Trinidad: Casas Espectaculares Vistoso y Mansiones built on a Foundation of Sugar Wealth

Popular Culture, Regional History, Travel

55F5788C-1F70-49C7-A17E-00EFCC7D4CC6A journey to Trinidad (that’s the one in Cuba, not the one also in the Caribbean Sea which is nearly always spoken of in the same sentence as ‘Tobago’) takes you right into the heart of azúcar country. The nearby Valle de Los Ingenios (‘Valley of the Sugar Mills’) housed the vast sugar estates of the 18th-19th centuries (three score and ten sugar cane mills remain in the three-fold Sancti Spíritus valley system). Sugar, one of the staples of the Cuban economy, and enforced slavery (facilitating its economical production) was the foundation upon which Trinidad’s great colonial wealth rested.

As for getting round the perimeters of Trinidad de Cuba and seeing as much as we could in the paltry two days we were there, we hooked up with the local walking tour service. I have done a string of free city walking tours on recent trips overseas (and rarely ever come away disappointed), so it was almost an obligatory thing for me to do the Trinidad walking tour through the casco histórico! First thing to take account of was the ancient cobblestones below our feet, irregular and uneven, and we were immediately conscious of the fact that we needed to tread with care…and at the same time avoid the hordes of people on the streets! One of the visuals that stood out straightaway was the countless great examples of Spanish Colonial buildings and houses all around the centre of town.

9D901A43-0883-4446-9D3D-9364AAFE2034We got a two minutes on the spot lesson from the guide about the layout of the sprawling city and outskirts, the different barrios (neighbourhoods), consejos populares (villages), etc. The far-too-many-to-count casa facades we passed were uniformly pastel in colour – cream, baby blue, mauve and pink seem the most popular choices for the houses. A treat was grabbing a peak inside some of the tiendas (shops) as we passed, the highlight being shops with wonderful Trinidadian artworks (strikingly colourful paintings and bold and bright ceramics). The guide gave hints on where to buy gifts, and where to eat and drink the local food and spirits at reasonable prices! Underscoring the old charm of Trinidad are the archaic cobblestone roads everywhere we went…I noticed something puzzling about them – every afternoon water would stream down (occasionally rush down) the valleys in the middle of the cobbled laneways and roads. I wondered where the water was coming from (run-off from the casas?) and meant to ask our guide about it but forgot to!

06E1A2AB-825D-4D60-9AA4-E49C25DCA6E3.jpegPlaza Mayor
If you’ve just touched down in Trinidad this is the ideal place to start from and fan out and explore the ciudad antigua. The square is the hub of the colonial old town, a place where people congregate, relax, chill out, sit and connect to wi-fi – if you are lucky (and have a stack of patience!). Restaurant choices aplenty across the other side of the square (an accompanying cool mojito obligatory with all meals). The central section of the square comprises a four-part attractive garden setting with hedges and palm trees. Enclosing the individual gardens are white fences, with another outer fence made of white wrought-iron grilles surrounding them. Decorative statuettes and vases added to the cute appeal of the plaza gardens.

On one side of Plaza Mayor is the main cathedral (Iglesia de la Santísima Trinidad AKA Parroquial Mayor), this church is next to a set of steep, archaic looking cobblestone steps that lead up to the Casa de la Musica (Music House). People enjoy al fresco dining at the top while Cuban bands play and Salsa dancers strut their stuff here in the open air.

3F9ADA75-2725-43C9-9F35-79AF45A46415.jpegPlaza Mayor is also a place where you’re likely to see some of Trinidad’s impromptu artists and musicians performing in the square…on one extremely hot day I saw a “living statue” in (lack of) motion, the guy was dressed in heavy, bulky religious garb, looking like he’d was doubling for Brother Cadfael or perhaps an extra in the Da Vinci Code! Everybody else was in shorts and T-shirts, I don’t know how he could stand the searing humidity, his back was a mat of perspiration through his tunic. No sign though of any relief from divine intervention coming his way in the sweltering heat, notwithstanding his appropriate ecclesiastical attire! While in the vicinity, also worth a gander, just off a side street to the square, are a few specialist museums – notably the Museo Histórico Municipal, one exhibiting colonial furnishings and another colonial architecture.

Hora de la cena
Like anywhere popular to eat in Trinidad, Restaurante San José on Maceo does a brisk night-time trade, turning over a large quantity of diners quite rapidly. Part of San José’s popularity is because of the regard its fish and shellfish are held in…confronted with the temptation to have the lobster was too great, especially as they were going for a bargin $13 CUC each (and they weren’t small crustaceans either just quietly!). Before that, a nice appetiser to warm up for the mains was the patatas dulces fritas (sweet potato fries). While you wait for your food to arrive, they’re plenty to occupy your time, such as taking in the interesting wall decorations, and always in Cuba, there is the steady throb of background, mood music.

