The Green Book for the Black Traveller: Coping in a Segregated America

Posted on July 2, 2016January 11, 2022 by Sloane Snodgrasse

❛❛Life is all right in America,
If you are all-white in America ❜❜
~ Stephen Sondheim, West Side Story

❛❛Travel is fatal to prejudice❜❜ – Mark Twain (inscription on the cover of the 1949 edition of ‘The Green Book’)

“Carry your Green Book with you … you may need it!” (the publication’s motto)

~~• • • • •~~

An earlier (and subsequently) a rival publication from the US Black community▼

In the early 1930s an African-American postal employee from New York, Victor Hugo Green, came up with the idea of producing a book for Black Americans to guide them in travelling safely around their own country. Green got some inspiration from the Jewish-American press which for several years had been publishing travel guides for its community’s travellers, and from earlier, embryonic and less successful efforts to service the African-American community (eg, the Negro Business Directories from the early 20th century)[1].

In the 1930s, with the era of “Jim Crow” segregation still very much alive, the experience of Black Americans migrating or travelling around the United States was a very precarious and outright dangerous activity. The notorious white-only “Sundown towns”* were in force, not just in the South but right across the country. The open and legally sanctioned discrimination practiced against Black people in their everyday domestic lives extended to their travel experiences. Victor Green understood that the emerging Black middle class aspired (like all other Americans) to car ownership which held the tantalising promise of individual freedom. For African-Americans, having your own vehicle was the means of escaping a degrading reliance on segregated public transport[2].

▼ American auto dreams!
The project like many entrepreneurial dreams started small, The mailman-cum-entrepreneur Green initially focused his efforts on helping African-American motorists and travellers locate businesses (lodgings, restaurants and other food outlets and fuel stations) in the greater New York metropolitan area that would accept their custom. As the business grew (with assistance from the US Travel Bureau) Green expanded his guide to the rest of the US, and to Alaska, Bermuda and parts of Canada and Mexico. The Green Book’s aim was to help Black and Coloured travellers chart a safe path through a segregated America by pinpointing exactly where on route they could stop and get the services they required to make the trip a happy and pleasant one.

In 1947 Green retired from the New Jersey Postal Service, and together with his wife Alma, started their own travel agency in Harlem. International editions of the book followed with the firm also handling air travel business for the Black community. The Green Book gradually added extra service providers including drug stores, barbers and hairdressers, tailors, salons, garages, nightclubs, taverns, liquor stores and doctors’ offices.

According to the civil rights leader, Julian Bond, Green used his network of contacts in the Postal Workers Union to ascertain where Black visitors would be welcome[3]. Early on, Green visited the locations he would include in his Green Book to check them out personally, but when the book took on a national (and international) focus this became impractical[4]. Aside from hotels and motels, other accommodation options advertised in the Green Book included “tourist homes” (the private residences of African-Americans made available to travellers) and the Harvey House hospitality chain[5].

The Green Book, or to give it its full title, The Negro Motorist Green-Book (later called The Negro Travelers’ Green Book), had its debut edition in 1936 with a green-coloured cover. Green’s intention for the book was to equip Black travellers with the information to avoid the pitfalls, the very real dangers and manifold inconveniences of travelling across a landscape still largely hostile to their race. People could use the Green Book as a vade mecum to find African-American friendly services and hospitable havens on their journeys. It gave travellers the assurance that they could travel with dignity, and not have to suffer the ignominy of being constantly turned away and put down by racist accommodation providers. Green in fact advertised his book as making it possible to have a “vacation without humiliation”.

◥ 1949 Negro Motorists’ Green Book

The Green Book circulation was initially 15,000 copies a year. It was sold in the first instance by mail order through participating Black businesses, and later via Esso gas stations[6]. The cost of the 1936 edition was a Depression-conscious 25 cents, rising to $1.95 by 1960. Some Black enterprises, especially newspapers, eventually sponsored the book, as did Esso, whose gas stations had an unusually high number of Black franchisees in this period … this was reflected in its prominent place in the Green Book’s list of friendly businesses. According to historian Gretchen Sorin, under an agreement with Standard Oil, Esso service stations were selling two million copies of the Green Book annually by 1962[7].

◥ 1956 Negro Motorists’ Green Book

The 1956 edition – whose cover bizarrely featured two unmistakably fair-haired, white motorists(!?!) – made the assertion “Assured Protection for the Negro Traveler”, and it did offer Black travellers some element of choice, where hitherto going to an unfamiliar town was a total lottery. In 1955 in Albuquerque, New Mexico, only about six motels out of 100-plus on Route 66 took Blacks – so without a copy of Green’s road trip companion with them travellers could be faced with a long, frustrating and demoralising series of fruitless enquiries[8].

