Ibn Battūta, Moroccan Explorer of Dar al-Islam and Beyond: The World’s Most Prodigious Wayfarer of Pre-modern Times

Posted on by E Curb Nottus
Geography, International Relations, Regional History, Travel, World history,

Everyone’s heard the story of Marco Polo, his epic journey from Venice via the Silk Road to Cathay (China) and the court of Kublai Khan, and further explorations in Southeast Asia as the Great Khan’s foreign emissary, but much less well known outside the Maghreb and the Middle East are the more impressive peregrinations—in terms of immenseness of scope and distance—of the Moroccan Islamic traveller Ibn Battūta.

Marco Polo’s ‘Travels’

Battūta was born in Tangier, Morocco, into a Berber family of legal scholars about 50 years after Marco Polo’s birth. In 1325 the youthful Battūta set off alone initially with the purpose of undertaking the hajj (pilgrimage) to Mecca, but circumstance and curiosity took the Moroccan scholar on a seemingly never-ending series of extended side trips. Over the next 29 years Battūta’s travels took him on a wide arc to the East, visiting virtually all of the Islamic lands including far-off Sumatra (in modern Indonesia). Battūta’s sense of adventure and desire to learn about distant lands led him to extend his journey far beyond Dar al-Islam (the lands of Islam) to visit Dar al-Kufr (the non-Muslim world). As an Islamic scholar Battūta’s travel to ‘infidel’ lands was legitimised by the Islamic principle of Talab al-‘ilm (“search for knowledge”) (Berman, Nina. “Questions of Context: Ibn Battuta and E. W. Bovill on Africa.” Research in African Literatures, vol. 34, no. 2, Indiana University Press, 2003, pp. 199–205, http://www.jstor.org/stable/4618304).

Battūta’s travels (Image: ORIAS – University of California, Berkeley)

Battūta’s world
Ibn Battūta’s adventure-packed travels—sometimes on foot, sometimes by sea, often for safety in the company of camel caravans—took him to the lands occupied today by 40 modern countries. Divided into two journeys, the first encompassed North Africa, Central Asia and Russia, the Middle East and Anatolia, India and South Asia, the Maldives, East Africa (down as far as modern Tanzania), Southeast Asia and China. A later, shorter journey took him into the Mali Empire and West Africa (crossing the Sahara to Niger, Timbuktu, etc) and later to Moorish-inhabited Spain.

The top three travellers in Pre-modern history – measured by distance

• Ibn Battūta (Islamic scholar and explorer) approx. 117,000 kilometres
• Zheng He (Chinese admiral and explorer) approx. 50,000 kilometres
• Marco Polo (Venetian merchant and explorer) approx. 24,000 kilometres

(‘Ibn Battuta’, Wikipedia entry; John Parker World Book Encyclopedia, 2004)

Image: www.history.com

Unreliable memoirs
Although Battūta clocked up a phenomenal amount of mileage for a traveller in the Medieval age, many modern scholars believe that Battūta did not visit all of the destinations listed on his Rihla✡ itinerary, the narrative of his journeys. Amikam Elad for instance contends that Battūta plagerised large parts of the travel narrative including the description of Battūta’s travels in Palestine from another Muslim traveller Muhammad al-‘Abduri (Elad, Amikam. “The Description of the Travels of Ibn Baṭṭūṭa in Palestine: Is It Original?” The Journal of the Royal Asiatic Society of Great Britain and Ireland, no. 2, [Cambridge University Press, Royal Asiatic Society of Great Britain and Ireland], 1987, pp. 256–72, http://www.jstor.org/stable/25212152). Doubts also exist about his visits to the city of Sana’a in Yemen, Bolghar via the Volga River and Khorasan et al. Some academics contend that in China Baṭṭūṭa only ever got as far as Quanzhou and Canton. Another false claim was that he witnessed the funeral of the Mongol Great Khan (the reality was no emperor died during Battūta‘s sojourn in China). The Moroccan storyteller borrowed liberally from hearsay evidence in the accounts of earlier Muslim explorers, and from his illustrious Venetian predecessor – the Rihla reveals many similarities in themes and commentataries to Marco Polo’s Travels.

