The ‘Battle of Broken Hill’: The Curious Incident of the Afghan Cameleers’ Two-Man War on the Silver City

Inter-ethnic relations, Military history, Racial politics, Regional History
Image: britannica.com

On New Years Day 1915 two members of the small immigrant Afghan community of Broken Hill launched an unexpected and deadly attack on a passing convoy of open ore-trucks carrying 1,200 industry picnickers to Silverton. The incident itself did not escalate much further, the so-called ‘battle’ was over after a 90-minute shootout, with the perpetrators dealt with and summarily despatched by a contingent of police, soldiers and private riflemen from the town, however it’s ramifications were more lasting and widespread. What was on the surface a random, mindless and unprovoked attack on innocent picnic-goers, had a complicated lead-up.

The picnic train with overflowing “sardine tin” of passengers (Photo: Broken Hill City Lib)

The casualties:
In the carnage two of the “sitting duck” picnic party were killed by the attackers’ gunfire and up to ten others wounded. The two gunmen then retreated from the scene towards the West Cameleers camp, killing another, unrelated civilian on the way. The police, troops and volunteer militia members of the ‘posse’ caught up with the two attackers at Cable Hill and engaged them in a shootout at a nearby rocky quartz outcrop known as “White Rocks”. During the shootout a fourth victim was killed by stray shots from the perpetrators’ gunsⓐ. A police constable was also wounded and both Muslim assailants were ultimately killed in the affray.

‘White Rocks’ (Source: The Conversation)

In the immediate aftermath of the incident the two perpetrators were wrongly identified as Turks—the Ottoman Turkish Empire has recently sided with the German Reich in the world war against Britain (and therefore against Australia)—due to a Turkish flag and a letter pledging allegiance to the Sultan of Turkey found among the possessions of one of the attackers. In fact the two Muslims originated from the northwest frontier of British India (within modern Pakistan or just over the border in Afghanistan).

A still from a 1981 film, ‘The Battle of Broken Hill

The assailants:
Badsha Gool Mahomed
(aged about 40) a Pashtu-speaking Afghan Afridi tribesman whose two stays in Australia were punctuated by periods of service in the Turkish Army. After a decline in work for cameleers he was employed in the Broken Hill area’s silver mines before being retrenched. At the time of the incident Mahomed was an ice cream vendor in the townⓑ.
Mullah Abdullah (aged about 60) a Dari-speaking halal butcher and imam for the local cameleer community. Abdullah too tried camel-driving but finding it not feasible turned to working as a butcher in “The Hill”, supplementing it by presiding as spiritual leader for the Afghan community.

Barrier Miner’ 2 January 1915’

The influential local newspaper the Barrier Miner had a field day with the incident… “War in Broken Hill”, “The New Year’s Day Massacre“, (Attack) “under the Turkish flag”. Some modern writers have described the “Battle of Broken Hill” as a terrorist incident, “terrorist-suicide mission” (and Abdullah as a) “grey-bearded zealot, fiery when insulted” [Christine Stevens, ‘Abdullah, Mullah (c. 1855–1915)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, https://adb.anu.edu.au/biography/abdullah-mullah-12763/text23021, published first in hardcopy 2005, accessed online 10 February 2022], and inevitable parallels have been drawn with the contemporary landscape of international terrorism. Giving credence to the train ambush being considered a politically motivated act was the edict of Ottoman sultan Mehmet V that the faithful of the Islamic world take up the fight (jihad) against the enemy in the war, made just two months earlier in November 1914 (which undoubtedly struck a cord with the radicalised Mahomed) [‘History repeating: from the Battle of Broken Hill to the sands of Syria’, Panayiotis Diamadis, The Conversation, 03-Oct-2014, www.theconversation.com].

