A Mythical Rovers Derby, Melchester v Felchester: Two Very Different English Fictional Football Fantasies

Posted on by Sloane Snodgrasse
Creative Writing, Leisure activities, Media & Communications, Memorabilia, Popular Culture, Sport

The ardent British football fan while waiting for match day or counting down the off-season days to next August can often be found lapping up all the available literature he or she can get their hands on about the beloved round ball game. The appetite for football fiction extends to the graphic novel and it’s predecessor the comic book. The perennially popular exemplar of this quintessential “Boy’s Own” exploits genre is Roy of the Rovers. 

[R] 17-y-o Roy Race on his ‘debut’

The comic Roy of the Rovers had its debut in Tiger magazine in 1954…the strip follows the fortunes of fictional football team Melchester Rovers, with the spotlight very much on its star centre forward Roy Race. Captain Roy and his team invariably find themselves the underdogs, battling adversity, foul play, injuries and bad luck, somehow in the end they manage to beat the odds and spectacularly win the game in the last minute usually with a corker of a goal by Roy (for supposed ‘underdogs’ Melchester Rovers are decided overachievers – over the years racking up eight fictional FA cups, three European cups and one UEFA cup!).

Roy on the field epitomises fair play (often in contrast to his opponents), his personality embodies all the virtues of “sportsmanship, etiquette and why a fractured ankle, a broken rib and an early case of polio should never stand between a determined team captain and victory in FA cups” (McGinty). Roy’s Rovers competed against the other teams in the League—like their arch-rivals Tynefield United—who never come close to ever matching up to the ethical pedigree of Melchester Rovers.

Roy of the Rovers moments
Roy of the Rovers permeates English football culture to the extent that it is a standard trope for fans of the game to invoke the comic strip to describe memorable sporting incidents, unexpected comebacks, miraculous wins from behind, etc.

Roy is beyond the slightest doubt the absolute gun player in Melchester’s colours, however it’s not quite a one man band. He gets stirling assistance from teammates, most notably from Johnny Dexter the team’s “hard man” and goalie Gordon (“the safest hands in soccer”) Stewart (cf. Gordon Banks).

The créme de la créme, the “Roy of the Rovers Annuals” were a staple for boys each year…over the years of the publication Roy and his team go through all the highs and lows – relegation to Second Division; kidnapping of players; a terrorist attack; the club experiences financial calamities and so on. In the process Roy briefly defects at one time to a rival club before returning to the fold before losing a leg in a skiing accident. After enforced retirement he becomes Melchester manager and his son Rocky assumes the mantle of the side’s star striker.

[B] Roy with his Prince Valiant hairstyle

By the early 1990s, with the inevitable ebbing of ROTR’s popularity, the publication folded. However, at several intervals, the comic, phoenix-like, has been resurrected for the diehearts, most recently in 2018.

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Socialism in one football club
In 1988 the BBC produced a two series radio program drawing inspiration from the legendary Roy of the Rovers comic but taking it in a very different direction. Lenin of the Rovers, “the story of Britain’s only communist football club”, written by Marcus Berkman, is both spoof and affectionate satire, sending up the football comic classic while retaining a sliver of nostalgia both for Roy of the Rovers and the British game of yesteryear. Lenin of the Rovers conversely takes a massive swipe at the contemporary (that is, as at 1988) world of Brit soccer, ridiculing big game commentators and pundits alike, skewering top-flight players for being overpaid, pampered show-ponies with their “in-car leopard skin yoghurt dispensers” (nothing’s changed!). Also in the program’s cross-hairs is the run amuck degree of football sponsorship (eg, the “Heinz Sandwich Spread FA Cup”) and stockbroker hooligans (Hughes). The LCD gutter press also gets a pummeling for its bald-faced lies and facile and trivalising reporting (eg, “Curvy Corinne’s” tabloid article in The Daily Tits: “My night of lust with Ralph Coates”✧).

The story line is pure farce, supposedly detailing the experiences of communist East European football player Ricky Lenin (Alexei Sayle in a heavily accented voice which appears to be channelling his Balowski family character from The Young Ones) at Midlands club Felchester Rovers. Lenin is portrayed as a “tactical mastermind/balding midfield maestro” but more accurately might be described as thick as two planks. Through constant rhetorical flourishes Lenin lectures the team on dialectical materialism, the inevitable destiny of Felchester Rovers football club*, but he is exposed as a faux Marxist for covertly trying to enrich himself through football connexions. Lenin launches a proletarian coup which removes the club’s manager Ray Royce (a  transparent pun on Roy Race), and then himself has to ward off a challenge from Felchester’s “burly defender” Stevie Stalin and “hard nut” henchman Terry Trotsky.