Marco Polo, adapting to Tartar dress

Polo/Battūta overlap
Both Marco Polo and Ibn Battūta were in a sense oral historians, neither travellers penned a single word of the books they are famous for, instead dictating their travel stories to a scribe. Battūta’s tendency to rely on hearsay to describe some places he didn’t visit (eg, the Great Wall of China) mirrored the larger-than-life Venetian storyteller’s inclinations – Polo described the small island of Ceylon thus, “for its actual size, is better circumstanced than any island in the world”, despite never having set foot on Ceylonese soil (Marco’s contemporaries were well aware that “il Milione” was given to exaggeration).

Battūta/Juzayy’s ‘Rihla’

Battūta’s ghostwriter
As Ibn Battūta never kept a journal during his nearly three decades of travel, the Marinid sultan of Fez commanded him to collaborate with court poet Ibn Juzayy who wrote the manuscript of what became A Gift to Those Who Contemplate the Wonders of Cities and the Marvels of Travelling☯ based on Baṭṭūṭa‘s recollections. The title was later shortened for convenience to the Rihla☮. The travel book has transparent shortcomings, the format is undercut by extreme chronological inconsistencies. The travelogue relies on Battūta’s memory—Morgan points out that the memory of a traveller understandably may lapse especially if the travels stretch over such a large passage of time (Morgan, D. O. “Ibn Baṭṭūṭa and the Mongols.” Journal of the Royal Asiatic Society, vol. 11, no. 1, Cambridge University Press, 2001, pp. 1–11, http://www.jstor.org/stable/25188080).

Wives, concubines and divorce
A curious side feature of Ibn Baṭṭūṭa’s global footprint is the disclosure in the travelogue of various personal relationships he entered in to. Baṭṭūṭa on arriving at a new town regularly married women and took countless concubines, leaving the (divorced) wives and some of his issue as well behind when he moved on. For an observant Muslim Baṭṭūṭa includes a surprising level of sexual detail pertaining to the local women he encounters on his journeys (Singer, Rachel, ‘Love, Sex, and Marriage in Ibn Battuta’s Travels” (2019). MAD-RUSH Undergraduate Research Conference. 1. http://commons.lib.jmu.edu/madrush/2029/love/1).

Though the Rihla was in essence intended as the devotional work of a pious Islamic scholar, its real value lies in its secular insights into the world of the Middle Ages…providing descriptions of diverse and far-flung countries’ geography, personalities, politics, cultural practices, sexual mores and the natural world (‘The Longest Hajj: The Journeys of Ibn Battuta’, Douglas Bullis, Aramco World, July-August 2000, www.archive.aramco.com).

(Photo: History Extra)

In the 1350s after Ibn Battūta had finally had his fill of wanderlust and hung up his walking sandals for good, he settled into an altogether sedentary vocation, appointed as a Qadi (Islamic judge) in his hometown of Tangier.

(Source: Blackstone Audio Inc)

Endnote: Polo and Battūta didn’t invent fabrication and embellishment in travel writing. Herodotus of Halicarnassus (5th century BCE)—considered both the “father of history” and the world’s ur-travel writer from—was prone to mixing in ”legends and fanciful accounts” to his Histories (Euben, Roxanne L. “LIARS, TRAVELERS, THEORISTS: HERODOTUS AND IBN BATTUTA.” Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge, Princeton University Press, 2006, pp. 46–89, http://www.jstor.org/stable/j.ctt7t5dw.7).

————————————————————————————————————————
✡ literally the ‘Travels’

☯ the travelogue’s proper title

☮ the word Rihla strictly speaking refers to a genre of Arab literature rather than the name of the travel book (Bullis)

Lake Rotomahana, New Zealand: Once were Travertine Terraces

Posted on by funambulator@live.com
Coastal geology & environment, Environmental, Geography, Natural Environment, Regional History, Science and society

There’s only a handful of natural travertine rock formations𝔞 in the entire world, but after 1886 there was was one less. In that year in New Zealand’s Rotorua/Bay of Plenty area, the terraced hot springs wonderland known to Pākehā New Zealanders as the “Pink and White Terraces”𝔟 (Ōtukapuarangi and Te Tarata) were obliterated from sight in a massive eruption from nearby Mt Tarawera (Māori: “burnt spear/peaks”)𝔠.