A union closed shop
Imam Abdullah on the other hand had fresh personal grievances against the locals. He had for some time suffered racist harassment from the town’s youths. In addition, Abdullah had fallen foul of the local branch of the Butchers Trade Union which took a discriminatory approach to not-British butchers in the town…only a week or so earlier the non-unionised Afghan butcher had been convicted for the second time of selling meat without a licence by the chief sanitary inspector. Whether the two men were motivated by a sense of persecution or patriotism, relations between the Afghan community and the Europeans in Broken Hill had been disintegrating for some time with the ‘Ghan’ cameleers camp targeted for sabotage. [‘The Battle of Broken Hill and repercussions for the German Community’, The Enemy At Home, www.migrationheritage.nsw.gov.au].

Photo: brokenhill.nsw.gov.au

Economic downturn knee-jerk
A heightening of inter-ethnic tension was a direct result of the grim economic climate of the day, mine closures in Broken Hill meant unemployed miners and the search for alternate work…it didn’t take long for resentments to surface about Muslim immigrants taking white jobs. Afghan immigrants were made to feel unwelcome in Broken Hill and other outback towns with the cameleers relegated to living on the edge of European society in ‘Ghantowns’. Tensions were particularly heated between the local unionised teamsters and the immigrants, largely due to the Afghans cameleers being simply more competitive labour options than the white teamsters…cheaper to hire and providing a quicker service than that of the teamsters’ wagons. This perceived threat to the position of European teamsters in the Broken Hill district led them to retaliate with violence against the Afghan community [‘The Battle of Broken Hill’, Mike Dash, Smithsonian Magazine, 20-Oct-2011, www.smithsonianmag.com].

Razed German Club house (Photo: Broken Hill City Archives)

A “lone wolf” attack
Despite the assailants leaving a note indicating that they had acted alone, many citizens in Broken Hill connected the event to the Turkish enmity towards the British Empire in the warⓒ. An incensed mob, hell-bent on wreaking retribution against the Afghan cameleer camp, had to be prevented from launching reprisals against the outlier Afghan community. The focus then switched to Broken Hill’s German community who many believed had agitated the brace of Afghans into attacking the picnic train. The police and military this time were unable to stop the rampant mob from torching the German Club to the ground.

Wider ramifications
A crackdown of the authorities was not long in coming. With newspapers like the Barrier Miner and the jingoistic Sydney Bulletin beating up the story for all it’s worth and with headlines trumpeting “Turk atrocity” and “Holy War”, “enemy aliens” from Austrian, German and Turkish working in the Hill’s mines were sacked, followed swiftly by Federal attorney-general Billy Hughes’s blanket internment of all foreign aliens in the country.

Photo: Destination NSW Media Centre

Footnote: In a bizarre coincidence Broken Hill’s “ice cream cart terrorism” had a resounding echo in the abhorrent 2016 Bastille Day “lone wolf” terrorist attack in Nice, France. The perpetrator who drove his lorry down a seafront promenade, killing 86 pedestrians (most of them mowed down by the speeding vehicle), told the police when questioned at the site prior to committing the atrocity that he was delivering ice cream.

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ⓐ the four victims of the two cameleers’ localised “Holy War” were the only Australians killed on home soil as a result of enemy fire during the Great War

ⓑ Mahomed‘s ice-cream cart was used to transport the duo’s concealed weapons to the railroad ambush site

ⓒ some people in hindsight saw the incident as a prequel on Australian soil to the Gallipoli conflict later that same year

Red-Light Reeperbahn 1960-1962: Prep School for the Baby Beatles

Biographical, Memorabilia, Music history, Performing arts, Popular Culture

When the Beatles at the top of their fame reflected back on their climb to the summit of pop/rock music, they didn’t understate the early contribution to their success of exceedingly long periods of time spent playing in seedy, red-light night spots in Hamburg, West Germany. John Lennon summed up the immeasurable value of the Hamburg gigs phase to the early Beatles’ development, quipping to a journalist that though he was “born in Liverpool, (he) grew up in Hamburg”. George Harrison echoed John’s sentiments, saying that the band “didn’t have a clue” before the German experience, “Hamburg was really like our apprenticeship, learning how to play in front of people”. Paul McCartney concurred that playing to inebriated and often hostile German sailors “galvanised the band into a musical form”. The boys’ repertoire expanded by necessity, forced to learn countless new songs so as to fill in the marathon eight-hours sets in the Reeperbahn precinct clubs (“George Harrison Said The Beatles ‘Didn’t Have a Clue’ Before They Went to Hamburg, Germany”, Hannah Wigandt, Showbiz CheatSheet, 08-Dec-2021, www.cheatsheet.com ).