Ernest Green (a member of the defiantly brave band of schoolchildren known as the “Little Rock Nine” which ran the gauntlet of racist bullies at the first desegregated school in the South in 1957) used the Green Book in the 1950s to travel the 1,600km from Arkansas to Virginia. Green, no relation to publisher Victor, later described the book as “one of the survival tools of segregated life”[9]. Other accolades for the Green Book followed … “A credit to the Negro race” (William Smith); “The Bible of Black Travel”.

Undeniably, the book’s popularity for nearly 30 years (spawning imitators as well) is testimony to how appreciated it was by ordinary African-Americans … the practical guidebook was invaluable to travellers by minimising or avoiding inconvenience, embarrassment and harassment whilst on trips and vacations around the US.

Victor Green died in 1960 however his family kept the Green Book going until 1966. Rebranding was tried with the word ‘Negro’ dropped from the title to try to widen the publication’s appeal, but with the implementation of the landmark Civil Rights Act in 1964 and the outlawing of racial discrimination in public housing, it’s relevance to 1960s America had dwindled away.

Victor Hugo Green ▼
When the resourceful Mr Green published the inaugural Green Book in 1936, he wrote in the preface that he looked forward to the day when “this guide will not have to be published”. That day was a long time happening (sadly not in Victor’s lifetime) … but it did come.

Footnote: In the decades after the publication folded, the story of the Green Books slipped more or less completely out of the public consciousness. It was only by happenstance that it resurfaced after playwright Calvin A Ramsey met an elderly traveller in the South in 2001 who asked him where he could get a “Green Book”. Curiosity aroused, Ramsey did some background research and eventually wrote two books – a children’s story and a play – on the topic. Since then revived interest in the Green Books has amounted to a bit of a ‘Renaissance’ … there has been the Schomburg Center’s GB digitization project (‘Revisiting a Jim Crow Era Guide for Traveling While Black’), the National Parks Service Route 66 Corridor Preservation Project, as well as numerous recent articles, blogs, museum exhibitions, documentaries (including Ric Burns’ current Driving While Black project) and podcasts, all on the Green Books[10].

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* so called because visiting Blacks were systematically warned to be out of town “by sundown” or risk violent reprisals from the local white population. This phenomenon was by no means restricted to backwater redneck, hick towns. Sundown towns included large suburbs such as Warren, Michigan (pop. 180,000), Levittown, New York (80,000) and Glendale, California (60,000).

[1] K Kelly, ‘The Green Book. The First Travel Guide for African-Americans Dates to the 1930s’, Huffington Post, 8 Mar 2014
[2] ibid. Although car ownership was liberating for African-Americans it did lead to other problems such as racial profiling by police (deliberate targeting, harassment and random arrest on suspicion of Black drivers on the street) … still very much a threat to the civil liberties of the African-American community today, T Owen, ‘Driving While Black: Cops Target Minority Drivers in this Mostly White New Jersey Town’, 11-Apr 2016, (Vice News) www.news.vice.com
[3] ‘ “Green Book” Helped African-Americans Travel Safely’, Talk of the Nation, 15-Sep 2010, www.npr.org
[4] C Taylor, ‘The Negro Motorist Green Book’, www.taylormadeculture.com
[5] C McGee, ‘The Open Road Wasn’t Quite Open to All’, New York Times, 22-Aug 2010
[6] Kelly, op.cit
[7] McGee, op.cit. Sorin, cited in J Driskell, ‘An Atlas of self-reliance: The Negro Motorist’s Green Book (1937-1964), 30-Jul 2015, www.americanhistory.si.edu
[8] ‘The Green Book Video Transcript – Route 66’, www.ncptt.nps.gov
[9] E Lacey-Bordeaux & W Drash, ‘Travel Guide helped African-Americans navigate tricky times’, 25-Feb 2012, www.edition.cnn.com
[10] See ‘Mapping the Green Book’, (MGB production blog), www.mappingthegreenbook.tumblr.com

Australia’s Colonial Zoo Story

Posted on May 10, 2016January 11, 2022 by Sloane Snodgrasse

Local history, Popular Culture, Social History

Taronga - southern (ferry end) entrance — Taronga – southern (ferry end) entrance

October 7 this year marks the 100th anniversary of the Taronga Zoological Park, or as it is simply known to successive generations of children and parents of Sydney and its environs, Taronga Zoo (Taronga: Abor. for “beautiful sea view”). Sydney’s premier zoo can in fact trace its genesis considerably further back than that to the formation of the Zoological Society of New South Wales in 1879‡.