Cienfuegos: Elegant Neo-classical Architecture and Splendour in the Park

International Relations, Regional History, Travel

Cienfuegos, on the southern coast of Cuba (about 250km from Havana) is another day trip highlight within reach of the capital. The name Cienfuegos literally means “One thousand fires”, whilst the beauty of its architecture has invited comparisons with Paris and other European capitals, earning itself the sobriquet La Perla del Sur (Pearl of the South).

Parque Jose Martí, forming Cienfuegos’ Plaza de Armas, is probably the most attractive and leafy of all plazas I visited in Cuba. At the park’s entrance a brace of stone lions on marble foundations stand guard. Throughout there are neatly-maintained hedges and tree-filled gardens. A walkway from the eastern edge of Parque JM leads to a long, city boulevard which reflects the influence of the first, French settlers of Cienfuegos, as does the many 19th and early 20th century grand neo-classical buildings overlooking the park, eg, the elegant, grey provincial parliamentary building with a crimson dome (Antiguo Ayuntamiento), the Tomas Terry Teatro (Theatre), the Cienfuegos Cathedral with crimson domes and the foremost French stained glass windows in all the country and the blue Ferrer Palace (see in detail below).

Other points of interest within Parque JM are a statue of the eponymous and ubiquitous hero of Cuban independence, Martí, an impressive, fawn coloured triumphal arch erected in 1902 to celebrate Cuba’s independence (diagonally across from the Ferrer building), and a crimson-domed gazebo or bandstand (note a recurring motif here: crimson appears from all the evidence to be the preferential colour of Cienfuegueros‘ when it comes to domes of buildings in the city!). The park is a great place to stroll round or just sit (plenty of shaded seating) and relax while watching the passing parade of Cienfuegueros.

N 5401, Calle 25, is the address of perhaps the most beautiful building in Cienfuegos. The Benjamin Duarte Casa de la Cultura (one of several designated casas de la cultura in the city), was originally the Palacio de Ferrer. This old villa (built 1918) is for me just about the stand-out building, aesthetics wise, although there is some stiff competition for that mantle among quite an array of neo-classical gems (special mention: Teatro Tomas Terry). The Ferrer interior unfortunately doesn’t quite match the elegant charm of the exterior, although it has attractive Italianate marble floors. The downside is that inside its all a bit tired and worn, in need of some TLC…they seemed to be undertaking some repair work on the walls when I visited it. Predominantly, the facade of the villa is a delightful pale blue colour…abutting the palace to its right is another building, fawnish-pink in colour – it seems that this was built up against the Ferrer’s side after the palace ceased to function as such.

The architectural feature that most gives Ferrer Palace its distinctive character is the cute little rooftop cupola – which is reached via by a narrow spiral staircase made of wrought-iron. From atop the Ferrer’s endearing cupola, a viewing tower (a mirador) affords you fantastic 360° views of the city and the nearby bay. A cost applies to ascend the narrow staircase (one at a time!): 1 CUC per climber).



Photo: Anton Ivanov/Freepics

Historical footnote Cienfuegos, like the not-far-away Bay of Pigs and the Cuban Missile Crisis, has a connection with the Cold War. In September 1970 American intelligence detected that the Soviet Union was building a covert nuclear submarine base in the Bahia de Cienfuegos. The prospect of a response from the hawkish Nixon administration seemed likely with the danger of a confrontation escalating to the level of the 1962 Missile Crisis. This expected eventuality did not ensue primarily because of timing. At the same moment as the Cienfuegos episode, the US was embroiled in or focussed on other international events that were playing out, viz. the Civil War in Jordan, the election of a socialist (Allende) government in Chile (plus it had only been a matters of months prior to this that the US extended the Vietnam War into Cambodia). Nixon therefore held off on a show of force and the ‘crisis’ was defused diplomatically soon after when Secretary of State Kissinger bluffed the Soviets into discontinuing construction of the submarine base [Asaf Siniver, ‘The Nixon Administration and the Cienfuegos crisis of 1970: crisis-management or non-crisis’, Review of International Studies, 34(1), Jan 2008].