ʰᵃᵐᵇᵘʳᵍ ¹⁹⁶¹ ⁽ᵖʰᵒᵗᵒ﹕ ᵍᵉᵗᵗʸ ⁱᵐᵃᵍᵉˢ⁾

Just before departing for their first stint in Hamburg in 1960, the Beatles (still calling themselves the Silver Beatles) needing a regular drummer to fulfil their contractural obligations took on ex-Blackjacks drummer Pete Best (hired by the band’s manager of sorts Allan Williams). Williams’ business associate Harold Adolphus Phillips (who promoted the band during its Silver Beetles days and occasionally performed himself as “Lord Woodbine”) drove the now five-piece group to Germany.

ˢᵉᶜᵒⁿᵈ ᶠᶦᵈᵈˡᵉ ᵗᵒ ᴿᵒʳʸ ˢᵗᵒʳᵐ ᵃⁿᵈ ᵗʰᵉ ᴴᵘʳʳᶦᶜᵃⁿᵉˢ ⁽ˢᵒᵘʳᶜᵉ: ᵇᵉᵃᵗˡᵉˢᵒᵘʳᶜᵉ.ᶜᵒᵐ⁾

The band first played at the Indra Club in August 1960 (while sleeping rough in “pigsty” accommodation behind the screen of the nearby Bambi Kino). Later in the year they moved from the Indra down the street to the larger Kaiserkeller, performing late-night to sailors and sex workers, and the more appreciative art students. Both nightclubs were owned by Bruno Koschmider who was paying each of the five Beatles the princely sum of £2.50 a night to perform (although they did score an accommodation upgrade to actual hotels)🏴󠁧󠁢󠁷󠁬󠁳󠁿.

⌂ ᴷˡᵃᵘˢ, ᴬˢᵗʳᶦᵈ & ˢᵗᵘ, ¹⁹⁶¹ ⁽ᴾʰᵒᵗᵒ: ᴳᵉᵗᵗʸ ᴵᵐᵃᵍᵉˢ⁾

While they were doing their night sets at the Kaiserkeller, John, Paul and George met Ringo (Starr), also working the club with the (then) more highly regarded Hurricanes band. The Kaiserkeller was also where the boys met Astrid Kirchherr, a Hamburg local who was to have a profound influence on the band’s look …from Astrid they got their signature “mop-top” style haircut. In Hamburg the Beatles wore black leather jackets and cowboy boots, but Astrid’s influence has an effect here too with the rounded collarless jacket she made for Stu Sutcliffe🏴󠁧󠁢󠁳󠁣󠁴󠁿 which became a prototype of the famous 1963 collarless suits worn by the Beatles🇮🇹. Astrid’s Hamburg art college student friends Klaus Voorman and Jürgen Vollmer also formed lasting associations with the Beatles from the Kaiserkeller days (especially artist and session musician Voorman who designed art covers for Beatles’ albums and played bass on post-breakup Beatles’ individual records).

ᵀᵒᵖ ᵀᵉⁿ ᶜˡᵘᵇ . ˢᵒᵘʳᶜᵉ: ᴷ & ᴷ ᴴᵃᵐᵇᵘʳᵍ

The following year, while still contracted to Koschmider, the boys were enticed by Peter Eckhorn (Koschmider’s Reeperbahn rival) into defecting to the Top Ten Club on the offer of better money and conditions. Koschmider found out and it’s likely that it was he who turned the underage Harrison in to the police, leading to George’s deportation. When Paul and Pete went back to the Kaiserkeller to get their equipment a fire lit by them caused minor damage to the club. The seriously “pissed-off” Koschmider had McCartney and Best arrested for arson and they too were deported back to England…Lennon eventually followed them back to Liverpool, bringing the Beatles’ engagement at the Top Ten Club in 1961 to an abrupt close.

