50 Shades of Havana: Centro, Prado, Capitolio, Vedado, Hemingway’s Haunt, Classic American Autos and the Malecón

Travel

Somewhere around the western end of thriving Bishop Street (Obispo) in Havana, Habana Vieja merges into Habana Centro. With Centro being within close walking distance of the Old Town, its firmly entrenched on the Havana tourist route. There’s history – Capitolio and the Museum of the Revolution, and diversity – El Barrio Chino (Chinatown), the grimy, rubbish-strewn back streets and the upmarket five-star hotels and museums. Architecturally, the buildings in Centro are a mix of the old and the new (or newer)✱. Many survive from the colonial past, including some elegant classical examples of Cuban Baroque, together with those erected during the post-Soviet era.

Paseo de Prado, the city’s main boulevard, is a good place to start exploring Centro. Down one end is the solemn and imposing Capitolio Nacional building, Cuba’s most significant political symbol which formerly housed the national capital seat of government. When we visited the building was closed for renovations, it’s famous replica “White House” dome was receiving a facelift. El Gran Teatro next door is an equally impressive vintage building. North along Prado is where all of the big international hotels are located, overlooking a verdant leafy refuge, Parque Central, a city park which is a bit short on grass but nonetheless is a good spot to chill out away from the buzz and high activity of Old Havana’s Obispo.

Prado is also where you’ll find amble evidence of something else Havana is famous for these days, its classic old American cars. Carefully restored, spotless and immaculately maintained Chevs and Dodges (pink seems the preferred colour but blue is well represented too) line up in the parking lanes next to Parque Central. Stand anywhere along Prado during the day and you’ll be able to observe a constant parade of (mainly open-top) autos zooming up and down the boulevard (many of the classic cars are available for hire to chauffeur sightseers around Havana).

If you venture from Parque Central over the Prado to the western side streets, you’ll find a very different side of Habana Centro. The grand, showcase buildings of Paseo del Prado give way to lots of decrepit old structures that look decidedly the worst for wear, many are the crumbling casas of the city’s poor. The neigbourhood here take on a much more grimy and squalid appearance, characterised by dirty, rubbish-strewn footpaths, broken sewerage, potholes, markets bustling with people, noisy street vendors, numerous roaming stray dogs and the rotting remains of food. Sanitation appears a low priority in this rundown part of Centro. Just a short distance away is Chinatown, its entrance marked by an impressive pagoda-style gate but the neighbourhood, ironically, is populated by very few residents of Chinese ancestry!

A leisurely drive along the Malecón is another “must-do” when in Havana…the route west out of the city towards Pinar del Rio will usually take you via the Malecón. The Malecón (or Avenida del Maceo) snakes its way for some seven kilometres along the city seafront, bordered by a long seawall to protect the coast and city against the often wildly crashing waves. Local convention attests that the ideal way to do the Malecón drive is in a hired classic American convertible in the afternoon…the sight of these glistening Chevys, Buicks and Cadillacs on the wide coastal stretch of road against a backdrop of the setting sun of themselves earn a place in the highlight reel of Havana’s special features, as are the views afforded of Havana’s impressive harbour (Bahia de la Habana).

The long promenade’s other attractions include the historically and strategically important Castle Morro and views across the bay to the historic San Carlos de la Cabaña fortifications on the eastern peninsula (Habana del este). Dotted all along the foreshore are bunches of fishermen trying to land a catch with their lines and nets – usually with a botella de ron (rum bottle) close at hand. When the Malecón reaches the district of Vedado you’ll likely catch sight of the odd, remaining architectural ‘eyesore’ – ugly, monolithic apartment buildings, leftover examples of the brutalist Soviet architecture that imprinted themselves on the Havana landscape from the 1960s to the 90s. The most notorious of these Malecón monstrosities is the high-rise Edificio Girón, dubbed by many Habaneros “the ugliest building in Cuba”!

