Changbaishan is not the most easily accessible scenic wonder of the PRC world. From Shenyang we had to take a VST (very slow train), a horror overnighter of a trip that I have described elsewhere✱. Our sleeper train overslept by two-and-a-half hours with the consequence that when we arrived at Baihe we were too late for the morning bus service to Changbaishan. So, we cut our losses and got a taxi to our lodgings and contented ourself on discovering the ‘delights’of the rather unprepossessing town of Baihe.
The next day we made for the town tourist centre to buy tickets to Changbaishanxi or Changbai Mountain West⍟. Our overriding objective was to see the famous Changbai Tianchi – the much touted “Heavenly Lake”. When our bus got to the car park at the foot of the Tianchi mountains we were aware from the vast crowds and lines that greeted us, that it was everybody’s overriding objective.
We had already caught glimpses of the glistering white, snow-like peaks as the bus chugged up the winding road to the tourism site. After availing ourselves of the toilets near the car park (there being no public amenities at the top of the mountain barring a single souvenir stall), we joined the thronging lines of people embarking on the climb.
From the bottom looking up, there are two walkways, on the left the down staircase and on the right the wooden up staircase. Unfortunately, for walkers going up the right-side steps, some people coming down were blissfully unaware of or simply ignored the clearly posted signs about keeping right on the way down. As a result, walkers going up regularly have to dodge and weave their way round non-conformist walkers on the wrong side. Annoying!
What was already a challenging walk up the mountain, was made more difficult by the heat of the day. Especially so for me…because of the anticipated cold of the mountains I had worn Long Johns under my jeans. This made the climb up for me very heavy-going indeed. The ascent to Heavenly Lake in high summer is not “a piece of cake”…but of course you can always stop at any point, take a breather and admire the unrelentingly beautiful vista.
A further off-putting element for a first-time climber at Changbai West is the deceptiveness of the slope. Rather than one (very) long, single “Stairway to Heaven”, the section of stairs you were struggling up would end, only to be continued by a new section. On the ascent, as we paused to take deep gulps of air, we found it difficult to gauge exactly where the top was! It was like the mountain peak was teasing us…just when we were beginning to feel relief having sighted (finally) what we thought was the summit, it would be taken away from us by the appearance of another (and another) extension of the seemingly never-ending stairway.
The one redeeming feature of this long arduous climb is that the steps are marked at five-metre intervals, so as you breathlessly drag yourself onward and upward, at least you know how far you’ve gone. But we didn’t check on the vertical distance before we embarked on the challenge of the Tianchi stairs. So this proved only of limited comfort to us seeing we had no idea how far there was still to go!
When we ultimately made it to the summit there was genuine relief to be felt. As well, there’s a congratulatory sign at the top to verify the achievement: SUMMIT! GREAT JOB! it proclaims. The sign informs walkers that they’ve reached a elevation point some 2,470 metres above sea-level, numerical confirmation of how high they’ve climbed.
For those who can’t physically manage the walk or just don’t feel like doing the ‘hard yakka”, there is the option of ascent by sedan. You can be ferried up the mountain’s infinite number of steps by a brace of hired carriers. You may even experience the momentary pleasure of imagining, just fleetingly, that you are like some distant China emperor! I did however spare a sympathetic thought for a couple of the sedan carriers I passed. There they were about two-thirds of the way up, two fairly slenderly built guys, slumped over, sprawled on the steps, the effort of transporting their rotund and corpulently-proportioned client in this stifling heat was just too much for the poor fellows.
At the summit there’s a large rectangular-shaped wooden viewing platform to gaze out on the Heavenly Lake. Almost all of the ballast was on one side of the platform, everyone with a camera or a mobile phone was jockeying for the optimal position on the the lake side to take photos and selfies from.
The utter serenity and stillness of the idyllic landscape, of this gem of nature, contrasted with the jostling and chattering of the human visitors. But it was undeniably a sight worth the trek up the mountain. Seeing Tianchi, with its pristine blue waters at the very top of such a vast mountain peak, was proof that the tag “Heavenly Lake” was not hyperbole. This picture-perfect strato-volcanic crater lake must be one of the most photographed rural lake settings in the world.
The return walk down was much less taxing on the legs than going up, a leisurely saunter requiring relatively little effort by comparison, notwithstanding the cautionary sign at the start of the downward stairway: “Many Steps / Take Care / Please Go Slowly”.
Footnote: Shuǐguài lake myth
Tianchi Heavenly Lake has a history of supposed sightings of water ‘monsters’ inhabiting the lake – dating back to 1903, a sort of a Chinese version of the famous Scottish Loch Nest Monster.
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✱ ‘Take the Slow Train to Baihe and (hopefully) I’ll Meet you at the Station’, (Sept 2019), http://www.7dayadventurer.com/take-the-slow-train-to-baihe-and-hopefully-ill-meet-you-at-the-station/
⍟ for tourism purposes Changbai Mountains is divided into three distinct sections, a north, a south and a west slope. Presumably the reason there is no Chinese east section is because the east part is located in the “People’s Democracy” of (North) Korea… in this part of the Baekdu Mountains, the Korean name for the lake is Cheonji
You’ll find Marshal Museum in Chaoyang Street, a street worthy of exploring more widely while visiting Shenyang, its variety and interest extending well beyond Marshal Museum in itself. On the day we visited the museum it wasn’t drawing the same numbers of people who were swarming all over the Imperial Palace, but it certainly was attracting a very healthy sum of interested punters in its own right.