The Society’s initial purpose was to import English birds (and other introduced species) to the Antipodes and to acclimatise them to the conditions before distributing them to different parts of the continent. In 1883 the Sydney City Council gave permission to the Zoo Society to open a public zoo on government land allocated to it in Moore Park (3.5km south of the city centre). The location of the zoo was in a part of Moore Park known locally as Billy Goat Swamp, today occupied by Sydney Girls High (zoo remnants survive, still visible within the school grounds, ie, two bear pits in the ‘Lowers’ area adjoining Sydney Boys High). The zoo was designed by Charles Moore, responsible for the earlier creation of Sydney’s Royal Botanic Gardens[1].

As more animals were added to it, the zoo soon outgrew its original land grant of 7.5 acres[2]. Gradually the zoo’s space encroached on more and more of the Moore Park parkland. Mostly in the 19th century, the new additions of animals for big public zoos came from engaging overseas professional hunters to capture exotic animals for their collections[3]. Melbourne Zoo acquired its hippos and monkeys, and Moore Park its Californian and Cinnamon bears, via this channel. Others like Jessie the Asian elephant were gifts for the Sydney zoo from the King of Siam.

By 1910 Moore Park Zoo was too small for the burgeoning number of animals accumulated. As a result the New South Government made 43ha of bushland§ between Little Sirius Cove and Bradleys Head (Mosman) available as a new site for Sydney’s zoo[4]. Around 1913-14 most of the zoo inhabitantsφ were bused from Moore Park to Circular Quay and then ferried by flat-top barge across the harbour to Mosman. With the taller animals, the elephants and giraffes, the zoo authorities eventually realised that it would be prudent to transport them to their new home in the middle of the night to avoid a public commotion in the streets. The sight of the massive beasts silhouetted against the night skyline whilst being barged across the water would have provided an inspiring, even poetic, vision.

Melbourne Zoo was founded in 1862 at Royal Park (Parkville). Heavily modelled on London Zoo, it has often been described as the first zoo in Australia[5], but this is not strictly correct – as there were small, private zoos in Sydney that predate it. Melbourne’s position however as the first public zoo in the country is certainly not in dispute, starting up some 22 years before Sydney’s Moore Park Public Zoo (Royal Melbourne Zoo is also the longest, continually operating zoo in Australia).

The concept of a zoo in the NSW colony has its origins in Hyde Park in the centre of Sydney Town in 1810. Soon after taking office Governor Macquarie established Sydney Common as a “people’s park”. Hyde Park initially housed a racecourse which by 1825 had given way to a menagerie of domestic and imported animals¥. By 1848 one Captain William Charlesworth, having procured exotic animals from India, and with the imprimatur of the Australian Museum, displayed them in a private menagerie-cum-small zoo in the Park[6].

The Hyde Park zoo experiment was short-lived and in 1851 its exhibits were ‘gifted’ to the publican (William Beaumont) of the Sir Joseph Banks Inn in Botany in Sydney’s south. The Botany hotel included a large land holding which was turned into pleasure grounds, with the private zoo being one of its star attractions. Among the new zoo’s animals acquired from Hyde Park were a ‘docile’ Asian elephant, a Bengal tiger, a gorilla, male and female Himalayan bears, black Bengal sheep and a pair of Manilla red deers[7].

After a change of hotel lease-holders the zoo folded and the animals were sold (late 1850s) to another pub at Watsons Bay in Sydney’s eastern suburbs – the Marine Hotel, owned by Henry Billing. “The Marine” was originally a private mansion built by Colonial Architect Mortimer Lewis ca 1837 and initially named “Zandvilet” (or “Zandoliet”) and then “Marine Villa’ under different owners (known simply as “Watsons Bay House” to many).

Billing located the zoo in Robertson Park (Clovelly Street Watsons Bay) in the grounds of the Marine Hotel, which he later renamed Greenwich Pier Hotel⊕. The private zoo (and hotel) had its own wharf for visitors. The collection included a lion (which was obviously tame, and perhaps worst, declawed, as the zoo advertised that it was available for visitors to ride!), elephants, tigers and harnessed zebras (no further information available on this but the inference is that the zebras might have been used bizarrely to pull carriages – like a horse!)[8].