The Beatles’ residency at the Top Ten did result in a breakthrough of sorts in their career thus far, albeit a low-key one at the time…the boys managed to cut their very first record – backing singer Tony Sheridan (who was also on the Hamburg club circuit at the same time) on a German 45 for the Polydor label. The recording “My Bonnie” at Ernst-Merck-Halle listed the Beatles on the label as the “Beat Brothers”🇦🇺 (‘Tony Sheridan’, The Beatles Bible, Upd. 15-May-2017, www.beatlesbible.com).

⌂ ˢᵗᵃʳᶜˡᵘᵇ

The following year they were back however, this time performing at the Star-Club, operated by Manfred Weissleder and Horst Fascher🇩🇪. By now the band members’ nightly fee had been upped to £67 each. They did three stints at the Star in 1962—the last two with Ringo in the drummer’s seat for the first time—undertaken reluctantly as the band had already released their first UK single on Parlophone and were champing at the bit to get on with consolidating their burgeoning recording career in the UK. The last live performance by the soon-to-be “Fab Four” in Germany was on New Years Eve 1962.

ᴷᵃᶦˢᵉʳᵏᵉˡˡᵉʳ. ˢᵒᵘʳᶜᵉ: ᴮᵉᵃᵗˡᵉˢ ᴮᶦᵇˡᵉ!
⌂ ᴴᵃᵐᵇᵘʳᵍ ᴮᵉᵃᵗˡᵉˢ ʷᶦᵗʰ ᴳᵉⁿᵉ ⱽᶦⁿᶜᵉⁿᵗ ⁽ˢᵒᵘʳᶜᵉ: ᴾᶦⁿᵗᵉʳᵉˢᵗ⁾

The tyro Liverpudlian band’s musical education in the north coast German city got a terrific leg-up from getting up close and personal with legendary US rock ‘n roll performers—such as Little Richard, Gene Vincent and Jerry Lee Lewis—also working the same St Pauli clubs at the time…Little Richard later recounted helping to hone Paul’s vocal style backstage while the Beatles were opening for the pioneering American rock performer at the Star.

The Beatles’ gig venues in Hamburg, 1960-62
Indra Club, Große Freiheit 64, St Pauli. 48 nights, August—October 1960 (37-hr week)
Kaiserkeller, Große Freiheit 36, St Pauli. 56 nights, October—November 1960
Top Ten Club, Reeperbahn 136, St Pauli. 92 nights,April—July 1961 (51-hr week)
Star-Club, Große Freiheit 39, St Pauli. April—May, November, December, 1962

The intense schedule imposed by the Hamburg club management, forcing the Beatles to play live for hours on end (with the aid of copious amounts of booze and a regular diet of ‘uppers’)🏁 formed the band into a tight musical outfit. This and the band’s increasingly fetzig (“wild”) and unpredictable stage antics and the decibel-shattering volume and raw energy of their playing earned them a loyal following in Hamburg (‘Breaking the Illusion: Hamburg and The Beatles’ Gritty Roots’, Riley Fitzgerald, Happy, 13-Oct-2021, www.happy mag.tv). And when they came back to Merseyside at the very beginning of 1963, the Beatles (–Pete/ +Ringo) didn’t come back as nobodies, Hamburg gave them an international reputation to trade on in the future.

Postscript: Return to their roots
The Beatles returned to Hamburg one more time, this time as the hottest musical act on the planet. In 1966 at ‘Beatlemania’s” high-water mark, the group played two nights in Hamburg, not at any of the old haunts they had played as young scruffs but at the more respectable Ernst-Merck-Halle. This was part of the German leg (tagged the “Bravo-Beatles-Blitztournee“) of the band’s ‘66 world tour, which also included concerts in Munich and Essen.

↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝ ↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝

🏴󠁧󠁢󠁷󠁬󠁳󠁿 their booking agent Allan Williams was getting three times what the musicians were!

🏴󠁧󠁢󠁳󠁣󠁴󠁿 Sutcliffe left the group and became engaged to Kirchherr in 1961 before his premature death the following year

🇮🇹 based partly on Pierre Cardin’s design

🇦🇺 it was a customer request in the Liverpool NEMS music store for ‘My Bonnie’ that first alerted Brian Epstein to the existence of the Beatles

🇩🇪 Fascher, a West German amateur boxing champion, doubled as the Beatles’ bodyguard

🏁 “800 hours in the rehearsal room” McCartney called it

Brasília, Brazil’s Modernist Capital in the Interior: An Unliveable Utopian Showcase?

Built Environment, National politics, New Technology,, Society & Culture, Town planning

Brazil’s bold experiment in creating a new capital city from scratch in five years, Brasília, won much praise as a modern architectural marvel upon its inauguration in 1960. With project town planner Lúcio Costa’s radical, artistic urban plan (the Plano Piloto) for the central city in the shape of a bird in flight⦑a⦒, and the symmetry and spacing of architect Oscar Niemeyer’s stark white, curvilinear, futuristic structures with sculptural silhouettes⦑b⦒, Brasília was heralded as “a modern utopia (expressing) optimism and trust in the future” and a demonstration of Brazil’s capacity for modernising progress (Dr Steffen Lehmann, cited in ‘60 Years Ago, The Modernist City of Brasília Was Built From Scratch’, Stefanie Waldek, AD, 21-Aug-2020, www.architecturaldigest.com).

Costa’s plan for Brasília (Source: nickkahler.tumblr.com)

Bland homogeneity?
Detractors of the futuristic urban ‘miracle’ in Brazil’s central west however have been many and varied. Brasília’s inner city residential zones comprising superquadras (“superblocks”) were characterised by French writer Simone de Beauvoir as all exuding “the same air of elegant monotony”. The city’s large open lawns, plazas, and fields have been likened to wastelands. Structures intended 65 years ago to represent the future, now crumbling, accentuate this sense of decay and obsolescence (‘Brasília, national capital, Brazil’, Britannica, www.britannica.com)

Highway hell? (Photo: BBC)

The car is king!
In a city built for the automobile, Brasília is uber-pedestrian-unfriendly. “With long distances and harrowing six-lane highways connected by spaghetti junctions, Brasília presents challenges for walkers” (Lonely Planet) – which is good news at least for the city’s car hire firms! Transport options for the non-driver in Brasília have been meagre…the subway was basically an afterthought; footpaths are confined to a scanty few, where they exist they are dwarfed by the criss-crossing gargantuan highways; the first set of traffic lights in Brasília didn’t get installed until the 1970s (‘Lost and Found – Brasília’, Blueprint, ABC Radio (broadcast 21-Jan-2022).

Source: airshipdaily.com

A lack of a pulse?
Some critics point to the Brasília lifestyle’s deficit in “humanness”. The city centre is bereft of “the typical street life of other traditional Brazilian cities”. It is merely a place to work…night life is unstimulating, city workers tend not to hang around after hours, few stay to “live and play in the Pilot Plan” centre (Kobi Karp in Waldek). According to Prof. Ricky Burdett (LSE), Brasília flounders on the basics of what constitutes a city…no messy streets, no people living above shops, no mixed use neighbourhoods – rather it’s “a sort of office campus for a government” (‘Niemeyer’s Brasilia: Does it work as a city?”, Robin Banerji, BBC News, 06-Dec-2012, www.bbc.com). The scope for improvement is hamstrung as a result of restrictions on development and expansion in accordance with the city’s world heritage covenants.