A riotous hoot
Many misadventures follow as Lenin and the club bungle their way through sex scandals, corruption and dodgy business deals, and a disastrous mid-season holiday in a war-torn Central American banana republic (El Telvador)+. The latter episode spoofs cult movie Apocalypse Now (“I love the smell of shin-pads in the morning”), with a side reference to the WWII football plot of Escape to Victory!

In the episode where Felchester travel to Germany to play Borussia Mönchenpastry (cringe!), they encounter diabolical German tabloid publisher Max Gut, a thinly disguised Robert Maxwell. Piss-taking comes fast and furious in LOTR, another episode involving Ricky putting out feelers for a move across the Irish Sea to represent the Republic of Ireland national whose team sheet reads like the United Nations with not a solitary Gaelic name in it! One of the team apparently qualified for Ireland due to having once read a James Joyce novel!

A recurring device sprinkled liberally through Lenin of the Rovers has Ricky Lenin speaking random lines from well-known pop songs – “We are family! I have all my sisters with me”; “A rebel to the core”, “Don’t go breaking my heart“, etc. ad nauseum.

From go to whoa it’s a pun bonanza, reminding me a lot of those exquisite Sixties radio comedies like I’m Sorry I’ll Read That Again. Felchester’s Euro opponent is Swiss club FC Toblerone (groan!). Their arch-rivals in the English comp is the thuggish Crunchthorpe United, however the Felchester team itself triumphs in the Cup employing the same tactics of illegal crunching tackles and skilless brawn. Needless to say that in the computer football universe, Felchester Rovers would be Melchester’s Crunchthorpe United.

 

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✧ LOTR takes no prisoners with the reputations of past FA stars with a constant flow of running gags at their expense (particularly cruel on Ralph Coates)

* with ideological fidelity he also devises a “five year goal plan” for the club, prompting his teammates to slag Arsenal for its “five goals a year plan”

+ there’s a reference to Terry Venables here, the former English manager’s nickname was “El Tel”

 

Reference material:

‘A teen magazine for boys — but will they buy it?’, The Scotsman, Stephen McGinty, 15-Jan-2004, www.thescotsman.co.uk

‘Lenin of the Rovers’, Wikipedia, http://en.m.wikipedia.org

‘Radio revolution’, Rob Hughes, When Saturday Comes, November 2010, www.wsc.co.uk

‘Lenin on the goalpost’, Paul Shaffer, Lion and Unicorn, 2017, www.thelionandunicorn.wordpress.com

A 1960s Juvenile Reader: Classic British Comic Strips and ‘Just William’

Posted on by Bonza Rottwheeler
Literary & Linguistics, Media & Communications, Memorabilia, Popular Culture

As a counterweight to the surfeit of 1960s American television that comprised a large slice of my diet of home entertainment, my juvenile literary tastes back then were decidedly more Anglophile. Plunging into the graphic art world of the 1960s comic book I digested everything I came across catering for adrenalin-pumping, red-blooded British boys.

Desperate Dan, ‘The Dandy’

Among these beacons of popular culture were The Beano (which starred Dennis the Menace and Gnasher), The Dandy❈ (featuring Korky the Cat and Desperate Dan), Knockout (Billy Bunter), The Hotspur, The Rover (these two papers were prime examples of the “Boys’ Own Adventure” style of stories) and Eagle with its centrepiece inter-galactic hero ‘Dan Dare, Pilot of the Future’, not to forget Tiger which catered for British schoolboy football mania with the stellar-booted striker ‘Roy of the Rovers’. The individual comics were grouse fun but what I most enjoyed was the comic book annuals of The Beano, etc., where I could indulge myself in reading a whole end-of-year book comprising a cross-section of the comic’s different strips⚀.

At primary school in the sixties the punitive powers-that-be weren’t all that rapt in comic books as reading material…my confiscated copy of ‘Dennis the Menace Bumper Comic’ (before I had a chance to read hardly any of it!) bore witness to that. From what was on offer in the school library, the one children’s book I did take a shine to was Just William, I should say series of books because there 38 (some sources say 39) ‘William’ books in all! All of the books were collections of short stories, with the exception of one in novel form.