The ‘showman’ Billing tirelessly promoted his private zoo as the largest and finest collection of wild animals in the Australian colonies, with “the wonder of the world, the Monstor Bengal Tiger Hercules, three East Indian Leopards, East Indian Porcupines, a Brahmin Cow, Egyptian Sheep, Golden Pheasants, Mongoose and English Ferrets”[9].

Dunbar House - former grounds of Watsons Bay Private Zoo — Dunbar House – former grounds of Watsons Bay Private Zoo

Not surprisingly, the zoo was a big hit with the punters, especially when combined with the on-site pub! Unfortunately in 1861 the zoo suffered a setback when one of the Bengal tigers mauled its keeper. This resulted in litigation against Billing and although cleared of any blame, the hotelier soon after died. His widow tried to get the colonial zoological board to purchase the animals, but the government rejected her request. Her excessive reaction, sadly, was to poison the 18 animals (some reports list the number as higher) in the Robertson Park zoo. A few years later Mrs Billing embarked on a new “show business” venture, operating a waxworks in Sydney[10]. There is no record of whether it was a successful business or not, but at least it didn’t involve any animals.

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‡ the Zoological Society was formed to carry on the role of the Acclimatisation Society, viz. the introduction and acclimatisation of (especially English) song birds and game (Royal Zoological Society of NSW)

§ an additional 9ha of Ashton Park bushland was later made available to the zoo

φ calculated at 228 mammals, 552 birds and 64 reptiles (Taronga Conservation Society Australia)

¥ Mrs Macquarie was reputed to maintain a personal menagerie of animals at Government House in Parramatta during her husband’s governorship.

⊕ the building housing Billing’s hotel in Robertson Park can boast a most colourful and manifold history. Since Billing’s ownership it has continued to change hands and names. Later in the century it got a new name, this time becoming the Royal Hotel, which had an open-air cinema added to its rear. From 1924 it was the municipal chambers of Vaucluse Council until the Council was abolished and merged into Woollahra Council in 1948. Part of the house became a library for a time. In the fifties as “Fisherman’s Lodge” it hosted wedding receptions and the like. Today it is the revamped Dunbar House, owned by the Grand Pacific Group, and hired out for events and operating as a cafe/restaurant for the many visitors to Watsons Bay.

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[1] the Botanic Gardens provided many exotic birds for the new Moore Park Zoo aviary, ‘Who’s Who in the Moore Park Zoo?’, Centennial Parklands, History & Heritage, 7 May 2015, www.blog.centennialparklands.com
[2] pointedly,the Australian Town and Country Journal expressed “surprise that such a charming effect should be obtained in so comparatively small an area”, ‘The Zoological Gardens – a popular holiday resort with Sydney young folk’, Australian Town and Country Journal (Sydney), December 17 1892, www.trove.nla.gov.au
[3] ‘The Zoo’s first hippos stars: William and Rosamund’, (Culture Victoria), www.cv.vic.gov.au. There was more of an overlap of zoos and circuses in that era with both obtaining their ‘wild’ animals from this same source. It wasn’t until much later that zoos developed an interest in conservation and education
[4] a thriving artists’ colony, Curlew Camp, on the cove at Ashton Park, was closed down to make way for the zoo. Arthur Streeton and Tom Roberts, two of Australia’s most celebrated late colonial artists were members of the Curlew Camp group. As it eventuated the camp section of the bush headland was not used by the zoo. A bush track (the Harbour Hike) skirts around the Taronga fence and is part of the Sydney Harbour National Park
[5] eg, ‘Le Souëf Family Archives: Royal Melbourne Zoological Gardens’, www.austehc.unimelb.edu.au; ‘Melbourne Zoo’, www.en.m.wikipedia.org
[6] T Lennon, ‘Colonial Sydney went wild for first zoos at Hyde Park and Botany’, Daily Telegraph, September 10 2015
[7] ‘Sydney’s First Zoo’, Sydney Morning Herald, 24 October 1931 (Trove collection online). The picnic grounds at Sir Joseph Banks Park contain a series of zoo animal statues commemorating the zoo’s one-time existence there
[8] W Mayne-Wilson, ‘Robertson Park Its Secret Past’, Historic Environment, 17(3) 2004. Beaumont retained some of the Botany zoo animals which were later donated to the Moore Park Zoo
[9] V Campion, ‘Bayside Beauty – Dunbar House revives forgotten 1830s glamour’, Daily Telegraph, 10 May 2011
[10] Robin Derricourt, Watsons Bay, Dictionary of Sydney, 2008, http://dictionary of Sydney.org/entry/watsons_bay, viewed 30 April 2016