🌋 Charles Blomfield’s painting of the volcanic occurrence

Fallout from the volcano’s eruption blanketed some 15,000 sq kms of countryside with ash in the air travelling as far away as Christchurch, over 800 km to the south. The explosion of volcanic craters reduced Lake Rotomahana (“warm lake”) to mud and ash. The deafening noise and lightning of the dome volcano exploding caused some in Auckland to think that Russian warships were attacking the city [‘The Night Tarawera awoke’, New Zealand Geo, www.nzgeo.com]. The human casualties were almost all Māori, about 120 people died, as well as 10 Māori settlements destroyed or buried.

Blomfield’s painting of Te Tarata

19th century tourist attraction
Nature’s violent removal of the Rotomahana travertines brought an abrupt end to a lucrative little 19th century tourism earner for the local region. Artist Charles Blomfield who painted the two terraces on multiple occasions was an eye witness to the tourist boom, observing groups of “moneyed people” bathing in the hot springs𝔡 while their lunches of potatoes and koura were cooking in the boiling pools (NZ Geo)𝔢. Village residents benefitted—some Māori guides netted incomes of up to £4,000 a year—but the First Nation community also copped the downside from the economic boost, rising illness and rampant alcoholism [‘Tarawera Te Maunga Tapu’, Rotorua Museum, www.rotoruamuseum.co.nz].

Lost and found?
For 120 years New Zealanders thought that all trace of the iconic terraces—the two largest known formations of silica sinter on earth—had vanished. Scientific curiosity in recent decades has speculated whether the terraces has been destroyed altogether or perhaps permanently entombed. Recently, Geologists, drawing on Ferdinand von Hochstetter’s 1859 topographic and geological survey of Lake Rotomahana as a primary source, believe they have found traces of the lost White Terraces in the naturally-restored, crater-enlarged lake [‘A natural wonder lost to a volcano has been rediscovered’, Robin Wylie, BBC, 28-Apr -2016, www.bbc.com]. The terraces are thought submerged under sediment and 50-60 m of lake water.

🔻 1860 lithograph of Hochstetter talking to the Māori rangatira of the White Terraces

New Zealand’s miniature ‘Pompeii’
Right in the firing line of Mt Tarawera when it exploded in 1886 was the tiny village of Te Wairoa and its inhabitants the Tuhourangi people. Engulfed and obliterated by the eruption, it became known as the “Buried Village” of Te Wairoa. These days it has brought back tourism to the area. The excavated village is New Zealand’s most popular archaeological site.

(Source: Flickr.com)

Postscript: the Rotomahana travertines are destroyed but is at least one terraced hydro-thermal springs in the North Island remains. Wairakei Terraces, situated 90 km south of Tarawera in Taupō, is a smaller version of the Pink and White Terraces. This commercial operation is a combination of the synthetic (man-made geyser) and the natural (pink, blue and white silica steps).

🔻Pamukkale, Turkey

🌋 one of the most outstanding examples of travertine formations on the planet is the “Cotton Castle” of Pamukkale in eastern Turkey, with its glistening white-terraced geo-thermal springs sharing the site with the ruins of a Greco-Roman city Hierapolis, making it a world-class tourist magnet. Other extant travertines include Badab-e-Surt in Iran, Mammoth Hot Springs in Wyoming, USA, and Egerszalok in Hungary.