Author Richmal Crompton

Just William was the creation of female English author Richmal Crompton (Lamburn). As a child feverishly devouring all the William books I shared with the overwhelming bulk of readers the uncritical assumption that Richmal was a man. How wrong were we all!!! Miss Lamburn was a school mistress (ironically – in an all-girls school!) who contracted polio and spent the rest of her life writing the William series of books as well as 41 adult novels❦.

The character of William (surname: Brown) was apparently based on Richmal’s young nephew Tommy…in the books William is scruffy and untidy in appearance, and given to directness, rebellion and straight talking – which sometimes lands him in strife. He is the leader of his own small gang of school friends who go by the name of “The Outlaws” (comprising his best friend Ginger as well as two other boys, Henry and Douglas). William is 11, an age he stays at, despite the series of books stretching over a period of nearly 50 years! [‘Just William’, Wikipedia entry]

‘William the Dictator’ (1938)

Most of the books follow the ordinary run of events of William and the Outlaws entangling themselves in minor mischiefs, usually involving nothing worse than the ill-conceived idea of painting a terrier blue! But occasionally William strayed into more edgy and outright polemical territory. In the short story ‘William and the Nasties’¤ William’s band emulate Hitler and his fellow National Socialists in order to terrorise a local Jewish sweet-shop owner (featuring in the 1935 collection William the Detective [‘Five Fascinating Facts about Just William’, www.interestingliterature.com].

Just William’s topicality
A good number of the Just William books regularly reflected current events of their day. William the Conqueror (published in 1926) was resonant of European colonial power imperialism leading up to WWI. William The Dictator (1938) reflected the world’s concern with fascism and National Socialism. Similarly, William and the Evacuees (appearing in 1940) was set against the backdrop of WWII. In the post-war period, the superpowers’ preoccupation with the space race inspired new books like William and the Moon Rocket (1954) and William and the Space Animal (1956) [‘Just William’, Wikipedia entry].

Just William book spin-offs
With such popularity that the Just William books attained (12 million sales in the UK alone), they inevitably flowed through to adaptation to other forms – cinema (three films in the 1940s), two television series (one in the mid-1950s and the other in the early 1960s), radio and even theatre. As well, the schoolboy hero spawned a host of Just William merchandise…from jigsaws and board games to cigarette cards, magic painting books and figurines of William [‘Richmal Crompton’s Just William Society’, www.justwilliam.co.uk]

Celebrity fandom: Lennon as William
Some time after the Beatles visited Australasia in 1964 at the height of “Mop-top mania”, I remember hearing that John Lennon had been a fan of the fictional William in his boyhood. Lennon’s devotion to the books prompted him to form his own, real-life version of the Outlaws, moulding his friends Ivy, Nigel and Pete into a Liverpudlian boy foursome. With John of course as leader, the boys engaged in “small acts of defiance and daring” on their local turf [J Edmondson, John Lennon: A Biography (2010)]. The revelation that I had been propelled into the stratospheric company of such a youth icon as Beatle John, only served to magnify my primary school days zeal for all things William Brown!

PostScript: Continental comic book legends
My childhood taste in comics were not exclusively confined to the gold standard of British comics. Like millions of other children I was also captivated by those ancient Gallic tormentors of Roman legionnaires, Asterix and Obelix (Astérix le Gaulois by Goscinny and Uderzo). In equal measure I was in the thrall of Tintin, Hergé’s creation of a globe-roaming Belgian boy-reporter. Each comic album of The Adventures of Tintin was a lesson in political geography embroiling Tintin in high-stakes adventures in a new and exotic land. But as rewarding as the respective adventures of Asterix and Tintin were, in my book nothing quite scaled the same exalted heights of anticipation as did the prospect of dipping into the treasure trove of Just William’s world.

╼╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╼╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼ ╾╼╾
❈ The originals The Beano and The Dandy were of course far superior to the highly derivative and latter imitations like The Topper and Beezer and Cor!!
⚀ not to be overshadowed, schoolgirls had their own comics and annuals such as Bunty and School Friend Annual
❦ the most accomplished of which was Leadon Hill. The tone of the adult novels was more pessimistic than the Just William series, dealing with themes of divorce and infidelity [Danuta Keen, ‘Not Just William: Richmal Crompton’s adult fiction republished’, The Guardian, 21-Apr-2017]
¤ the name ‘Nasties’ is the result of William’s mishearing of the word ‘Nazis’