Scotland’s Celebrity Rectors: The Chosen Ones of the Undergrad Vox Pops

Posted on July 9, 2015March 3, 2022 by E Curb Nottus

Popular Culture, Tertiary Ed

A Rector is a type of office-holder pertaining to both the ecclesiastical and the academic realm. It is in this second context of the term, that of academe, that is the focus of this blog. The word ‘rector’ itself derives from the Latin regere (Ruler), and in the 17th century it signified one who governed a city, state or region. In the contemporary world of universities it is widely employed in Europe, Latin America, Russia, Pakistan, Philippines, Indonesia and the Middle East. Its meaning varies from place to place, in some of these the term ‘rector’ is used in the sense of chancellor, ie, the executive head of a university, but much more likely it denotes the ceremonial head (in a British University the real power would usually reside with the vice-chancellor rather than the chancellor).

In the English speaking world the rector is not a common office in the university hierarchy, the exception to this being Scotland where the post dates back to the 16th century. Each of the four ‘ancient’ universities of Scotland (St Andrews, Glasgow, Aberdeen and Edinburgh) plus Dundee – all have the office of rector, in some cases it is called, more grandly, lord rector. Scottish rectors are elected by the student body for a three year term, although at the University of Edinburgh rectors are still elected by both students and staff.

In the sphere of higher education the duties of rectors vary from institution to institution but broadly they are there to represent the interests of students in the wider university context on various governing bodies, eg, in Scotland they might also chair the University Court, the highest governing council of the university. One way they directly represent students is in an ombudsmen’s role, being a forum for students to air their grievances and complaints and a conduit to have their issues addressed within the university. Other duties of a rector might include participating in convocation ceremonies [‘What does the Rector even do?’, http://queensu.ca/rector/blog/].

In past centuries the Scottish tradition was for noblemen as rectors, titled gentlemen with a assortment of names sounding like variations on the “8th Earl of Cumbleyheathwaite”. By the 20th century the post tended to be filled by high achievers from business, politics, the civil service, the military, and the occasional notable clergyman. In the interwar period St Andrews set a precedent, by electing inventor Guglielmo Marconi, North Pole explorer Fridtjof Nansen and writer Rudyard Kipling to the post. After WWII Edinburgh University followed suit by electing the popular British actors Alastair Sim and James Robertson Justice, having earlier given the post to Churchill and a host of other MPs.

By the late sixties and the seventies celebrity rectors were starting to become a feature of the academic landscape. Students at Dundee University elected actor and “Renaissance Man” of letters Peter Ustinov for a second term which seems a measure of his popularity … perhaps this was not universally the case however. In his memoirs Dear Me, the rector emeritus expressed stinging criticisms of the arts students at Dundee for having the temerity to protest vociferously against the Vietnam War and militarism and authoritarianism in general, whilst under his watch. The peeved thespian compared them unfavourably to the University’s political and socially apathetic but scholastically conscientious engineering students.

Other colourful rectors followed at Dundee. Actor and omnipresent TV personality Stephen Fry was a popular rector in the 1990s, a popularity apparently not tarnished by Fry’s recent admissions that he used cocaine and Ecstasy during his rectorship at the University [Reported in The Courier (UK, 14 Oct. 2014) www.thecourier.co.uk ]. NB: the good burghers of the Dundee University community, if perturbed by this revelation, should take comfort in Fry’s disclosure in his memoirs that he also snorted coke on a visit to Buckingham Palace, so Dundee is in lofty company. The incumbent rector of Dundee University in 2015 is another celebrated Hollywood actor, Brian Cox, a Dundee local whose two terms are incident free to this point.

Dundee students may have expressed a preference for actors as their rectors but this has not exclusively been the case. In the 1970s they selected chef, broadcaster and politician Clement Freud (grandson of the father of Psychobabbling, Sigmund Freud). Clem Freud later had a second turn as rector, this time at St Andrews University where he edged out polarising feminist icon Germaine Greer in the ballot for the job.

St Andrews’ most high-profile rector in recent history was comic actor John Cleese (1970-73), the “Minister for Silly Walks” himself. Cleese proved a popular rector at St Andrews and his staunchly anti-Vietnam War speeches struck a receptive cord among politicised students of the day. Cleese was an active participant in University activities and allayed any fears there may have been about his whacky persona bringing discredit on the office with any “Monty Python” antics [Cinema St Andrews , ‘John Cleese elected Rector of University of St Andrews’, www.cinemastandrews.org.uk]. Actors and television personalities have been the preferred flavour of the St Andrews’ student body, numbering Tim Brooke-Taylor, Frank Muir and Nicholas Parsons amongst their “media-sourced” rectors.