Taguatinga, one of Brasilia’s irregular satellites (Photo: Frederico Holanda/ Researchgate)

The creation of two segregated communities
Overpopulation is part of the Brasília problem…designed as a city for 500,000 people, it has five times that many residents today, hence the growth of satellite towns which the poorer residents of Brasília have been shunted into⦑c⦒. Allocation of resources is another…whereas in the centre everything was zoned, over-organised city blocks to the point of impracticality, the satellite towns have been neglected and left in a disorganised state without adequate infrastructure, services and civic spaces (Britannica; ‘Lost and Found – Brasília’). Accentuating the imbalance between the centre and the outliers, only 300,000 of the 2.5 million Brasiliense live in the Pilot Plan area where the jobs are!

Source: modern diplomacy.eu

”A monument to technocratic rationalism”
One of the biggest savagings of Brasília’s architectural merit came from trenchant art critic Robert Hughes who brutally summed up the capital city’s shortcomings: “a ceremonial slum…this is what you get when you think in terms of space rather than place and about single rather than multiple meanings, when you design for political aspirations and not real human needs. Miles of jerry-built, platonic nowhere infested with Volkswagens” (The Shock of the New, Ep. 4 (BBC documentary, 1980). The “utopian” city of Niemeyer and Costa, lauded at its onset as ilha da fantasia has acquired other, less glowing epithets such as “concrete carbuncle” (‘fast:track’, BBC News). For Jane Jacobs (Death and Life of American Cities, the failure of Brasília and other such utopian dreamscapes was in making the mistake of trying to substitute art for life – with unworkable consequences for the inhabitants. Brasília has also come under fire on environmental grounds, the impact of its footprint has contributed to the deforestation of the Amazon region.

Niemeyer’s Alvorada (Presidential) Palace, Brasília (Photo: wikimapia.org)

Postscript: the whole purpose of Brazil’s new capital in the interior for President Kubitschek⦑d⦒ and the urban planners was to create a modern city that avoided the excesses of Río and São Paulo (overcrowded slums, the preponderance of favelas). Costa’s “grand vision” envisaged a new urban centre that was deliberate, orderly, rational, dignified and systematic. In practice, the endgame to the myopic focus on the Plano Piloto was a city of inequality (with a good quality of life only for a minority of the inhabitants), congestion and urban sprawl (‘Inside Brazil’s ‘cautionary tale’ for utopian urbanises’, Diana Budds, Curbed, 07-Jun-2019, www.archive.curbed.com). Rather than being transformed into the shining exception, Brasília is “a mirror of Brazilian society…those with power live in a little island or cocoon. Those who don’t—which is the majority—live on the outside” (Prof. Vincente Del Rio).

—————————————-———
⦑a⦒ alternately it has been likened to the Crucifix, to an airplane or even to a bow and arrow
⦑b⦒ and avant-garde landscape design by Roberto B Marx
⦑c⦒ 90% of the Brasiliense, in the lower or lowest income brackets, live outside the centre in satellite towns
⦑d⦒ the politician in power who initiated the Brasília project in the mid-1950s

A Who’s Who of the Early Beatles Ensemble

Memorabilia, Music history, Popular Culture, Social History

There have been untold zillions of words written or spoken about the Beatles—in books, in music mags, in newsprint, on the web, in doco films and videos—over the last six decades. Anyone vaguely following the Liverpudlian Foursome’s stellar musical journey would be familiar with the major secondary personalities that feature prominently in the Beatles’ narrative (manager Epstein, producer Martin, the various wives and girlfriends, a few of the band’s musical peers like Jagger and Clapton, the so-called “Fifth Beatles” and so on), but after wading through weighty Beatles biographies by Hunter Davies and Phillip Norman and others, I’m more curious about the lesser dramatis personae who feature peripherally in the Beatles saga. As the Beatles journey on their irresistible path from provincial obscurity to global mega-celebrity, these less well-known names pop in and out of the various accounts of John, Paul, George and Ringo’s formative days on the nascent Liverpool rock scene…so let’s shift the spotlight away from the quartet of pop music icons momentarily on to some of the background players to note their particular part in the Beatles’ back story — most were fleeting and insignificant, others flitted in and out of the Beatles’ orbit without impact and a few were important participants out of the limelight.

