions, engaged in a fierce rivalry

𝔻 there were also occasionally spectator riots, as in football