Pink Terraces (Photo: Charles Spencer/ Te Papa)

•••➖•••➖•••➖•••➖•••➖•••➖•••

𝔞 travertines are formations of terrestrial limestone and calcium carbonate deposits around mineral (especially hot) springs, which are often terraced  

𝔟 their names in the Māori tongue translate respectively as “fountain of the clouded sky” and “tattooed rock”

𝔠 nicknamed Te Maunga Tapu (“the sacred mountain”), the volcano lies within a caldera (collapse crater) area

𝔡 the actual numbers of Europeans who visited New Zealand’s version of the “8th Wonder of the World” was not as high as might be thought, owing to the terraces not being easily accessible – from the closest settlement Rotorua it was a trek over hills by horse or buggy followed by a canoe trip and the last section on foot [New Zealand’s Pink and White Terraces’, (Tourism NSW), www.media.newzealand.com]

𝔢 English novelist Anthony Trollope was one of the European ‘celebs’ who fronted up to bathe in the pools and sleep in a whare (Māori hut) next to the terraces (NZ Geo). Trollope found nothing like its waters in the world – “you strike your chest against it, it is soft to the touch, you press yourself against it and it is smooth” [Australia and New Zealand, (Vol.II, 1873]

 

Hans Island “Whisky War”: Seemingly a Straw Quarrel Conducted with Restraint and Civility

Posted on by funambulator@live.com
Geography, International Relations, Political geography, Politics, Regional History

With so many hotspots and tense border stand-offs across the world, the dispute over an obscure island in the Arctic region by two peaceful modern western democracies definitely flies under the international radar. The unlikely spot is Hans Island, a 1.3 square kilometre slab of rock situated in the middle of the Nares Strait separating Greenland from Canada’s Northeast periphery. Barren and uninhabited, devoid of natural resources, the island has been the object of claims on it by both Denmark (of which Greenland is a sovereign part) and Canada since the 1930s¹.

Initially, the League of Nations adjudged the dispute in Denmark’s favour in 1933². But given the ineffectiveness and eventually dissolution of the inaugural world body, the LoN’s ruling carried little weight.

Over the decades Denmark and Canada continued to disagree on who owns Hans Island – without either doing anything about it. Bilateral negotiations in 1973 completely sidestepped the issue of the island’s sovereignty – a maritime border with the vertical line drawn through Nares Strait conveniently left the island itself untouched, and thus still unresolved.

An assertion of sovereignty done with humour and good nature

The 1980s saw an escalation of the competing claims in a tit-for-tat exchange of flag-planting on the island. First there was the hoisting of the Canadian maple leaf (accompanied by an additional item, a trademark bottle of Canadian whisky). The Danes duly responded with their own flag and a bottle of Danish schnapps.

The issue threatened to flare-up again in 2005 when Canadian defense minister Bill Graham earned Copenhagen‘s ire with his unilateral visit of Hans Island. However common sense prevailed and both sides committed to enter into a process to resolve the matter…since then though little headway has been made towards this goal.

A proposal for Inuit authority on the ground

In 2002 academics proposed that Canada and Denmark share control of Tartupaluk (the Greenlandic name for Hans Island), with hands-on management devolving to Inuit control. So far nothing has come of this.

Postscript: A straw prize on the surface but potentially a promising long-term prospect?

Though never getting remotely close to a military confrontation, the periodic posturing and grandstanding by Canada and Denmark reflects the desire of both governments to secure possession of Hans Island. Two material considerations seem to inform the disputants‘ commitment to the cause – the possibility of oil and gas reserves in the seabed around Hans Island and the potential of the (Nares) strait as a future international shipping route.

End-note: A third claimant to Hans Island has emerged in recent years, Russia, filing its claim through the orthodox UN channels

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¹ “a bizarre sliver of territory for two countries to fight over” as one observer depicted it (Bender)

² a tricky matter to adjudicate on as the island technically lies in both countries’ waters, falling within the 12 mile-territorial limit under international law

❖ ❖ ❖🇩🇰 🇨🇦

Referenced websites and sources:

‘Analysis: Hans Island – and the endless dispute over its sovereignty’, (Martin Breum), High North News, 24-Oct-2018, www.highnorthnews.com

‘2 countries have been fighting over an uninhabited island by leaving each other bottles of alcohol for over 3 decades’, (Jeremy Bender), Business Insider, 10-Jan-2016, www.businessinsider.com