Fort of St Charles (La Cabaña) Habana del este

While you are in the vicinity of the Malecón, you might be curious to find out more about the sugar cane-based alcoholic beverage that Cubans are obsessed with, a visit to the Club Rum Museum (Museo del Ron) would fill in a lot of the background for you. You can find the Rum Museum on Avenida del Puerto (south of the Malecón and past the Cruise Ferry Terminal).

Footnote: Hemingway drank here…maybe?
I was intrigued to notice that there are quite a few drinking establishments in Havana (and elsewhere on the island) purporting to have been the “watering hole” of American writer Ernest Hemingway. I observed that El Floridita Bar in Monserrate Street has Hemingway’s signature and countenance as well as the inscription “Hemingway Drank Here!” plastered all over its walls⊡. It is well documented that Hemingway was a prodigious drinker of daiquiris and mojitos (amongst other things) and that Havana’s Floridita was his preferred Cuban abode when it came to downing copious amounts of its trademark daiquiri. I was kind of half-hoping though to find at least one Havana bar using a left-field marketing strategy that proclaimed loudly “Hemingway Never Drank Here!”

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✱ like the Art Deco Moderna Poesia building and the modern Parque Central Hotel which are within a three-iron of each other…though most of the Beaux-Arts, Art Noveau and Art Deco architecture is located in nearby Vedado
⊡ features imitated by the state-run Floridita Bar in Trinidad (Western Cuba)

La Habana Vieja and Bishop Street: Old Havana Inside Out!

Regional History, Travel

From our landing point in Havana, we made straight for our casa in the city. Tiny room (especially for two!), all round minimalism, minimal Inglés spoken by the staff, but it was right in the heart of La Habana Vieja, the old city. Two cross-streets (most of the ‘streets’ are hardly more than lane width!) away from our guesthouse is Calle Obispo (Bishop Street), a cobblestone pedestrian thoroughfare that runs through the heart of Old Havana – we made for this place pretty much as soon as we settled our belongings in the room.

Obispo connects Parque Central (near Havana’s main street Paseo de Martí, AKA Paseo del Prado) at one end with Plaza de Armas and the waterfront at the other. A big chunk of the activity, the vibe, happens on or around this street. A real assortment of shops, giftwares and numerous eateries to choose from. There are cafés and several banks/ATMs for your dinero necessities on Obispo. Obispo is the easiest spot to pick up a bargain souvenir or memento, the “el cheapo” place to buy artesano regalo items is the small undercover handicrafts market half-way up Obispo.

To get an appreciation of the authentic cuisine of the working class, what the average Habanero eats, Varíedades Obispo (Obispo Varieties shop) is the place to visit…come here to experience eating like the assembled masses do on a permanently limited budget – simple but fresh, basic, no-frills comida and dirt cheap! Just a few shops down from Varíedades is one Obispo’s two farmacias, Drogueria Johnson. Everything about the Johnson Drugstore looks historic, from the name sombrely and impressively engraved on the stone facade outside to the types of pharmacy lines inside. It seems like a relic from 1950s La Habana that somehow survived the Revolution! The shop tends to resemble a museum in some ways – and yet it still operates daily as a pharmacy service. A novel experience for anyone who can’t remember the pharmacies of the fifties.

Obispo Street’s not a great place to hover round in if you are ochlophobic✱ – in this busy thoroughfare crowd mingling is more or less unavoidable! Busy it may be but bustling it is not! People tend to stroll up and down Obispo at a very relaxed pace, taking in the sights, sounds and smells. Obispo is certainly an odoriferous experience…the smell of fresh churros being made by vendors is a lingering olfactory delight, the ubiquitous presence of stray dogs in the street and their random “calling card” deposits however is a more malodorous experience.

On our last day in Havana there was a colourful street carnival happening right along Obispo – performers on stilts wearing vivid, silky garments and flowing robes were winding their way in a slow procession down the narrow thoroughfare as the crowds swelled around them, dancing, constant pulsating musical rhythms, everything seemed quite spontaneous and of course the locals were right into it!