Whereas Dundee University’s preference has been for actors as rectors, Glasgow University students in recent times have made more bolder political choices. The Glasgow rectors have ranged from ANC (African National Congress) anti-Apartheid activists, Albert Lutuli and Winnie Madikizela-Mandela, to establishment vilified ‘whistleblowers’ Mordechai Vanunu and Edward Snowden (the current rector). The selection of these individuals were only symbolic choices as rectors (meant as a student statement of support and solidarity with international figures and causes) as none of the people were free to travel to Scotland to take up their posts. Accordingly the office of rector has been effectively unoccupied during these tenures.

A recent working(sic) rector voted in by matriculated Glasgow students was the actor and journalist Ross Kemp. Kemp’s term was truncated as a result of an abysmal performance in the post (repeated failure to attend important university events like the “freshers’ welcome”). The Students Representative Council at Glasgow carried a vote of no confidence in him and forced his resignation[‘Kemp quits university post’, BBC News, http://news.bbc.co.uk].

Aberdeen University students have been a little more restrained than their southern Scottish university counterparts in seeking out the very famous for rector, opting in the main for locally known identities. The University hasn’t steered clear entirely of rectors with celebrity status. In the early 2000s it had Clarissa Dickson Wright, TV cook and writer, one half of the popular “Two Fat Ladies” series, as its rector (though perceptive gender equality enumerators would have already noted that women have been numerically disadvantaged in the bestowing of the post of rector across all the institutions❈).

Overall, opinion north of the River Tweed has been mixed about the merits of celebrity rectors. Those who support the trend and try to explain its appeal, point to the growing dissatisfaction of students with party politics, and the perception that politicians are bland and dour and lacking in dynamic, like recent British PM Gordon Brown who was rector of Edinburgh University back in the early 1970s – having been elected to the office whilst still being a student (unusual). Entertainers and media personalities on the other hand, the theory goes, can add cache to the university, attracting positive publicity and much-needed funding … and they can bring a fresh, outsider’s perspective to what are traditional organisations.

Of course how successful or otherwise the celebrity rector is comes down to the individual. A factor in how much benefit the celebrity can be as rector is how much time (and energy) the incumbent can give to the position. Rectors with heavy demands on their time due to their full-time “day jobs” will be restricted in what they can give to the office. Also, if a rector attracts adverse publicity during his or her tenure (eg, Fry and Kemp), by association it could reflect badly on the institution [‘After this soap, your next role will be a rector’, Times Higher Education, (22 Jun. 2001) www.timeshighereducation.co.uk/feature].

The process for the election of Scottish rectors is open and quite democratic. Only 20 signatures are required to nominate someone for rector, which can give rise to surprising nominations. For example a Dundee student nominated his pet rat for the post, which might be viewed by some as trivialising and ridiculing the office. A nominee in 1928 for rector of St Andrews, coming clear out of right field, was Italian Prime Minister Benito Mussolini. Had the Fascist head of state been successful in his bid it might have been interesting to see what if anything he would have done with the office[ibid.].

So, an academic post with the potential to maximise publicity for financially-struggling universities in Scotland, I am left to ponder the obvious thought that comes to me … why isn’t Billy Connolly on anyone’s short-list when they were putting forward the next round of nominees for rectors?

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❈ this comes as no surprise but women have been under-represented as university rectors even in more socially-inclusive, recent times

When Bill Met Yang in Lintong

Posted on July 3, 2015March 3, 2022 by Sloane Snodgrasse

If ever you find yourself on a tour of China, one of the first places you will want to visit is Xi’an, home of the Terracotta Warriors and Horses site and its Museum. Once you get there, while being driven to the venue from Xi’an Xianyang Airport or perhaps from your city hotel after a ride around Xi’an’s impressive City Walls, the chances are that your Chinese tour guide in the course of his or her information talk will bring up the topic of Bill Clinton’s famous 1998 visit. The celebrated occasion has entered into local folklore and Chinese guides are quick to bring up the “special anecdote” concerning the US President in the preamble they give to international tourists on the bus. I’ll get to that story soon enough but first some basic background on the Terracotta Warriors.

pan style=”color: #000080;”>href=”http://www.7dayadventurer.com/wp-content/uploads/2015/07/image-4.jpg”> Terracotta Territory[/[/