‘Canada and Denmark Fight Over Island With Whisky and Schnapps’, (Dan Levin), New York Times, 07-Nov-2016, www.nytimes.com

‘Hans Island Case – A territorial dispute in the Arctic’, (Master Thesis), (Nikoleta Maria Hornackova), Aalborg University, May 2018, www.projekter.aau.dk

Odysseus Beyond Antiquity: Myth, Hero and Anti-Hero, a Literary Archetype for Contemporary Story-Telling

Posted on by funambulator@live.com
Cinema, Creative Writing, Geography, Literary & Linguistics, Performing arts

For scholar and layperson alike, the dawn of story-telling in the West if not the earliest literary text, coincides with Homer and his two epic poems the Iliad and the Odyssey. Dating very roughly from somewhere around 700 BCE, Homer (traditionally thought to be a blind Ionian poet – see PostScript) composed his two (very) long poems in hexameter form to be read aloud at festivals and such public events. The Homeric epics were spread throughout the Greek world and beyond by professional reciters of poetry called rhapsodes (sort of travelling bards) [Beaty Rubens & Oliver Taplin, An Odyssey Round Odysseus: The Man and His Story Traced Through Time and Place, (1989)]. 

Epic of Gilgamesh

Homer’s works are generally considered the foundation point of what is commonly referred to as the Western canon※, though the Iliad and the Odyssey are predated by other foundation texts emanating from the earlier Sumerian civilisation, particularly the Epic of Gilgamesh (ca 2,100 BCE), comprising poems and tales, the first known work of fiction [‘What is the oldest known piece of literature?’, (Evan Andrews), History, 22-Aug-2018,  www.history.com]. 

Cattle of the Sun

The second of the epic poems, the Odyssey, deals with the perilous and action-packed 10-year journey of its eponymous hero Odysseus back to his home in Ithaca after the Trojan War (the Iliad). In 2018 a poll by the BBC of over 100 international authors, academics, journalists and critics chose the Odyssey as the most influential work in Western literature. Some of the reasons given for making the Odyssey primus inter pares in such a vast array of august literary texts include: it is “one of the great foundation myths of Western culture…asking what it means to be a hero”; it is “properly epic”; it has “great female characters”; it “forces us to question the assumptions we might have about quests, war, and what it means to return home” (repatriation); it endorses a “streak of individualism”, etc [Homer’s Odyssey is Officially the World’s Most Influential Story’, (Tasso Kokkinidis), Greece. Greek Reporter,(2018), www.greece.greekreporter.com✪.

That the Odyssey has been massively influential in the arts ever since it first emerged in the rocky hillsides of Ionian Greece is indisputable. Other ancient Greek playwrights and poets who followed Homer, like Sophocles, produced their own versions of the iconic tale (and their own take on the elusive character of Odysseus). It has been suggested that the character of Jesus in the Gospel of Markspan class=”s2″ style=”font-size: 19.73px”> draws from Odysseus and his adventures, eg, the “feeding of the 500”, Jesus was a carpenter like Odysseus, who was the builder of the “Wooden Horse” [‘The Odyssey : An Overview, No Sweat Shakespeare,  www.nosweatshakespeare.com].

⍐ 2nd century AD Tunisian mosaic of the Sirens (Book 12)

The Bard’s debt to Homer

It’s widely known that Shakespeare borrowed freely from many sources – plots, devices and imagery from the Bible, Plutarch, Seneca, Chaucer, from Holinshed’s Chronicles, from Boccaccio’s Decameron, etc. [‘Shakespeare’s Source Material’, (J.M. Pressley), Shakespeare’s Resource Center, www.bardnet.net/]. Like any educated Tudor man of the day Shakespeare voraciously absorbed the classics and Homeric influences are discernible in his plays – Odyssean themes like the phenomena of homecoming (Shakespeare’s Romances); the recognition theme from Odysseus’ reappearance in disguise in Ithaca (King Lear); the renewal theme (The Winter’s Tale) (No Sweat Shakespeare)⦿.