Keep heading east on Calle Obispo, past the Cuban band with its musicians all decked out in white, and you’ll reach the tree-lined Plaza de Armas, an ideal spot to get away from the full-on tourist overload of Obispo. With seating all around the square it’s easy to find a calm, quiet spot shaded by large trees overhead and be surrounded by the presence of nice greenery. After you’ve rested a bit, there’s history on all sides of the plaza to see – as you enter the plaza you pass a elegant white, mansion-like building, Casa de Gobnierno y Palacio de Municipal. Capitanes Generales Palace, as it is also known, is now a museum with a grand courtyard, but at the time of the Spanish-American War (1898) this was the American Government’s administrative headquarters for the four years the US was in control of the island of Cuba. You can pick up a souvenir “Revolutionary green” military cap with obligatory red star from the hawkers constantly circling round the square – it will cost you 2-3 CUC more if you want one with the iconic image of “El Che” (Guevara) as well!.

To the immediate north of Plaza de Armas is Havana’s historic colonial bastion fort, the Castillo de la Real Fuerza (lit. “Castle of Royal Force”) complete with watchtower, moat and thick limestone walls…the fortress was built to defend against unwelcome 16th century privateers and buccaneers. Its location looks strategically sound to me, looking straight down the bay towards the open sea, but I read somewhere, in the ‘Rough Planet’ guide I think it was, that the powers-that-be in colonial times weren’t all that thrilled about where it was located (it should have been right on the water’s edge apparently) and this led to the Castillo being decommissioned earlier than intended. Since it’s military function ceased, it has been variously used as for archives and conservation, as a library, and is now the National Maritime Museum. Interestingly, the info sign on the fort entrance gate near the rusty old cannons is in two languages – Spanish and Braille!

If you hang round the Plaza long enough you are better than an “even money” bet to meet, without any effort on your part, young local women keen to make your acquaintance…they are very friendly and if you converse with them for any amount of time, you’ll discover that a surprising number of them, by coincidence, are professional dancers currently in a hiatus period work-wise. Their sociability and amiability will often extend to an abiding interest in knowing the location of your casa! Prudence and a cautionary approach is strongly recommended to visiting single tourists.

If you have managed to escape the attentions of the convivial ladies doing their utmost to supplement their meagre monthly wages, take a right at Plaza de Armas and head down Oficios, you’ll soon be at San Francisco Plaza, a large, open square bereft of shade facing the Cruise Ship Terminal (Terminal Sierra Maestra). As you enter the plaza the first item of interest immediately to your left is a modernist sculpture directly in front of the formidable looking Lonja del Comercio commercial building. This relatively recently added (2012) French-created, bronze sculpture (aptly named ‘In Conversation’) catches the eye of most visitors. I like the way the piece plays with the space of the two figures, leaving your imagination to fill in the gaps – both the physical gaps of space and what the two engrossed in dialogue might be conversing about…its an intriguing and compelling piece of public art!

Also, worthy of a peek on the opposite side of the Plaza, astride the archaic Convento de la San Francisco, is a much older, representational sculpture, a statue of the celebrated and loveable Havana vagrant ‘Cabellero de Paris’. Visitors line up here for the chance to take a ‘selfie’ with an arm round the bronze shoulder of one of the “favourite sons” of old Havana. Pedestrians tend to slowly circle around the square, taking in the sights, the buildings, the sculptures and statues, the famous fountain, the busy ferry terminal. Never far away from the wandering tourists are the souvenir hawkers, especially visible here are the ambling cigar-sellers peddling the trademark product synonymous with everything Cuban. From San Francisco Plaza head west for a sight of Plaza Vieja with its central fountain and colourful collection of arched colonial buildings in pastel blues and yellows. From here, take any street to the right and you’ll end up you back in Obispo and tourism central.