 

On the Cuban Guerrillero Cultural Icon Trail: Channelling ‘Che’ in Santa Clara

Military history, Popular Culture, Regional History, Travel

Having visited the site of the 1961 Bay of Pigs invasion and the Museum that commemorates its triumphant outcome for the Cuban people, our appetite to learn more about “The Revolution” was piqued. The city of Cienfuegos was on our itinerary and as another saga of the war to liberate Cuba from a right-wing dictatorship with US mafiosi connexions was at hand in nearby Villa Clara province, a small detour was in order.

The pueblo of Santa Clara is inextricably woven into the story of Ernesto Guevara and his victory in the decisive battle of the civil war against the Batista regime. Guevara or simply ‘Che’ – the image that launched a million T-shirts, and the man who signed many more million pesos’ worth of Cuban bank notes! – is proudly remembered and commonly revered, especially in this part of Cuba, as two separate Santa Clara monuments testify.

The first is in the centre of the township itself, a monument to the final victory of the war (Battle of Santa Clara, 31st December 1958) when a Cuban battalion under Comandante Che derailed a train carrying government troops, ammunition and heavy weapons, intended to reinforce Batista’s embattled army in Havana.
A portion of the captured train still sits on the site, now part of a monument to the battle which clinched victory for Castro and the Cuban rebels. In Spanish the monument is called
Monumento a la Toma del Tren Blindado (literally “Monument to the Taking of the Armoured Train”)

The other tangible tribute to the legendary Cuban revolutionary líder is more personal, not far from the city is Guevara’s sombre but impressive mausoleum (Mausoleo de Ernesto Guevara). The monument was originally conceived as a memorial to the charismatic maestro guerrillero who was executed and buried in the Bolivian jungle in 1967… thirty years later the Cuban government retrieved his exhumed body and returned it to Santa Clara. The remains of Che and 29 of his fellow guerrilla fighters are interred here in a large burial vault (in area a decent sized lounge room).

The mausoleum remains a popular place to visit for tourists as well as Cubans, there were several big tourist buses and umpteen dozen cars in the parking lot when our group visited. The immediately noticeable feature of the mausoleum building which is set down on a wide patch of land is the extra-large statue of Che. Cast in bronze, it is 22 feet high and characteristically depicts Che armed and dressed in army/militia fatigues. The statue officially goes by the somewhat ‘highfalutin’ title Ernesto Guevara Sculptural Complex (AKA Complejo Monumental Ernesto Che Guevara).

Security around the mausoleum entrance was pretty tight, more guards than you think might be necessary hovered around the entrance portal. We all lined up and were soon ushered in by a bevy of serious-faced officials and whisked out again fairly rapidly. There was not a lot to see inside in any case, it was dimly lit and unnervingly cold. We glanced at the photos of the 30 dead comrades on the wall and spotted a few pieces of Che paraphernalia on display – such as Che’s handgun (Czechoslovakian), his water canteen and field glasses.

There’s not much else to the complex (a lot of vacant space actually) but there is a gift shop (Tienda Artex) (opportunity to get that authentic “Che in classic Guerrillero Heroico pose” T-shirt on Che’s own turf!) and a restaurante/cantina. There’s another, official looking building close to the arched entrance to the shops but I couldn’t work out what it was used for.

The museum maintains a strict prohibition on the taking of photos within the burial vault, so I didn’t even give a thought to trying to sneak a quick ‘Polaroid’ (even if I had one) – the officials, all wearing the same “not happy Juan” face, gave the impression they meant business!

https://upload.wikimedia.org/

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from when he was governor of the National Bank of Cuba and succinctly signed his nickname ‘Che’ on all legal tender

Mantanzas’ South Coast: Dive Sites, Beach Resorts, the ‘Bay of Triggerfish’ and a Monument to National Memory

International Relations, Military history, Regional History, Travel

From rustic Viñales we did a long trek by road (some eight hours) to the province of Mantanzas, our ultimate stop was a resort spot on the south coast called Playa Larga (Eng: ‘Long Beach’). This picturesque coastal village was the scene of the explosive Cold War incident in April 1961 when a CIA-financed and US-trained force of exiles attempted to invade Castro’s Cuba from the south (Playa Larga was one of the two beaches that the mercenaries landed at). Courtesy of the media and publicity at the time, westerners know this area as the Bay of Pigs…in Spanish the name is Bahía de Cochinos. ‘Cochinos’ does translate to ‘pigs’, but in Cuban Spanish ‘Cochinos’ can also mean ‘triggerfish’. Given the abundance of colourful fish (including triggerfish) we saw whilst swimming in the bay (and the visible lack of pigs at the site!), the term ‘Bay of Triggerfish’ sounds infinitely more apt!