The Yangs do some digging with totally unexpected consequences
The whole phenomena of the Terracotta Warriors has its origin in March 1974 when several dirt-poor peasant farmers (thought to be seven in number) in Xiyang village in Lintong County, were digging for water in the dry, forbidding countryside 35km east of Xi’an. One of the farmers, Yang Zhi’fa, struck something hard with his hoe which he thought was a bronze relic of some kind. Digging a bit deeper he discovered the object had the form of a shoulder and torso. The other farmers, thinking they were human remains and fearful of Buddhist superstitions, urged Yang to rebury it so as not to offend the ancestors (ghost lore has been commonplace in the eastern Xi’an region for centuries). Yang was unperturbed and shortly later took the dismembered clay warrior to the Lintong Museum. Before long archaeologists from Beijing were swarming all over the site and so commenced a massive state-run excavation (of three pits) which has unearthed over the course of the last 40 years, an army of terracotta soldiers, horses and chariots, of what is the Mausoleum of the first Chinese Emperor, Qin Shi Huangdi who unified China c. 221BC (imperial Qin Dynasty).

The 'aircraft hangar' of terracotta warriors — style=”color: #000080;”>ef=”http://www.7dayadventurer.com/wp-content/uploads/2015/07/image3.jpg”> The ‘aircraft hangar’ of terracotta warriors[/cap[/cap

The Terracotta Warriors discovery: Profitable to some involved but not to others!
The government eventually expropriated the land from the farmers to give free rein to the excavations, effectively destroying the Yang village. The dispossessed villagers were inadequately compensated for the disruption to their lives. By the early 1990s, after years of meticulous and arduous preparation work, the site area was opened as a museum and rapidly became a modern wonder of the world and a tourist mecca. The permanent exhibition proved to be a great little supplementary ‘earner’ for local Communist Party officials and many enterprising business people also profited enormously from the financial opportunities. This propitious good fortune has not been shared by the statues’ discoverers or by the Yang community as a whole. In fact Yang’s fellow farmers blamed him for the loss of their plots and livelihoods, and he was ostracised by his neighbours. Other misfortune followed for the community, two of the farmer Yangs died, only in their fifties due to impoverished circumstance and another, Wang Puhzi, hanged himself. To the farmers who had feared that the feng shui of the location would be disturbed by digging up the area, these tragic outcomes confirmed in their minds that it had been cursed.

A Terracotta Army fan with good connexions
Over in Washington DC, President Bill Clinton, when he wasn’t being leader of the “Free World”, had been following the unfolding archaeological story of the Xi’an terracotta army with growing interest and fascination. So, not long after, on a scheduled 1998 state visit to Beijing, Clinton requested that PRC allow him to make a side trip to Xi’an so he could see the terracotta marvels in situ for himself. The Chinese authorities, sensing a PR coup in the making, arranged for Mr Yang to be on hand at the site to meet the American president before the news cameras. For the occasion the (presumably) illiterate farmer was taught a few words of English to greet the president with. As it transpired, Yang got very nervous at the prospect of meeting the US leader and when introduced to Clinton on the day, instead of saying “How are you?”, what came out of Yang’s mouth in his halting English was “Who are you?” to which Clinton instantly responded, “I’m Hillary’s husband!” The flustered Mr Yang replied,”Me too!” Everybody laughed…on the Chinese officials’ part it was more of a nervous laugh!

⬅️ When Bill met Yang (but which Yang?)

Mr Yang, ‘professional’ book-signer
The encounter between president and peasant farmer generated a second anecdote: at the meeting Clinton asked Mr Yang for his autograph. Yang, who could neither read nor write, simply drew three circles on a piece of paper. Followed a slightly uncomfortable moment … not least for the embarrassed Chinese officials in attendance. Consequently, the local authorities later sent the uneducated Yang for calligraphy lessons, after which Yang was given a job by the government in the Terracotta Warriors tourist shop. His task was to sit at a table all day signing books on the Terracotta Warriors (leading to his being called by some people, “China’s First Professional Signer”). It should be added that Yang Zhi’fa subsequently disputed the inference of this story circulated by a Chinese newspaper in 2002 that he was illiterate, contending that he in fact had a primary school education. Yang sued the newspaper and was eventually awarded damages [Yu Fei, ‘Living with the Terra-cotta Army’, (Consulate-General, Peoples Republic of China in Houston), www.houston.china-consulate.org].