Obispo – looking toward Plaza de Armas
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✱ someone with an extreme fear or dislike of crowds

Wall’s End: The Great Wall, Laolongtou, Hushan/Bakjak and the Goguryeo Question

Archaeology, Built Environment, Military history

The “Long Wall” – the world’s most famous, most myth-engendering bulwark

China’s most distinctive and enduring icon is the Great Wall of China, it is of course also sui generis as the world’s Great Wall. The Wall, Chángchéng 長城 – or as sometimes described Wan-li Ch’ang-ch’eng 萬里長城 (10,000-mile Long Wall), is incontrovertibly one of the wonders of both the ancient and modern worlds. Starting in the west in Gansu Province at Jiayuguan Pass, the wall(s) meander east over mountains and through passes to they reach the sea in the country’s east (a journey of over 21 thousand km). The oldest sections of the Wall date from the Warring States era (circa 214 BCE).

Laolongtou

Shanhaiguan and ‘Old Dragon’s Head’
If we follow the extravagating course of the wall east from the Badaling section (near Beijing) for about 300 kilometres, we’ll come to Shanhaiguan (literally “mountain – sea – pass”) in Liaoning Province, one of the Great Wall’s major passes (acclaimed as “the first pass under Heaven”). This section continues to Laolongtou (‘Old Dragon’s Head‘), where the wall enters the sea (Gulf of Bohai) and spectacularly and abruptly terminates! The wall at Shanhaiguan and Laolongtou snaking as it does between mountains on one side and water on the other, has been strategically important to the Chinese Empire eastern defences since the 1600s.

Hushan Great Wall

The setting that greets visitors to Laolongtou Wall end-point (Estuary Stone) looks like a most appropriate setting for the eastern terminus of the Great Wall. The reality is however that the Great Wall/s are not a continuous linear structure, they are actually characterised by numerous gaps in the sections…and where the ‘Old Dragon’s Head’ ceases at the sea is one more break in the line, albeit a dramatically evocative one! Before 1989 the conventional wisdom was that Laolongtou was the most easterly point in the Walls, but in that year Chinese archaeologists excavated 600m of a hitherto undiscovered section of the Great Wall 540km east of Laolongtou. The Hushan Wall (extending over a mountain, Hushan or Tiger Mountain) lies just north of China’s eastern border city, Dandong (which eyeballs North Korea just across the Yalu River). In 2009 the Chinese government, based on Chinese Academy of Social Sciences (CASS) research, recognised the wall as the most eastern point of the Great Wall (and ie, the end-point). Beijing’s classifying of the wall (so close to the Korean border) as Chinese contradicted the North Korean view that the wall was originally Korean (the Bakjak Fortress) and provoked a hostile North Korean reaction. [‘Hushan Great Wall’, Wikipedia, http://en.m.wikipedia.org]

PostScript: Dandong discovery reignites the Goguryeo controversy
The Dandong wall conflict reignited the controversy over the Goguryeo Kingdom that previously had inflamed tensions between the two countries. Background: the historic Goguryeo Kingdom (1st century BC to 7th century AD) encompassed an area comprising all but the tip of the Korean peninsula and a portion of both Russian and Chinese Manchuria. Both Koreas view the historic Goguryeo Kingdom as having been the ‘proto-Korea’ state. The Chinese perspective (which the Koreas label as revisionism) is that Goguryeo was only ever a vassal state of the ‘Middle Kingdom’, moreover one occupied largely by Tungusic people, an ethnic minority of China. The wall kerfuffle fed into this controversy, stirring up feelings of nationalism on both sides, the fallout being that Sino-Korean relations took a nosedive. Mutual distrust lingers over the matter…fears of irredentist claims on each other’s territory, and for PRC the perennial bogeyman of the spectre of Korean reunification. [‘Goguryeo controversies’, Wikipedia, http://en.m.wikipedia.org]

(Source: Man, ‘The Great Wall)

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chéng in Chinese can also mean city or city wall…or more aptly to describe China’s wonder building – walls in the plural, John Man, The Great Wall (2009)

so-called because the structure’s end part (above the sea) is thought to resemble a dragon (long) resting its head (tou) on the ground

the Chinese media going so far as to tag the kingdom as ‘China’s Goguryeo’ (Zhongguo Gaogouli) [Korea and China’s Clashing Histories’, (Yong Kwon), The Diplomat, 11-Jul-2014, www.thediplomat.com]