As we came off the Autopista Nacional and headed south, passing a vast area of wilderness and swampland on our right (Parque Nacional Ciénega de Zapata). A short while later we reached Boca de Guamá (Mouth of the gulf), known for its resorts and boat rides through the massive great swampy peninsula. When we got to ‘Long Beach’ we stopped near a scuba dive-and-snorkel hire kiosk where there was an entry point into the bay to swim. To get into the water we had to cross a narrow but jagged rocky shore. Halfway across the rocky ledge, the folly of not bringing rubber-soled aquatic shoes to Playa Larga became painfully apparent to me (ouch!). The Caribbean water was a beautiful turquoise colour but I found it a bit choppy for swimming (explains why there was only a couple of other people swimming there when we visited). This didn’t seem to deter the snorkellers in our group who thoroughly enjoyed plunging under to explore the delights of the bay’s coral reefs.

A stopover here also offers you an alternative to swimming or snorkelling in the bay. If you cross back over the coastal road, passing the dive and snorkel kiosk and head in an inland direction, the short trail through the wilderness will land you at another aqua delight of Playa Larga, a swimming-pool size natural cénote! After experiencing the joys of swimming in cénotes in Southern Mexico, I had been anticipating trying out a cénote in Cuba. Unfortunately two things soured the experience – the cénote (unlike the ones in Mexico) didn’t have a cavernous limestone roof and a deep well where you had to descend down a spiralling staircase – elements contributing to a large part of both the fun and the atmosphere! Also, access to the natural pool was inhibited by the existence of a razor-sharp corridor of more jagged rocks. Although the pool looked enticing I didn’t much fancy trying to negotiate the pointy edges, so, my enthusiasm dampened, I hastily turned tail and headed back to the shore.

After spending the night in a casa particular in nearby Caletón we made for Playa Girón to re-live the Cuban regime’s most treasured moment in it’s 60-year revolutionary history. The Bay of Pigs Museum (AKA Museo Girón) in  casts a different light on a tense Cold War moment, one that narrowly skirted a global confrontation, to that portrayed at that time by the news medias of First World countries. The museum’s narrative recounting the Bay of Pigs incident describes a episode of national defence against US aggression and imperialism. The exhibits, the photos, letters, maps and diagrams are intended to celebrate the heroic efforts of Cubans, soldiers and civilians, in patriotically repelling the invasion of the homeland.

The surprisingly small museum (just two rooms) displays many black-and-white photos of the episode, various uniforms and medals, examples of the combat artillery, mortar guns and rifles used in the conflict, many of these weapons look like they’d have been considerably old even in 1961! Note: the taking of photos inside the BoP Museum is not permitted unless you pay a 1CUC fee up front at the entrance table.

Outside the museum entrance, there are a couple of props that add gravitas and dramatic colour to the museum’s “mission statement”. In pride of place, on display is a Hawker Sea Fury F-50 fighter plane (the type of British-manufactured aircraft purchased by Premier Castro and used by the Cuban forces in countering the invasion). To the right of the entrance are two Soviet era tanks, all weaponry associated with the 1961 event.

The work put into Museo Girón demonstrates how seriously the government took the incident – and still do! The minutely detailed story of how the Cuban government and people foiled a bungled American attempt to invade Cuba makes an unambiguous point about national memory…unencumbered by subtlety: both the citizens of Cuba and the outside world dare not forget La Victoria! and the country’s no pasarán resolve when it comes to repelling outside invaders. The museum revels in reminding visitors of a nadir reaching low point in US policy towards Cuba from the not-so-distant past which brought international disapproval and opprobrium down on the Kennedy administration and the CIA.

PostScript: Australia, Cuba
On the way to visit Museo Playa Girón we didn’t expect to pass a sign on the road saying ‘Australia’ but that is the name of the tiny hamlet and consejo popular (People’s Council) near the Bay of Pigs Museum. The Cuban aldea Australia has no tangible connection to Australia in the Southern Hemisphere, but was named for its relationship with the original sugar factory located there (the practice at that colonial time was to name the locomotives hauling the sugar to market after the continents of the world, hence ‘Australia’). During the 1961 invasion by the US-backed rebels, Comandante en jefe Castro based his defence headquarters in the old ‘Central Australia’ sugar mill.

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the other being in the cove named after 17th century French pirate Gilberto Girón, Playa Girón, 35km further south
in the bay there’s a 300m long coral wall a short swim away from the shoreline
a deep, natural well or sinkhole formed by surface limestone rock caving in and exposing ground water