If you’ve been to Beijing and trekked the city’s tourist trail, you will inevitably see, et al, the Forbidden City (Zǐjìnchéng) 顾功. If you subsequently also find yourself as a visitor in the principal city of Liaoning province, Shenyang, you’re almost equally inevitably going to include the Northeast version of Beijing’s imperial gem on your “to see” list.
For some, seeing the provincial version of the Forbidden Palace with the image of the monumental original in mind, might prove somewhat of a letdown. Shenyang Imperial Palace (Gù Gōng) 顾功❋ is a mere one-twelfth the size of the fabled Forbidden Palace, yet it would be very harsh to write off Gù Gōng as a pocket edition of the Beijing prototype. The architects have condensed a great deal of real estate into the >60,000 square metres of the palace grounds at Shenyang. There are more than 300 rooms and around 20 separate courtyards in the complex.
Note: The cost of a ticket to enter the Shenyang Imperial Palace and Museum is set at parity with the nearby Marshal Zhang Mansion (60 CN¥ for adults).
Gù Gōng was built in the 1630s under the directions of Nurhachi and Abahai (the two founding emperors of the Qing Dynasty from 1644). Shenyang Palace’s layout comprises three sections, an eastern, middle and western section (this latter section was constructed by a later Qing emperor). The eastern section includes a component known as the “Ten Kings’ Pavilion” – a group of pavilions where the Qings determined imperial policy for the internal affairs of the country.
The architecture of Gù Gōng is interesting in itself. Stylistically, Gù Gōng is a blend of different building styles. The many buildings and structures comprise an architectural amalgam – among these, Han, Manchu, Mongolian and Tibetan styles can be readily discerned within the palace’s four walls.
The museum component of Gù Gōng includes a raft of Qing imperial art treasures. Among the items on display, direct from the Qing emperor’s pantry are many peerless examples delicate and beautifully glassware, together with enamel vases and gourds, ivory utensils. Not to forget the other such irreplaceable knickknacks from the erstwhile royal household.
Apart from visiting the palaces’s artworks and artefacts and it’s pavilions, another thing you can do at Gù Gōng, if you really want to get into the decadent spirit and sense of privilege of the Qing lifestyle, is costume hire! For not too many shekels✫ you can physically transform yourself into a Qing emperor or empress…for a few fleeting moments. Once you’ve traded your civilian garb for some over-the-top, fake imperial clobber (the colour red is non-negotiably mandatory), the vendor will snap a series of photos in various poses against an appropriate backdrop, ie, astride a mock Chinese imperial throne! 
When in non-English speaking countries, I must admit I do derive a wickedly almost schadenfreude-like buzz from seeking out colourfully inaccurate but humorous attempts at rendering public signs into English (AKA ‘Chinglish’). And my experience in China over three visits is that these translation concoctions are among the most wildly unrestrained, off-the-page and imaginative going – they are almost invariably, pure gold! And I’m pleased to report that Shenyang Imperial Palace did not let me down in this regard. The pick of the palace signs was this gems adorning (or guarding) the palace lawn: “Splash tears when stepping on. After stepping grass heart-wrenching”, a very roundabout way of conveying the direct, standard message “Please keep off the grass”⚀. And yet, as mangled syntactically and grammatically as it is, you can not but admire the very idiosyncratic but nonetheless quite poetic nature of it! Very Chinese to be sure!
PostScript: Shěnyáng lù 沈阳路 and that arch!
If you make your way to Shenyang Imperial Palace from North Shenyang (Zhongjie) subway station (in Shenhe district), it’s but a short walk (less than three blocks) but one itself of interest, even before you reach the palace. At the major cross-street just down from the station exit, an imposingly massive grey archway with a terracotta pagoda roof marks the start of the street, and in a way announces that you are passing into the precinct of the palace. Upon seeing the ‘imperial’ arch the first time I reasonably but erroneously assumed it was the palace entrance itself, which is actually another two blocks further east! Aside from the symbolic arch there are several other interesting buildings in this street, again presenting a contrast of traditional and more modern Chinese building styles.
Shenyang lu
⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢
❋ sometimes referred to as the Mukden Palace (perhaps of archaic use now). ‘Mukden’ was the Manchu name for the city
✫ about 60 to 100 yuans depending on how regal you want to get!
⚀ in a similar bent, posted on another lawn (perhaps more abstrusely) was “Looking at flowers and plants outside the garden and laughing”
Chaoyang Street in the Imperial Palace district of Shenyang, overshadowed by the proximity of the city’s most illustrious tourist drawcard, the Gu Gong Palace itself, doesn’t get the interest it perhaps deserves. Visitors to Shenyang tend to be drawn to Gu Gong and with equal magnetic force to the “shoppers’ paradise” of the Middle Street Pedestrian Mall . But if you divert some of that time to exploring Chaoyang Street, you might happily discover some less known little treats it has to offer.
Fengtian office of Southern Manchurian Railways (131 Chaoyang Street)
Shenyang Huangchengli Cultural Industrial Park (129 Chaoyang Street)
Shenyang and Chaoyang Jie’s penchant for turning the ordinary and mundane into something fresh and different is ably illustrated by the makeover given this old industrial complex. Situated like the ex-Manchurian Railways depot in the 皇城社区 (Huangcheng neighbourhood), a narrow entrance lane from the street leads to a small square. A new project, still presently in the process of completion, is to transform what was a drab old industrial site into a visually more appealing urban landscape. An attractive and classy new arch adorns the entrance to the square and historically and culturally relevant murals and other artworks including elegant carved relief panels decorate the walls. A subject figuring prominently in the industrial park’s paintings is local celebrity and 1930s Dongbei martial strongman Marshal Zhang (“the younger”). The artistic facelift of the old industrial complex on Chaoyang Street is a refreshing innovation in Shenyang, but one for which the city has precedents, eg, Shenyang’s 1905 Cultural and Creative Park taps into that same artistic and aesthetic potential for transforming a depressed industrial wasteland. 