Lennon & Shotton (Source: forums.stevehoffman.tv)

The bulk of the minor figures getting a mention in the early Beatles story tend to connect directly with John Lennon, not surprisingly as he was the band’s founder and driving force in the rise of the Beatles phenomena. John’s best friend in childhood was Pete Shotton, who attended the same schools as the future ‘First’ Beatle (Dovedale Infants School and Quarry Bank Grammar). Shotton was there at Lennon’s earliest foray into musical bands, initially in John’s mid-1950s skiffle boy band which became the “The Quarrymen”. Other friends of John joined them in the band including Nigel Whalley, Rod Davis Ivan Vaughan, Len Garry, Eric Griffiths, Ken Brown, Colin Hanton, Chas Newby, Bill Smith, John Duff Lowe…and a little later of course Paul McCartney and his baby-faced pal George Harrison and Stu Sutcliffe (Quarrymen membership history was very fluid). Vaughan’s not insignificant claim to fame resides in his being the member/friend who introduced Paul to John at that famous 1957 church fete. Shotton, Vaughan and Whalley had the further distinction of forming the nucleus of John’s “Woolton Gang”…a mischievous, juvenile ”gang of four” imitating and paying homage to Lennon’s all-time favourite hero of children’s fiction, ’William’ from Richmal Cromwell’s Just William books. Of his many childhood friends and associates, John’s connexion with Pete Shotton lasted the longest. When the Beatles achieved fame and fortune Shotton was a beneficiary, managing first a supermarket owned by the Beatles and then the Apple Boutique. Eventually Shotton severed his business nexus with the band and founded his own chain of restaurants, Fatty Arbuckle’s.

The Quarrymen performing in 1957 (pre-Paul & George)

In 1958 Lennon, having abjectly failed his ‘O’ Level exams at Quarry Bank High, shuffled off to Liverpool Art School. Lennox’s art school period was a key phase in the formation of the scruffy “Teddy boy’s” relationships, meeting his first girlfriend Thelma Pickles, his first wife Cynthia (née Powell) and close friend and early Beatle Stu Sutcliffe whose gifted artistic merit influenced him greatly. John formed other friendships at the art school including with Jeff Mohammed who took on a older brother sort of role in helping John try to cope with the trauma of his mother Julia’s sudden death; and with Bill Harry who went on to create Mersey Beat , a local music publication which helped the band gain early traction in Liverpool music circles. Harry also published Lennon’s poems and drawings in the newspaper.

Allan Williams (Source: Meet the Beatles for Real)

Before Brian Epstein stumbled upon the Beatles the lads had another manager of sorts, Allan Williams. Williams owned The Jacaranda club in Liverpool which the young John and Paul frequented. Williams‘s role as booking agent and manager for the early Beatles (known variously as “The Quarrymen”, “Johnny and the Moondogs” and “The Silver Beetles” before settling on “The Beatles”) was a somewhat informal relationship, coming to an abrupt end in 1961 over a fee dispute, leaving the way clear for Epstein to assume the grid position and steer the Beatles’s career trajectory⦑1⦒. Williams did make an important contribution to the band’s early development as a musical force, he was the one who arranged for the band to undertake the first of a series of nightclub performances in Hamburg, West Germany, where the Beatles over three visits between 1960 and 1962 really honed their musical skills.

The Cavern Club in Liverpool was synonymous with the early Beatles who debuted in its damp, dingy warehouse cellar as the Quarrymen in 1957⦑2⦒. Ringo Starr then in another skiffle band had already made his first appearance in the club a week earlier (Ringo went on to join Liverpool’s top ‘beat’ band prior to the Beatles’ ascendancy – “Rory Storm and the Hurricanes”). A key Cavern figure was its longtime emcee/DJ Bob Wooler, instrumental along with Bill Harry in helping arrange Brian Epstein‘s first visit to the Cavern to see John, Paul, George and Pete play.