The Odysseus-Hamlet connexion

The Odyssey’s imprint on Shakespeare is most noticeable in the Bard’s most famous tragedy Hamlet. Several patterns emerge. Both literary opuses share a preoccupation with a troubled father-son relationship (Odysseus/Telemachus, King Hamlet/Prince Hamlet). Moreover, the Odyssey and Hamlet possess striking thematic similarities. Prince Hamlet and King Odysseus both employ deception to their advantage—the former dissembling madness and the latter physical disguises—to exact retribution against those who have wronged them. Both protagonists reveal a fatal flaw (hamartia)⊞ in the course of their trials and tribulations [‘Hamlet v. Odyssey’, (William Sheng), 12-Apr-2012,  http://docs.google.com/].

⍐ Odyssey-lite Homer (Simpson)

Retelling the Odysseus myth anew

The influence of the Odyssey on various media has been recurring and pervasive, including on novels (Don Quixote: Quixote, like Odysseus, embarks on a ‘epic’ journey and inflates (or distorts) his tales of heroism and survival) or The Penelopiad (Margaret Atwood’s feminist remaking of the myth as told from the point of view of Penelope, Odysseus’ long-suffering wife); on television animation (The Simpsons “Tales from the Public Domain” episode – a satirical travesty of the Odyssey, Homer (Simpson) as Odysseus on a decidedly unheroic journey [‘8 Novels Inspired by the Odyssey’, (Jessica Ferri), Early Bird Books,  www.earlybirdbooks.com ; Economou Green, Mary. “The Odyssey and Its Odyssey in Contemporary Texts: Re-visions in Star Trek, The Time Traveler’s Wife,and The Penelopiad.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 1.1 (2014). Web.]; in poetry (Tennyson’s Ulysses (the Latinised form of ‘Odysseus’) is a kind of pessimistic postscript to the Odyssey with the aged hero unhappily stuck in his island kingdom lamenting the loss of his life of travel and adventure). 

Odysseus by the River Liffey

Easily the most famous literary reinterpretation of the Odyssey is James Joyce’s “stream of consciousness✠ novel Ulysses, a work which tore up the handbook for writing novels in the modern age. T S Eliot summarised the revolutionary impact of Ulysses’ thus: “(Joyce) has made the novel obsolete by replacing the narrative method with the mythical method” [quoted in ‘James Joyce’s Ulysses: Remixing the Homeric Myth’, (James AW Heffernan), The Great Courses Daily, 02-Apr-2017,www.thegreatcoursesdaily.com].Joyce adapts the framework of Homer’s classic to 1904 Dublin, condensing the original’s 10-year journey into a single day, in which the protagonist, the “mock-heroic” and cod-ordinary Leopold Bloom, wanders around his various haunts in the city. In every chapter of Ulysses Joyce matches or parallels the actions of his characters with that of the Odyssey but presents them as banal and mundane. The scene in Homer where a lovely princess Nausikaa assists the shipwrecked Odysseus on the island of Scheria is reworked by Joyce to show the married cuckold Bloom as voyeur, spying on an attractive girl at Sandymount Strand while relieving his frustrations by masturbating [David Norris & Carl Flint, Joyce For Beginners, (1994)]. 

the 1967 film version of ‘Ulysses‘

Sci-Fi Odysseus: Trekking with Homer

Science-Fiction depictions on the screen, big and small, have mined an abundant seam of inspiration from the Odyssey. Kubrick’s and Arthur C Clarke’s 2001: A Space Odyssey repositions the story in the Solar System with a supercomputer named HAL-9000 filling the role of the Cyclops imperilling the life of Odysseus/Dave Bowman. Another cult classic that owes inestimably to Homer’s Odyssey is the long-running Star Trek TV series. The Odyssey parallels are more than translucent  – Star Trek is replete with alien locations and weird and unworldly characters. Captain Kirk is “an intelligent, strong and charismatic leader, struggling to keep his crew together as they sail through the depths of space” [‘Greek Myth and Science Fiction’,  www.greekmythandscifi.wordpress.com]. Kirk & Co leave the known world (Earth) to journey into the unknown (the Galaxy)❂, they “go beyond”, they problem-solve, they vanish aliens and monsters and “re-emerge into the world victorious in quest purpose and with knowledge to better the plight of humankind” (Economou Green).