Crafty Mr Yang
If you venture into the Emperor Qin Museum shop in Xi’an, as I did three years ago, you will still see the same unsmiling Mr Yang, inscribing his signature on the inside of countless coffee table books, none of which are written by him! Although he looks distracted and bored in his sedentary confinement, he is in actual fact ever vigilant, on the lookout for maverick tourists trying to snap his precious photograph, something he is peculiarly adverse to. While he was looking the other way, and thinking I was out of the line of his peripheral vision, I tried to grab a surreptitious, sneaky photo of Yang from the side…just as I was about to, the sour-faced septuagenarian, suddenly and without looking towards me, raised a cardboard sign in my direction which said in large English letters, “NO PHOTOS OR VIDEOS ALLOWED!”.
But is it the ‘real’ Clinton? ⤴

Other spots, other ‘Yangs’
If you wander further afield around the Terracotta Warriors complex you may chance upon other individuals also purporting to be “Mr Yang”. It’s quite an industry in Xi’an! In one building near the entrance to the complex there is Yang Xi’an who passes himself off the discoverer of the warriors (although his banner actually says “the discover of the warriors”), displaying a photo of himself posing with Clinton as proof of his credentials. It transpires that this Mr Yang was in fact the manager of a Xi’an factory making replicas of the warriors at the time of Clinton’s 1998 visit – this explains the photo taken when “Slick Willie” stopped off at the factory on route to the Terracotta Museum.

Would the real Mr Yang, the genuine “Discoverer of the Terracotta Warriors’, please stand up?
In the glow of world attention being lavished on the terracotta army discoveries and the recognition bestowed on Mr Yang, it is not surprising that the other three surviving farmers present at the 1974 archaeological find wanted to get in on the act. Yang Quany was also given a spot in the museum signing books for a small stipend and began promoting himself as “the discoverer of the treasures”. The remaining two Yangs followed suit. Yang Zhi’fa however discredits his fellow Lintong farmers’ motives and insists that it is he who was primus intra pares (first among equals) in discovering the Emperor Qin relics.

And it doesn’t stop there by any measure. Zhao Kangmin, retired curator of the nearby Lintong Museum, has made his case for recognition as the real discoverer. The way Mr Zhao tells it, after the initial finding Yang Zhi’fa brought the fragment of the terracotta relic first to him at his museum and that he went back to investigate the discovery, and later he reconstructed the first terracotta warrior and horse. Zhao argues that he was the one who had the expertise to grasp the significance of the cultural relics, and that “seeing” as Yang and the others merely did, “doesn’t mean discovering”. You’ll find Zhao, despite being retired, most days at the Lintong Museum where he has set up a small display of the terracotta figures. Zhao spends the day signing postcards for tourists, on the cards he writes, very deliberately: “Zhao Kangmin, the first to discover, restore, appreciate, name and excavate terra-cotta warriors” [Ibid].

Whilst the Lintong farmers haven’t made much money from discovering (or being associated with the discovery of) the terracotta army, the same can be said of the workers who did most of the hard physical work of unearthing and restoring the statues. Most of those recruited to curator Yuan Zhongyi’s archaeological team found themselves working round the year with only a break at the time of the Spring Festival holiday for a wage of only 1.72 yuan (US $0.28) a day in 1976 [Zhao Xu, ‘Yang Zhifa, 76, soldiers on amid terracotta warriors’, (09-XII-2014),China Daily USA, www.chinadaily.com].

A Terracotta Warriors discoverer-impostor industry
Back at the Qin Terracotta Warriors and Horses Museum, as the fame and popularity of Emperor Qin’s Mausoleum grows, more impostors continue to spring up. These “fake discoverers” of the warriors were like Yang Xi’an, not even present at the discovery of the relics in 1974 (some are not even old enough to have been there!). A manager of one of the gift shops admitted that the complex shops hire men who fraudulently passed themselves off as discoverers of the relics to facilitate the sale of terracotta warrior books by the retailer [Simon Parry, ‘Curse of the Warriors’, South China Morning Post, 15 Sept 2007, www.scmp.com].

“The three in the middle just moved!” ⤴

PostScript: Discovery of yet more warriors made from fired clay
Meanwhile back in the football field sized excavation pits at Lintong, Emperor Qin’s life-sized army of clay statues continues to grow. Archaeologists working in pit Nō 2 recently made a fresh discovery, one which might yield another 1,400 warriors, archers, horses and charioteers (and 89 chariots of war) [‘China’s Terracotta Army has new recruits’, Daily Mail, 6 May 2015, www.dailymail.co.uk]. Chinese officials have speculated that there may be around 6,000 terracotta warriors at the site still to be excavated … ensuring no doubt that there will be plenty of new and ongoing opportunities for discoverer-impostors in the future.

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Continuing the search for signs of Intelligent Life in the University.

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