Queen Hatshepsut’s Wondrous Showcase Valley Temple stained by Tragedy

Ancient history, Archaeology, Travel

Our visit to the Mortuary Temple of Queen Hatshepsut, AKA the Deir el-Bahri (“Northern Monastery”) was the highlight of the visit to Luxor, a happy wrap to a long day mostly spent peering into a raft of dark, underground Egyptian burial tombs in the nearby Valley of the Kings. From the Queen’s monastery entrance gate near the West Bank of the Nile we were ferried out to the site in “people-movers”, open transit E-vehicles. This sublime gem of a temple stands out from the others for several reasons! First of all – the fun-sounding name, we were informed by Bakr that it is correctly pronounced “Hat-cheap-suit” which is a pretty good memory device to resort to, but the quipsters in our tour party were quick to translate it into “Hot n’chicken-soup” or even more absurdly “Hot-chip’n’soup”! (in the dusty air and baking heat of the Valley, lunch was never far from our minds!). It was special too because remarkably Queen Hatshepsut was only one of two female pharaohs in Ancient Egyptian history (d.1458 BCE, 18th Dynasty). The first, Sobekneferu (d.1802 BCE, 12th Dynasty) was a more shadowy figure and a much less substantive ruler. Hatshepsut first ascended the imperial throne as co-regent with her half-brother but assumed full pharaonic powers after his death. Her reign was notable for its building projects, especially around Thebes (her crowning glory this memorial temple, Deir el-Bahri, built in Western Thebes) and for extending the kingdom’s trading links possibly as far as Punt (Eritrea) in the Horn of Africa. In the contemporary images, statues and sculptures of Hatshepsut, she is depicted (on her own orders) as a man, eg, the free-standing colonnade sculptures of the Queen in her showcase Thebes temple show her with a manly build and a characteristic pharaoh’s beard and attire. Lastly there is its peerless aesthetic appeal. Most of the other mortuary houses in Luxor’s valley look drab and unprepossessing by comparison. The temple is magnificently set in a natural valley against a towering backdrop of massive craggy mountains. Though upward of 3,500 years old in some ways it looks strangely modern with its ramps, two-tired terraces and the simplicity of clean, white, sharp lines of the colonnades and facade…the simplicity of the building and the way it blends into the landscape reminds me a bit of the architecture of Chicago’s Prairie School. Hatshepsut’s pet name for the temple was Djeser Djeseru (“splendour of Splendours”), in the ancient era the elegant simplicity of Deir el-Bahri was enhanced by a number of aesthetic features and elements that haven’t survived to the present day (eg, an avenue of sphinxes, fountains, lines of myrrh trees from the land of Punt) [The Rough Guide to Egypt (2007 Ed.)]. The distressing, tragic contemporary association with this sublimely beautiful monument is that it was here that 58 international tourists as well as four Egyptians were massacred by terrorists in 1997, a further 26 visitors or more were injured in the onslaught (the worst-ever terrorist atrocity involving tourists in Egypt). The terrorist group, suspected to be a splinter arm of al-Jama’a al-Islamiyya (Egyptian Sunni Islamist organisation) entered the complex in the guise of security guards, trapping the victims inside the temple and setting on them with knives and guns. The murderers later fled and committed suicide in the surrounding hills. The largest proportion (>60%) of the murdered tourists came from Switzerland (later on Swiss intelligence ‘determined’ that Osama Bin Laden had bankrolled the operation). A direct consequent of the Luxor massacre was both a beefing up of tourist security and a drop in Egypt’s tourist numbers. Subsequent terrorist attacks elsewhere within the country has ensured the maintenance of high levels of security by the Egyptian authorities to this day.

🔼 Pharaoh and Queen, Hatshepsut

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the statues of Hatshepsut that survive that is, many at the temple were predictably decimated by later male pharaohs in a chauvinist attempt to erase her from the annals of Egypt’s pharaonic ‘pantheon’
although this charge has continued to be denied by al-Jama’a al-Islamiyya itself