Pete & Mona (Photo: John Smart/Associated Newspapers/Shutterstock)

Another regular Liverpool venue for the Beatles in their various early incarnations was the Casbah Coffee Club, owned by the mother of the band’s drummer pre-Ringo (Pete), Mona Best. Not only were the Beatles able to perform there on dozens of occasions (tallies differ as to the exact number), Mrs Best allowed the fledgling band use of the Casbah’s basement to practice in.

After Epstein and his NEMS Company⦑3⦒ took over managing the four Liverpudlian ‘Moptops’ he recruited Tony Barrow from Decca to handle publicity for the group. In the full flush of Beatlemania fame Barrow found the task easier with the press now scurrying after him, but he was still there to extinguish any Beatles crises that might occur, such as John’s incendiary “more popular than Jesus” claim. Barrow wrote liner notes for the Beatles’ EPs and albums and was also the one who came up with the “Fab Four” tag.

Neil Aspinall filling in for George in the “Fab Four” lineup (Source: independent.ie)

When the Beatles started getting bookings outside of Liverpool they got themselves a road manager, Neil Aspinall, who had gone to high school with Paul and George at the Liverpool Institute. An accountant by training, Neil’s main attribute for the ‘roadie’ job—which he scored by being ‘besties’ with Pete Best at the time—was that he owned a battered old Commer van which was used to ferry round the boys and their amps to venues, and to London for their famous Decca audition on New Year’s Day 1962. After Epstein’s death Aspinall became CEO of the flagship Apple Corps and ran the Beatles’ business empire for 40 years⦑4⦒.

Another Beatle backgrounder Epstein put on the payroll was Tony Bramwell. During their Liverpool school years Bramwell was “besties'” with George Harrison and also a friend of Paul McCartney. From roadie in the Beatlemania days Bramwell rose to become CEO of Apple Films. Today, Bramwell is one of the very few surviving Beatles’ insiders.

Paul & Bodyguard Mal return from safari in Kenya

When Aspinall got promoted to Beatles’ PA in 1963, the doorman at the Cavern, the 1.98m-tall Mal Evans got the ‘roadie’ gig. As well as being ‘roadie’ for the Beatles’ 1964 and 1965 US tours, Mal copped the brunt of the violent backlash by enraged Filipinos against the “Fab Four” during the notorious 1966 tour of that country. Evans also served as the band’s bodyguard and in-attendance ‘gofer’ for any personal items required by any of the four musicians.

Derek Taylor (Source: Pinterest.co.uk)

While Mal Evans took care of most of the Beatles’ simple day-to-day needs, NEMS employee Derek Taylor was tasked with organising holiday trips for the boys as well as taking care of more complicated matters like copyright issues and acquiring personal properties on behalf of the four members, plus acting as “spin doctor” for the Beatles, for all of which he earned the sobriquet “Mr Fixit”.

Someone else behind the scenes who did very well from his connexion with the Beatles was music publisher Dick James. Just as the Beatles’ juggernaut was starting its ascent in 1963 James brokered a deal with Lennon and McCartney through their manager Epstein which enriched the publisher and his business partner but more crucially resulted in the two principal Beatles songwriters losing control of their own songs for ever!

George Martin (Source: USA Today)

Footnote: The Fifth Beatle
Beatles watchers have long speculated on particular individuals whose contribution/ role in the band’s story warrant, justified or not, the appellation fifth Beatle…the “would-be” candidates for the title are so manifold that it invites comparison with the list of numerous contenders regularly thrown up for “eighth wonder of the world“. Those ascribed the Fifth Beatle label over the years include George Martin, Brian Epstein, Neil Aspinall, Stuart Sutcliffe, Peter Best, Chas Newby, Jimmy Nichol, Tony Sheridan and Billy Preston.

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⦑1⦒ securing for Williams the unenviable epithet, “the man who gave the Beatles away”
⦑2⦒ the band didn’t actually play the Cavern as the Beatles until February 1961, but within two-and-a-half years had racked up close to 300 appearances at the venue
⦑3⦒ North End Music Stores
⦑4⦒ after the band broke up Neil became the closest confidant of each of the ex-Beatles