What is today a museum was the former home of a family of prominent Dongbei warlords in the first half of the 20th century – the Zhangs, a brace of Zhangs, father and son. During China’s turbulent “warlord era” following the overthrow of the Qing Dynasty, Generalissimo Zhang Zuolin established a power base in the Northeast region. This was his home and after he was assassinated in 1928, his son Zhang Xueliang assumed the mantle as Dongbei warlord and Chinese strongman.
In large part because the younger Zhang lived a very long life (to 100) and there are more resources on him, the personal artefacts, possessions, photos, etc. contained within the museum puts more focus on Xueliang than on his father.
The mansion-cum-museum’s layout comprises several separate building connected by a series of courtyards. While not as lavish or large an affair as the “Puppet Emperor” Pu Yi’s palace-museum in Changchun, the Marshal Mansion exudes a powerful sense of the power players in control of Chinese’s destiny before the ascent to power of the communist rulers.
The key architecturally piece, the standout of the museum is the mansion itself. The building is Neo-Gothic in style, not mega-large but substantially large. The curious thing was that in front of the facade was what looked like a random dump of very large rocks, collected together in a large pile. I thought it an odd juxtaposition but I realise it wasn’t merely happenstance and doubtlessly it held some deep cultural and perhaps even religious significance※.
The other buildings represent a hotch-potch of different architectural styles, ranging from traditional Siheyuan buildings to South China pavilions to habitable structures blending Western and Chinese styles.
The interior displays have a predictably martial theme (befitting the military power-players the Zhang were) and there’s a section devoted to Zueliang’s exile and migration to Hawaii after his fall from grace – with lots of pictures and material.
One of the rooms contains an inventive and spectacular war mural which is part painting and part sculpture, depicting a full-on visualised battle scene which is graphically very effective.
Two of the outdoor exhibits which caught my eye were of a transportation kind. The museum held two of the Zhangs’ vehicles: the Zhang family sedan (a horse-drawn carriage) and a motor truck, the sign for which makes the claim to be if not China’s earliest automobile (I doubted this!), at least one of the very earliest automobiles in the country.
⇡Marshal Zhang’s accountant
Like the nearby Imperial Palace, Marshal Zhang Museum makes much use of waxworks type mannequins to enhance the “historic atmosphere”. So we find different buildings ‘peopled’ by life-size dummies – the warlord’s administrators (accountants and such), his military staff and other functionaries of the mansion✦.
Next door to the Zhang museum❂ is another tiny (micro-) museum – the Shen Yang Financial Museum. Our tickets got us into this museum as well so I wasn’t sure if there was some formal nexus between the two museums.
Entry to the Marshal Zhang Mansion Museum (as of September 2019) is ¥60 adult and ¥30 concession (same fee structure as for the Mukden Palace).
Although Shenyang’s fame resides with the only other Chinese imperial palace outside of Beijing, the old city of Shenhe has other attractions in the neighbourhood worthy of a diversion away from the palace and Shenyang Street. I have already touched on Marshal Zhang Mansion (and museum) and Chaoyang Jie (the subject of separate blog pieces). 
But if you want to explore other places in Shenhe District (Shênhé Qū) celebrating Chinese history and culture, you could start just across the road from Gù Gōng. I happened upon this fairly new monument site to China’s past set in a wide plaza running from Shenyang Jie to Shengjian Lú. The monument, typically Chinese in design, comprises a busy ‘canvas’ of numerous bronze relief sculptures crammed together and mounted on to two long walls which face each other. The monument’s subject matter represents various threads drawn from China’s long and turbulent history of empire and war (no thematic shortage of martial figures on horseback with weapons) .
Another interesting digression can be had by following Shenyang Jie south for several blocks. There are are some splendid examples of modern buildings borrowing from the traditional styles of Chinese architecture. Eventually you will arrive at a rather magnificent Chinese arch at a major intersection in the road. A pagoda-style structure – dwarfed by comparison – sits atop the massively proportioned arch (this human-made icon is best viewed at night when luminously lit up)
If you’ve been to Beijing and trekked the city’s tourist trail, you will inevitably see, et al, the Forbidden City (Zǐjìnchéng) 顾功. If you subsequently also find yourself as a visitor in the principal city of Liaoning province, Shenyang, you’re almost equally inevitably going to include the Northeast version of Beijing’s imperial gem on your “to see” list.
For some, seeing the provincial version of the Forbidden Palace with the image of the monumental original in mind, might prove somewhat of a letdown. Shenyang Imperial Palace (Gù Gōng) 顾功
Note: The cost of a ticket to enter the Shenyang Imperial Palace and Museum is set at parity with the nearby Marshal Zhang Mansion (60 CN¥ for adults).
Gù Gōng was built in the 1630s under the directions of 
The architecture of Gù Gōng is interesting in itself. Stylistically, Gù Gōng is a blend of different building styles. The many buildings and structures comprise an architectural amalgam – among these, Han, Manchu, Mongolian and Tibetan styles can be readily discerned within the palace’s four walls.
The museum component of Gù Gōng includes a raft of Qing imperial art treasures. Among the items on display, direct from the Qing emperor’s pantry are many peerless examples delicate and beautifully glassware, together with enamel vases and gourds, ivory utensils. Not to forget the other such irreplaceable knickknacks from the erstwhile royal household. 
Apart from visiting the palaces’s artworks and artefacts and it’s pavilions, another thing you can do at Gù Gōng, if you really want to get into the decadent spirit and sense of privilege of the Qing lifestyle, is costume hire! For not too many shekels
Shenyang lu