Odysseus as anti-hero precursor?

Odysseus exhibits qualities that make him seem to our eyes very modern (or even post-modern). He heroically and valiantly combats the monstrous creatures which block his path, but there is another, deeply problematic side to his personality. Odysseus, the personification of guile and cunning (polumetis in the Greek), routinely acts in both the Iliad and the Odyssey without honour or noble intention – a trickster, a dissembler and “con man”, a cheat, a liar, Among his many misdeeds, he sleeps with Circe; he murders innocent maids; he displays arrogance such as in his encounter with Polyphemus (the Cyclops); he misappropriates the armour of the dead Achilles (causing Ajax to take his own life); he fails to protect his crew on the voyage home resulting in them all perishing. You can discern in the ‘complicated’ and ‘ambiguous’◪ character of Odysseus a model for the ascendency of the anti-hero in modern cinema since the 1960s (Clint Eastwood, Al Pacino, Robert DeNiro, etc) [Cook, E. (1999). “Active” and “Passive” Heroics in the “Odyssey”.  The Classical World, 93(2), 149-167. doi: 10.2307/4352390].

Footnote: Odyssey, the prototype road movie

Homer’s classic is of course one of if not the principal fount of all subsequent travel/road stories in Western culture. This has proved nowhere more fecund than in modern cinema in films such as Easy Rider, Mad Max and countless others. Other road movies have been even more overt in referencing their debt to Odyssey and Homer – Paris, Texas, where the Odyssean protagonist charts a hazardous course which takes him from ruin and desperation to redemption [‘Wander Forever Between The Wind: A Tribute To PARIS, TEXAS’, (Priscilla Page), Birth, Movies, Death, 23-Sep-2017, www.birthmoviesdeath.com]. The Coen brothers’ O Brother, Where Art Thou is unequivocally transparent in its pilferings from the Odyssey…the movie is variously peopled by a “Ulysses/Everett”, a “Penny”, a figurative “Cyclops”, “Lotus Eaters”, “Trojans/Ku Klux Klan”, a “Cattle of the Sun God”, “Sirens/laundry ladies”, a “Poseidon/county sheriff” and assorted other Homeric entities – all transposed to a 1930s Great Depression, Deep South setting.

PostScript: Authorship issue

Some scholars over the years have sought to debunk the custom of attributing the Iliad and the Odyssey to someone called ‘Homer’, about who there is virtually zero factual information, no biography to recount. Rather than a knowable or identifiable author this view attributes authorship to the whole Hellenic culture, tracing its genesis in fragments created before the supposed dates that ‘Homer’ flourished [‘Author Says a Whole Culture—Not a Single ‘Homer’—Wrote ‘Iliad,’ ‘Odyssey’’, (Simon Worrall), National Geographic, 03-Jan-2015,  www.nationalgeographic.com].

ღ დ ღ დ ღ

＊＊ the books, films, etc referred to above are only a selection of the total works—literary, the arts, music, cinema—informed and influenced by the Odyssey

𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪

※ ‘classic’ works of literature, philosophy, music and art elevated into a band of select ‘membership’ in the firmament of high culture

✪ the claim of ‘official’ recognition should be tempered by the fact that if a different set of experts were asked, they might not necessarily agree with the choice

⊞ in Hamlet it is prevarication and indecision, failing to act when he should, in Odysseus it is hubris, by which Odysseus offends Poseidon with “god-like” arrogance  

⦿ Shakespeare’s borrowings from the Iliad are more overt in Troilus and Cressida, he is indebted to Homer’s tale of Troy for the storyline and the entire Dramatis personae

✠ a method of narration in a literary work that describes happenings in the flow of thoughts in the minds of the characters [www.literarydevices.net/]

❂ cf. Odysseus – the Underworld

◪ Emily Wilson/Erwin Cook

 ≡ ≡  ≡